Tom Sleigh

Poems

The King's Touch

Presents a collection of poems that reflect the realities of contemporary American life.

Space Walk

The AK wants to tell a different truth— a truth ungarbled that is so obvious no one could possibly mistake its meaning. If you look down the cyclops-eye of the barrel what you'll see is a boy with trousers rolled above his ankles. You'll see a mouth of bone moving in syllables that have the rapid-fire clarity of a weapon that can fire 600 rounds a minute. —from "Oracle" Station Zed is the terminal outpost beyond which is the unknown. It is also the poet Tom Sleigh's finest work. In this latest collection, Sleigh brings to these poems his experiences as a journalist on tours of Lebanon, Somalia, Iraq, and Libya. But these are also dispatches from places of grief, history, and poetic traditions as varied as Scottish ballads and the journeys of Basho.

Station Zed

Essays on the urgency of our global refugee crisis and our capacity as artists and citizens to confront it Tom Sleigh describes himself donning a flak jacket and helmet, working as a journalist inside militarized war zones and refugee camps, as “a sort of Rambo Jr.” With self-deprecation and empathetic humor, these essays recount his experiences during several tours in Africa and in the Middle Eastern region once called Mesopotamia, “the land between two rivers.” Sleigh asks three central questions: What did I see? How could I write about it? Why did I write about it? The first essays in The Land between Two Rivers focus on the lives of refugees in Syria, Lebanon, Jordan, Kenya, Somalia, and Iraq. Under the conditions of military occupation, famine, and war, their stories can be harrowing, even desperate, but they’re also laced with wily humor and an undeluded hopefulness, their lives having little to do with their depictions in mass media. The second part of the book explores how writing might be capable of honoring the texture of these individuals’ experiences while remaining faithful to political emotions, rather than political convictions. Sleigh examines the works of Anna Akhmatova, Mahmoud Darwish, Ashur Etwebi, David Jones, Tomas Tranströmer, and others as guiding spirits. The final essays meditate on youth, restlessness, illness, and Sleigh’s motivations for writing his own experiences in order to move out into the world, concluding with a beautiful remembrance of Sleigh's friendship with Seamus Heaney.

Writing in an Age of Refugees

The Land between Two Rivers

One of our most gifted poets, Sleigh reveals with vigor and delicacy the connections forged between the dead and the living. Waking is a moving narrative of the creation of the self. ". . . . it takes a book like Tom Sleigh's Waking to remind us of all that was most innately stirring and necessary about the confessional insurrection. . . . in Waking Sleigh proves himself worthy of spinning gold thread from the straw of sincerity, elevating his so-called confessions from the merely revealing to the durably revelatory."—David Barber, Poetry "[Sleigh] is a consummate stylist whose formal control and exploitation of convention is graceful and calm. And yet it is from the calm and steady control that some of Sleigh's most emotionally powerful moments are acheived. . . .Waking is one of the strongest collections of poems to appear in the last few years."—Michael Collier, Partisan Review "Tom Sleigh's second book of poems, Waking is so fine one can hardly do justice to it in a review. The second poem, 'Ending,' is a remarkable piece of work which introduces the notion of the 'hook'—which hooks us to life even while it kills us. It is a presence of painful mortality which haunts the rest of the book."—Liz Rosenberg, New York Times Book Review "Waking handsomely and affirmatively demonstrates its own clean and demanding premise: one's imagination is awakened to life by the burden of mortality. One reads in these poems a view not of the poet's suffering, but of our own temporal joys and sorrows."—Jay Meek, Hungry Mind Review "With the publication of Waking, his second collection of poems, Tom Sleigh establishes his voice among the strongest of his generation. A poet of subject and craft, his skill allows him to avoid the slackness of much free verse and, at the same time, break free of the stiff old numbers in order to create a spoken language of rhythmic intensity and eloquence. . . . In this book Tom Sleigh's vigilance provides his readers with an invaluable gift: we can wake our lives."—Stuart Dischell, Boston Review

Waking

In The Dreamhouse, Tom Sleigh's poetry is a medium for both revelation and linguistic invention. The meditative clarity of Sleigh's poems, his ability to range between the plain and high style with complete naturalness of intonation, and the varying and always surprising musical effects he accomplishes in each poem display his unequaled flair for innovation that is never willful or forced but which always works to forward the poems' emotional and intellectual resonances. The Dreamhouse marks Sleigh as one of the most inventive and provocative poets of his generation. Praise for Tom Sleigh: "Through sheer artistry, Tom Sleigh manages to write . . . in a transcendent way, and without appeal to the metaphysical assumptions transcendence usually requires. The Chain . . . floods darkness with brilliant craft."—Gray Jacobik, Boston Globe "Tom Sleigh's second book of poems, Waking, is so fine one can hardly do justice to it in a review. . . . Sleigh is nearly as prodigal with his gifts as Yeats."—Liz Rosenberg, New York Times Book Review

The Dreamhouse

John King

Zachary Lazar

Adam Peterson

David Macey

Chris Tarry

Michael Thurston

Andrew McKay

Shane McCrae

Meghan O'Rourke

Alex Stein

Jeffrey Yang

Sesshu Foster

Robert Polito

Tamas Dobozy

H. L. Hix

James Richardson

Cole Swensen

Judith Skillman

Josh Billings

Jeffery Allen

Sarah Barber

Dan Beachy-Quick

Priscilla Becker

Callista Buchen

Drew Calvert

James Capozzi

Kelly Cherry

Ruth Curry

Weston Cutter

Steve Davenport

Laura Engel

Avital Gad-Cykman

Kathleen Graber

Myronn Hardy

Henry Israeli

Jeanne-Marie Jackson

Yahia Lababidi

Laurie Lamon

Kevin Lutz

John Marvin

Diane Mehta

Kathryn Nuernberger

Fani Papageorgiou

Elahzar Rao

F. Daniel Rzicznek

Craig Teicher

Jacob White

Wyatt Williams

Paul-Victor Winters

Marion Wyce

The Rat's Nest

Tom Sleigh’s brilliant new collection is “full of the wonder and eloquence driving profound poetry” (Los Angeles Times) You’ve got to put your pants on in the house of fact. And in the house of fact, when you take off your shirt, you can hear your shirt cry out, Facts are the floor, facts are how you make the right side talk to the left. I’m washing my naked belly clean, and doing it with dignity. I’m turning around, trying to see the filthiness that keeps making me filthy. —from “House of Fact, House of Ruin” “I hate to admit it, but even the house of fact is a house of ruin,” writes Tom Sleigh in the title sequence of this extraordinary new collection. Very much of our present moment, in which fact can so easily be manufactured and ruin so easily achieved by pressing "Send" or pulling a trigger, these poems range across the landscapes of contemporary experience. Whether a militia in Libya or a military base in Baghdad, a shantytown in East Africa or an opulent mall on Long Island, these subjects and locations resonate with the psychic and social costs of having let the genie of war, famine, and climate change out of the lamp in the first place. The book ultimately turns on conundrums of selfhood and self-estrangement in which Sleigh urges us toward a different realm, where we might achieve the freedom of spirit to step outside our own circumstances, however imperfectly, and look at ourselves as other, as unfamiliar, as strange. House of Fact, House of Ruin is Sleigh’s most engaging and virtuosic collection to date.

House of Fact, House of Ruin

Tom Sleigh

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