Tobias Döring

poems and prose about the Tube

London Underground

Sarah Fekadu

Hanna Straß-Senol

Meteorologies of Modernity explores the ways in which literature reflects and participates in discourses on weather and climate – historically as well as at our contemporary moment. Literature contains a huge meteorological archive built throughout the centuries. The essays collected in this volume therefore ask to what extent literature can bring the vastness and complexity of climate change into view, how literature offers ways to think through the challenges of the Anthropocene both culturally, historically, and aesthetically, and, last but not least, how it helps us to conceptualize a radically new understanding of what it means to be human. The thirteen contributions from literary and cultural studies address weather and climate discourses from a variety of conceptual angles and cover a broad range of historical and geographical contexts. Topics include representations of tropical climates in Shakespeare, the close yet tense relationship between literature and the rising discipline of meteorology in the nineteenth century, allegories of climate change in postcolonial literature, and climate catastrophes in the contemporary clifi novel. By employing a historicizing and comparative approach, the volume addresses the need for studying representations of climate and climate change in an interdisciplinary, transnational and transhistorical framework, overcoming traditional disciplinary boundaries and creating new collectives of theory and criticism that are essential when debating the Anthropocene.

Vol. 33 (2017): Meteorologies of Modernity. Weather and Climate Discourses in the Anthropocene

REAL - Yearbook of Research in English and American Literature

Mark Stein

In this contribution to contemporary political philosophy, Jensen aims to develop a model of civil society for deliberative democracy. In the course of developing the model, he also provides a thorough account of the meaning and use of "civil society" in contemporary scholarship as well as a critical review of rival models, including those found in the work of scholars such as John Rawls, Jurgen Habermas, Michael Walzer, Benjamin Barber, and Nancy Rosenblum. Jensen's own ideal treats civil society as both the context in which citizens live out their comprehensive views of the good life as well as the context in which citizens learn to be good deliberative democrats. According to his idealization, groups of citizens in civil society are actively engaged in a grand conversation about the nature of the good life. Their commitment to this conversation grounds dispositions of epistemic humility, tolerance, curiosity, and moderation. Moreover, their regard for the grand conversation explains their interest in deliberative democracy and their regard for democratic virtues, principles, and practices. Jensen is not a naive utopian, however; he argues that this ideal must be realized in stages, that it faces a variety of barriers, and that it cannot be realized without luck.

Essays in Secular Criticism

Edward Said's Translocations

Ewan Fernie

Bringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies.

Something Rich and Strange

Thomas Mann and Shakespeare

Tobias Döring uses Postcolonialism as a backdrop to examine and question the traditional genres of travel writing, nature poetry, adventure tales, autobiography and the epic, assessing their relevance to, and modification by, the Caribbean experience. Caribbean-English Passages opens an innovative and cross-cultural perspective, in which familiar oppositions of colonial/white versus postcolonial/black writing are deconstructed. English identity is thereby questioned by this colonial contact, and Caribbean-English writing radically redraws the map of world literature. This book is essential reading for students of Postcolonial Literature at both undergraduate and postgraduate level.

Intertexuality in a Postcolonial Tradition

Caribbean-English Passages

From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.

Tobias Döring

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