Trevor Paglen

Shown here for the first time, these 60 patches reveal a secret world of military imagery and jargon, where classified projects are known by peculiar names (Goat Suckers', 'None of Your Fucking Business', 'Tastes Like Chicken') and illustrated with occult symbols and ridiculous cartoons. Although the actual projects represented here (such as the notorious Area 51) are classified, these patches - which are worn by military units working on classified missions - are precisely photographed, hinting at a world about which little is known.'

Emblems from the Pentagon's Black World

I Could Tell You But Then You Would Have to be Destroyed by Me

A. C. Thompson

On the Trail of the CIA's Rendition Flights

Torture Taxi

Rebecca Solnit

Invisible: Covert Operations and Classified Landscapes is Trevor Paglens longawaited first photographic monograph. Social scientist, artist, writer, and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agenciesthe black worldfor the last eight years, publishing, speaking, and making astonishing photographs. As an artist, Paglen is interested in the idea of photography as truth-telling, but his mysterious, compelling pictures o!en stop short of traditional ideas of documentation. Invisible highlights the array of tactics used by Paglen to depict both what can and cannot be seen. In the series Limit Telephotography, he employs highend optical systems to photograph top-secret governmental sites. In The Other Night Sky, Paglen works with the data of amateur satellite watchers to track and photograph classified spacecra! in Earths orbit, while in other works he roots out revealing, yet arcane documentspassports, flight data, aliases of CIA operativesand transforms them into art objects. Showcasing the artwork of an important emerging talent, Invisible speaks to the multidisciplinary practices employed by many of todays most interesting contemporary artists. Rebecca Solnit, noted author on culture and photography, contributes a searing essay that traces this history of clandestine military activity on the American landscape.

Covert Operations and Classified Landscapes

Invisible

Welcome to a top-level clearance world that doesn't exist...Now with updated material for the paperback edition. This is the adventurous, insightful, and often chilling story of a road trip through a shadow nation of state secrets, clandestine military bases, black sites, hidden laboratories, and top-secret agencies that make up what insiders call the "black world." Here, geographer and provocateur Trevor Paglen knocks on the doors of CIA prisons, stakes out a covert air base in Nevada from a mountaintop 30 miles away, dissects the Defense Department's multibillion dollar "black" budget, and interviews those who live on the edges of these blank spots. Whether Paglen reports from a hotel room in Vegas, a secret prison in Kabul, or a trailer in Shoshone Indian territory, he is impassioned, rigorous, relentless-and delivers eye-opening details.

The Dark Geography of the Pentagon's Secret World

Blank Spots on the Map

Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc. The disc, commissioned by Creative Time, will then be sent into orbit onboard the Echostar XVI satellite in September 2012, as both a time capsule and a message to the future. The selection of 100 images, which are the centerpiece of the book, was influenced by four years of interviews with leading scientists, philosophers, anthropologists, and artists about the contradictions that characterize contemporary civilizations. Consequently, The Last Pictures engages some of the most profound questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment. Copub: Creative Time Books

Trevor Paglen

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