V. S. Naipaul

"A marvellous prose epic that matches the best nineteenth-century novels" Newsweek"A work of great comic power qualified with firm and unsentimental compassion." Anthony BurgessA House for Mr Biswas is V.S. Naipaul's unforgettable third novel. Born the "wrong way" and thrust into a world that greeted him with little more than a bad omen, Mohun Biswas has spent his 46 years of life striving for independence. But his determined efforts have met only with calamity. Shuttled from one residence to another after the drowning of his father, Mr Biswas yearns for a place he can call home. He marries into the domineering Tulsi family, on whom he becomes indignantly dependent, but rebels and takes on a succession of occupations in an arduous struggle to weaken their hold over him and purchase a house of his own.Heartrending and darkly comic, A House for Mr Biswas masterfully evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad.

A House for Mr Biswas

Perhaps Naipaul's most autobiographical work, this is the story of a writer's singular journey from the British colony of Trinidad to the ancient countryside of England.

A Novel in Five Sections

The Enigma of Arrival

In this account of his journeys through Asia, the believers are the Muslims Naipaul met on these jouneys. He shows young people battling to regain the original purity of their faith, and offers an insight into modern Islam and the comforting simplifications of religious fanaticism.

An Islamic Journey

Among the Believers

A profound and moving and often humorous novel that evokes a colonial man's experience in the post-colonial world.A Tolstoyan spirit... The so-called thrid World has produced no more brilliant literary artist' John Updike, New Yorker Born of Indian heritage, raised in the British-dependent Caribbean island of Isabella, and educated in England, forty-year-old Ralph Singh has spent a lifetime struggling against the torment of cultural displacement. Now in exile from his native country, he has taken up residence at a quaint hotel in a London suburb, where he is writing his memoirs in an attempt to impose order on a chaotic existence. His memories lead him to recognize the cultural paradoxes and tainted fantasies of his colonial childhood and later life: his attempts to fit in at school, his short-lived marriage to an ostenatious white woman. But it is the return of Isabella and his subsequent immersion in the roiling political atmosphere of a newly self-governing nation - every kind of racial fantasy taking wing - that ultimately provide Singh with the necessary insight to discover the crux of his disillusionment. 'Ambitious and successful... Extremely perceptive' The Times 'The sweep of Naipaul's imagination, the brilliant fictional frame that expresses it, are in my view eithout equal today' New York Times Book Review

The Mimic Men

Moving beyond travelogue, V. S. Naipaul's The Masque of Africa considers the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of African civilization. Beginning in Uganda, at the centre of the continent, Naipaul’s journey takes in Ghana and Nigeria, the Ivory Coast and Gabon, and ends, as the country does, in South Africa. Focusing upon the theme of belief – though sometimes the political or economical realities are so overwhelming that they have to be taken into account – Naipaul examines the fragile but enduring quality of the old world of magic. To witness the ubiquity of such ancient ritual, to be given some idea of its power, was to be taken far back to the beginning of things. To reach that beginning was the purpose of this book. ‘The quality of Naipaul’s writing – simple, concise, engaging – rarely varies . . . Above all, Naipaul’s latest African journey is eyewitness reporting at its best’ Time

Glimpses of African Belief

The Masque of Africa

A Bend in the River is V. S. Naipaul’s vivid exploration of post-colonial Africa at the time of Independence. With an introduction by Yiyun Li, author of A Thousand Years of Good Prayers. Salim has spent most of his life on the east coast of Africa, living and working with his family. When he sets out to build a new life for himself, moving to an unnamed country in the heart of the continent he believes he is doing so to fulfil his duty as a man. He buys a small shop in a sleepy town, at a bend in the river, where he sells sundries to the locals. First published in 1979, A Bend in the River is V.S. Naipaul's vivid exploration of post-colonial Africa at the time of Independence. Serving as a microcosm of this changing world, his bend in the river is a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works - a truly moving story of historical upheaval and social breakdown.

A Bend in the River

The first book in V. S. Naipaul’s acclaimed Indian trilogy – with a preface by the author. An Area of Darkness is V. S. Naipaul’s semi-autobiographical account – at once painful and hilarious, but always thoughtful and considered – of his first visit to India, the land of his forebears. He was twenty-nine years old; he stayed for a year. From the moment of his inauspicious arrival in Prohibition-dry Bombay, bearing whisky and cheap brandy, he experienced a cultural estrangement from the subcontinent. It became for him a land of myths, an area of darkness closing up behind him as he travelled . . . The experience was not a pleasant one, but the pain the author suffered was creative rather than numbing, and engendered a masterful work of literature that provides a revelation both of India and of himself: a displaced person who paradoxically possesses a stronger sense of place than almost anyone. ‘His narrative skill is spectacular. One returns with pleasure to the slow hand-in-hand revelations of both India and himself’ The Times

His Discovery of India

An Area of Darkness

Literary Occasions

Family Letters

Between Father and Son

ways of looking and feeling

A writer's people

A Turn in the South

In 1975, at the height of Indira Gandhi’s Emergency, V. S. Naipaul returned to India, the country his ancestors had left one hundred years before. Out of that journey he produced this concise masterpiece of journalism and cultural analysis, a vibrant, defiantly unsentimental portrait of a society traumatized by repeated foreign invasions and immured in a mythic vision of its past. Drawing on novels, news reports, and political memoirs -- but most of all on his conversations with ordinary Indians, from princes to engineers and feudal village autocrats -- Naipaul captures India’s manifold complexities.

A Wounded Civilization

India: A Wounded Civilization

The Mystic Masseur

Suffrage of Elvira

The Nightwatchman's Occurrence Book and Other Comic Inventions

The Middle Passage

The central novel from V.S. Naipaul's Booker Prize-winning narrative of displacement, published for the first time in a stand-alone edition In a Free State: The Novel is set in Africa, in a place like Uganda or Rwanda, and its two main characters are English. They had once found liberation in Africa. But now Africa is going sour on them. The land is no longer safe, and at a time of tribal conflict they have to make a long drive to the safety of their compound. At the end of this drive - the narrative tight, wonderfully constructed, the formal and precise language always instilled with violence and rage - we know everything about the English characters, the African country, and the Idi Amin-like future awaiting it. This is one of V. S. Naipaul's greatest novels, hard but full of pity. It won the Booker Prize, in its original edition, in 1971.

The Novel

In a Free State

Miguel Street, V. S. Naipaul’s first written work of fiction, is set in a derelict corner of Port of Spain, Trinidad, during World War Two and is narrated by an unnamed, precociously observant neighbourhood boy. We are introduced to a galaxy of characters, from Popo the carpenter, who neglects his livelihood to build ‘the wild thing without a name’, to Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big-Foot, the bully with glass tear ducts. As well as the lovely Mrs Hereira, in thrall to her monstrous husband. V. S. Naipaul writes with prescient wisdom and crackling wit about the lives and legends that make up Miguel Street: a living theatre, a world in microcosm, a cacophony of sights, sounds and smells – all seen through the eyes of a fatherless boy. The language, the idioms and the observations are priceless and timeless and Miguel Street overflows with life on every page. This is an astonishing novel about hope, despair, poverty and laughter; and an enchanting and exuberant tribute to V. S. Naipaul’s childhood home.

Miguel Street

Ganesh is transformed from an unsuccessful primary-school teacher and clumsy masseur in Trinidad into a healing mystic, in a novel set against the backdrop of 1940s Trinidad. Reprint. 17,500 first printing.

V. S. Naipaul

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