Timothy J. Standring

Jaco Rutgers

A compelling reconsideration of Rembrandt’s printed oeuvre based on new research into the artist’s life and work As a pioneering printmaker, Rembrandt van Rijn (1606–1669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist’s prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt’s reputation throughout Europe. Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist’s prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.

Painter as Printmaker

Rembrandt

A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.

American Painters in France

Whistler to Cassatt

Martin Clayton

Painter and printmaker Giovanni Benedetto Castiglione (1609–64) was one of the most technically superb and innovative artists of the Italian Baroque. Although he is best known for his evocative etchings that reveal a mastery of light to rival that of Rembrandt and Van Dyck, he also redefined the drawing and printmaking genres through the introduction of his monotyping technique and was among the first to conceive of the oil sketch as a finished work. Sadly, Castiglione’s prolific artistic output has been largely overshadowed by his turbulent character and troubled private life. With this lavishly illustrated biography, leading Castiglione scholar Timothy J. Standring and curator Martin Clayton and seek to restore to prominence this forgotten master of the Italian Baroque. Drawing on extensive new research into court records and other documents of the time, Standring and Clayton have reconstructed the artist’s life, from his arrest for murder that led to the estrangement of his contemporaries and the loss of valuable patrons to his eventual decision to flee the region. The story of Castiglione’s life and important new discoveries about his art are presented here alongside one hundred brilliant reproductions of his oil sketches. Published to accompany a major exhibition that will debut at the Queen’s Gallery, London, and travel to the Denver Art Museum in May 2015, Castiglione: Lost Genius is the first new publication on Castiglione in decades, and it is sure to bring his first-rate work and fascinating life to the forefront.

Lost Genius

Castiglione

Louis van Tilborgh

Denver Art Museum

Simon R. Kelly

An in-depth exploration of Vincent van Gogh's unconventional path to becoming one of the world's most recognizable artists

Timothy J. Standring

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