Ulrike Wiethaus

Grant McAllister

A multidisciplinary examination of Moravian Americanization in the Early Republic with a special focus on assimilation, innovation, and racialized segregation.

Moravian Americans and their Neighbors, 1772-1822

Agnes Blannbekin

Female mysticism, usually nourished in contemplative surroundings, in Blannbekin's case drew its inspiration from urban life; Weidhaus identifies her visions as 'street mysticism'. This early example of a spiritual diary incorporating the visions of a female mystic offers a glimpse of religious women's daily life and spiritual practices. Agnes Blannbekin was from an Austrian farming family, but as a Beguinelived an urban life: Ulrike Weithaus refers to her experiences as 'street mysticism'. Blannbekin's spiritual life revolved around the liturgical cycles of the church year, but also embraced the opportunities and vagaries of city life. Her visions comment on memorable events such as a popular bishop's visit to town during which people were trampled to death; the consequences of a rape committed by a priest; thefts of the Eucharist and the work of witches. Christ, for Blannbekin, is not only bridegroom, but also shopkeeper, apothecary, and axe-wielding soldier, and it was her vision of swallowing Christ's foreskin which led to the eventual censorship of her works. Life and Revelations has only recently been rediscovered by Austrian scholar Peter Dinzelbacher, and this translation is based on his critical edition.

Life and Revelations

Agnes Blannbekin, Viennese Beguine

Female mysticism, usually nourished in contemplative surroundings, in Blannbekin's case drew its inspiration from urban life; Weithaus identifies her visions as "street mysticism".

This work offers interdisciplinary perspectives by women scholars on the diverse cultural contributions of medieval women mystics.

The Religious Experience of Medieval Women Mystics

Maps of Flesh and Light

Mary Ann Jacobs

Cherry Maynor Beasley

This book documents the autobiographical stories and poems of Southeastern American Indian women whose hard work and daily fight to keep their communities well and safe is all too often disregarded by mainstream publications and the general public. At the end of each section, the editors provide questions for reflection. Aimed at general readers and especially American Indian women themselves, this book celebrates the voices of those in native communities in the US Southeast, a region rarely covered in other publications. The editors, with deep roots in the scholarship and culture of Indian women, have collected original stories, narratives, and poems. Featured prominently is the Lumbee Indian community, where two of the editors (one of them active in the Lumbee Tribe of North Carolina) teach at the nearby University of North Carolina at Pembroke College, a center for scholarship about the Lumbee people. Traditional American Indian culture places high value on teaching and passing down knowledge through story and oral history, and this volume honors that tradition with the written narratives and poetry of a variety of Native women. Through this work, provided by professional and everyday writers, readers learn about the societies that have raised girls from an early age to be independent and competent leaders, to access traditional Native spirituality despite religious oppression, and to fight for justice for themselves and Native peoples across the nation in the face of legal and societal oppression.

Southeastern Native Women Share Their Stories of Justice, Spirit, and Community

Upon Her Shoulders

Karen Cherewatuk

Dear Sister: Medieval Women and the Epistolary Genre explores women's contributions to letter writing in Western Europe from the sixth to the sixteenth centuries. The essays represent the first attempt to chart medieval women's achievements in epistolarity, and the contributors to this volume situate the women writers in a solidly historical context and employ a variety of feminist approaches. Both religious and secular writers are discussed, including Radegund, Hildegard of Bingen, Heloise, Catherine of Siena, the women of the Paston family, Christine de Pizan, and Maria de Hout.

Medieval Women and the Epistolary Genre

Dear Sister

Gillian R. Overing

This volume offers a dialogue with and through the medieval informed by cultural categories of performativity and simultaneity in on-line media, architecture, film, poetry, and social formations. The articles depart from Medievalism Studies and attempt to answer questions such as: How do medievalists, artists, writers, and entertainment industries communicate, replicate, and evoke medieval formations? How do national and transnational discursive fields relate to understandings of the medieval in its many unstable states? Where are the communal memory sites and what functions do they serve for those who are associated with them? Where are the medieval disjunctions and conjunctions of race, ethnicity and time in a settler society? And what do place, nature, and landscape have to do with it?

Ulrike Wiethaus

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