Jonathan Cross

Trevor Herbert

John Wallace

This Companion covers many diverse aspects of brass instruments and in such detail. It provides an overview of the history of brass instruments, and their technical and musical development. Although the greatest part of the volume is devoted to the western art music tradition, with chapters covering topics from the medieval to the contemporary periods, there are important contributions on the ancient world, non-western music, vernacular and popular traditions and the rise of jazz. Despite the breadth of its narrative, the book is rich in detail, with an extensive glossary and bibliography. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers on brass instruments.

The Cambridge Companion to Brass Instruments

This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.

The Trombone

Arnold Myers

Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopaedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopaedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.

The Cambridge Encyclopedia of Brass Instruments

Gareth Elwyn Jones

Gareth Herbert

Wales Between the Wars

Preface Notes on Contributors Introduction Nineteenth-Century Bands: Making a Movement, Trevor Herbert 'What's Wrong with Brass Bands?': Cultural Change and the Band Movement, 1918- c.1964, Dave Russell The Musical Revolution of the Mid-Nineteenth Century: From 'repeat and twiddle' to 'precision and snap', Vic & Sheila Gammon Instruments and Instrumentation of British Brass Bands, Arnold Myers God's Perfect Minstrels: The Bands of the Salvation Army, Trevor Herbert The Brass Band in the Antipodes: Original Compositions for the British Popular Culture, Duncan Bythell Building a Repertoire: Original Compositions for the British Brass Band (1913-98), Paul Hindmarsh Aspects of Performance Techniques: The Brass Band and its Influence on Other Brass-Playing, Trevor Herbert & John Wallace Appendix 1. Prices of Brass Band Instruments Appendix 2. The Salvation Army Appendix 3. Contest Rules Appendix 4. Enderby Jackson's Crystal Palace Contests Appendex 5. Open and National Championship Results A Note on Discographies and Recordings Select Bibliography Index.

A Musical and Social History

The British Brass Band

Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.

A Guide to Researching and Writing about Music

Music in Words

Peter Stead

In this collection of essays, a group of musical enthusiasts assess the international careers of great Welsh soloists in the context of the national musical tradition. These individual careers are examined against the background of wider local traditions such as the Eisteddfod, religious festivals and male voice choirs. The emphasis of the book will be on the classical and operatic but the sheer variety and perpetually evolving nature of popular music in Wales is reflected in both general essays and in studies of two of the country's most successful entertainers. The book includes detailed chapters of Tom Jones, Shirley Bassey and Bryn Terfel, alongside contemporary music phenomenons such as The Stereophonics, Catatonia and the Manic Street Preachers.

Great Welsh Voices

Hymns and Arias

Helen Barlow

Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music historians. Music & the British Military in the Long Nineteenth Century however, shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life. Beginning with a discussion of the place of the military in civilian and social life, authors Trevor Herbert and Helen Barlow plot the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. Herbert and Barlow organize their study around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. In so doing, they show that military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making. A much needed addition to the scholarship on nineteenth century music, Music & the British Military in the Long Nineteenth Century is an essential reference for music, cultural and military historians, the social history of music and nineteenth century studies.

Trevor Herbert

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