Anthony John Woodman

Tony Woodman

Ian Du Quesnay

Comprehensive coverage, accessible to students and non-specialists, of one of the most popular poets of classical antiquity.

The Cambridge Companion to Catullus

David West

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature.

Creative Imitation and Latin Literature

Catullus is one of the most popular poets to survive from classical antiquity. Above all others he seems to speak to modern readers with a modern voice. The distinguished contributors to this Companion discuss the principal subjects which drew Catullus' affection and disgust, above all his famous affair with the woman he calls 'Lesbia', and situate him in the social, historical and intellectual context of first-century BC Rome. One of the so-called 'new poets', Catullus had a profound effect on subsequent Latin poetry, and this is explored especially for the Augustan age and the late first century AD. A significant part of the volume is concerned with Catullus' survival into the modern world. There are discussions both of the manuscript tradition and of the interpretative scholarship which has been devoted to his poetry, as well as his reception by renaissance and later poets. Students in particular will appreciate this book.

The contributors analyse passages from various authors to demonstrate how Latin authors created new works of art by imitating earlier literature.

Tony Woodman

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