Kirsten Hastrup

Peter Loizos

David MacDougall

Terence Wright

André Singer

Alan Macfarlane

Christopher Pinney

Felicia Hughes-Freeland

James C. Faris

Keyan G. Tomaselli

Timothy Asch

Marcus Banks

Granada Centre for Visual Anthropology

Dai Vaughan

Wilton Martinez

Kathleen Kuehnast

Richard Chalfen

Homer Williams

Gary Seaman

This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning).

Film As Ethnography

Napoleon Chagnon

In this myth, the Yanomamo account for the creation of human beings and for their ferocity. The myth is told by the shaman Dedeheiwa.

Moonblood: A Yanomamo Creation Myth as Told by Dedeheiwa

Timothy Asch

About

Books

Join the club