Timothy Beal

With faith, hope, and compassion, acclaimed religion scholar Timothy Beal shows us how to navigate the inevitabilities of the climate crisis and the very real—and very near—possibility of human extinction What if it’s too late to save ourselves from climate crisis? When Time is Short is a meditation for what may be a finite human future that asks how we got here to help us imagine a different relationship to the natural world. Modern capitalism, as it emerged, drew heavily upon the Christian belief in human exceptionalism and dominion over the planet, and these ideas still undergird our largely secular society. They justified the pillaging and eradication of indigenous communities and plundering the Earth’s resources in pursuit of capital and lands. But these aren’t the only models available to us—and they aren’t even the only models to be found in biblical tradition. Beal re-reads key texts to anchor us in other ways of being—in humbler conceptions of humans as earth creatures, bound in ecological interdependence with the world, subjected to its larger reality. Acknowledging that any real hope must first face and grieve the realities of climate crisis, Beal makes space for us to imagine new possibilities and rediscover ancient ones. What matters most when time becomes short, he reminds us, is always what matters most.

Finding Our Way in the Anthropocene

When Time Is Short

Timothy Beal describes many aspects of religion in contemporary America that are typically ignored in other books on the subject, including religion in popular culture and counter-cultural groups; the growing phenomenon of "hybrid" religious identities, both individual and collective; the expanding numbers of new religious movements, or NRMs, in America; and interesting examples of "outsider religion." He also offers an engaging overview of the history of religion in America, from Native American traditions to the present day. Finally, Beal highlights the three major forces shaping the present and future of religion in America.

Religion in America: A Very Short Introduction

The Unexpected History of an Accidental Book

Rise and Fall of the Bible

The life and times of the New Testament’s most mystifying and incendiary book Few biblical books have been as revered and reviled as Revelation. Many hail it as the pinnacle of prophetic vision, the cornerstone of the biblical canon, and, for those with eyes to see, the key to understanding the past, present, and future. Others denounce it as the work of a disturbed individual whose horrific dreams of inhumane violence should never have been allowed into the Bible. Timothy Beal provides a concise cultural history of Revelation and the apocalyptic imaginations it has fueled. Taking readers from the book’s composition amid the Christian persecutions of first-century Rome to its enduring influence today in popular culture, media, and visual art, Beal explores the often wildly contradictory lives of this sometimes horrifying, sometimes inspiring biblical vision. He shows how such figures as Augustine and Hildegard of Bingen made Revelation central to their own mystical worldviews, and how, thanks to the vivid works of art it inspired, the book remained popular even as it was denounced by later church leaders such as Martin Luther. Attributed to a mysterious prophet identified only as John, Revelation speaks with a voice unlike any other in the Bible. Beal demonstrates how the book is a multimedia constellation of stories and images that mutate and evolve as they take hold in new contexts, and how Revelation is reinvented in the hearts and minds of each new generation. This succinct book traces how Revelation continues to inspire new diagrams of history, new fantasies of rapture, and new nightmares of being left behind.

A Biography

The Book of Revelation

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene. Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

Religion and Its Monsters

Tod Linafelt

Claudia V. Camp

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

The Past and Present of a Biblical Icon

The Fate of King David

“The Bible…is a locked treasure for those unfamiliar with the Scriptures….Beal offers a key with his accessible guide.” —Cleveland Plain Dealer “With skill and insight, Timothy Beal has given us a great gift: a lucid and engaging introduction to the most important book ever published.” —Jon Meacham, author of American Lion, winner of the Pulitzer Prize In the tradition of Stephen Prothero’s Religious Literacy, and with the deftness of Bill Bryson’s Mother Tongue, Timothy Beal’s Biblical Literacy is a one-stop course in the Bible passages and background information that everyone needs to know to navigate our nuanced cultural landscape—from devout believers to decided atheists, average citizens to pop-culture aficionados. Like Religion in America, Religion and its Monsters, and other of his highly acclaimed books, Beal’s Biblical Literacy is a must-have handbook for understanding today’s world.

The Essential Bible Stories Everyone Needs to Know

Biblical Literacy

Updated with a new chapter which enagages cultural fascinations about artificial intelligence as it relates to religion and the monstrous, this new edition is essential reading for students and scholars with an interest in the development of horror theory within religious studies in the two decades since its first publication.

Florence Harkness Professor of Religion Timothy Beal

The Oxford Encyclopedia of the Bible and the Arts (OEBART) is an in-depth, comprehensive reference work that covers the cultural history of biblical texts, themes, characters, images, and the Bible itself in the literary, visual, and musical arts. Appearing in response to the shifting landscape of biblical studies over the last decade, OEBART embraces the broadest possible definition of "interpretation," one that includes a cultural-historical perspective. Entries are organized primarily according to specific literary, visual, and musical artists, types of works, and periods (e.g., Mozart, Shakespeare, Children's Bibles, Early Christian Art), revealing how the Bible figures in each. OEBART contains 148 entries ranging in length from 2,000 to 10,000 words. With bibliographic references and suggestions for further reading, each entry provides scholars and students with a reliable source of specialist information on topics that are not covered by existing general reference works. OEBART distinguishes itself as the superior reference by providing substantively longer, in-depth articles written not only by leading biblical scholars, but also by prominent scholars in the various fields of art in which the Bible figures, and including information on each subject as well as on the history of the scholarly research concerning that subject; by following a topical organization based on a cultural-historical rather than a reception-historical perspective; and through its integration into a larger suite of reference works from Oxford University Press that will be the go-to digital (through Oxford Biblical Studies Online) and print resources for biblical studies.

The Oxford Encyclopedia of the Bible and the Arts

In the summer of 2002, Timothy K. Beal loaded his family into a twenty-nine-foot-long motor home and hit the rural highways of America in search of roadside religious attractions-sites like the World's Largest Ten Commandments and Precious Moments Chapel. Roadside Religion tells of his attempts to understand the meaning of these places as expressions of religious imagination and experience, and to encounter faith in all its awesome absurdity.

In Search of the Sacred, the Strange, and the Substance of Faith

Roadside Religion

Everything You Need to Know About the Bible’s Most Important Stories.

A professor of religion offers an “engrossing and excellent” look at how the Good Book has changed—and changed the world—through the ages (Publishers Weekly, starred review). In a lively journey from early Christianity to the present, this book explores how a box of handwritten scrolls became the Bible, and how the multibillion-dollar business that has brought us Biblezines and Manga Bibles is selling down the Book’s sacred capital. Showing us how a single official text was created from the proliferation of different scripts, Timothy Beal traces its path as it became embraced as the word of God and the Book of books. Christianity thrived for centuries without any Bible—there was no official canon of scriptures, much less a book big enough to hold them all. Congregations used various collections of scrolls and codices. As the author reveals, there is no “original” Bible, no single source text behind the thousands of different editions on the market today. The farther we go back in the holy text’s history, the more versions we find. In calling for a fresh understanding of the ways scriptures were used in the past, the author of Biblical Literacy offers the chance to rediscover a Bible, and a faith, that is truer to its own history—not a book of answers, but a library of questions.

Timothy Beal

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