Valerie Coghlan

Evelyn B. Freeman

This book documents a pictorial history of Bookbird: A Journal of International Children's Literature, founded by Jella Lepman in 1957 in Germany. Bookbird is the official journal of the International Board on Books for Young People (IBBY), also found by Lepman, with the secretariat located in Basel, Switzerland. She also established the International Youth Library in Munich. The journal is circulated to IBBY members in over 80 countries, in addition to other readers internationally. This edited volume discusses Bookbird within the context of IBBY and the International Youth Library. It includes contributions written by over 15 people from six different countries. Beloved award-winning author and Hans Christian Andersen Award recipient, Katherine Paterson, wrote the book's foreword.

A Flight Through Time

Bookbird

Mary Shine Thompson

Irish Society for the Study of Children's Literature. Conference

This volume, the third collection of studies in children's literature, explores the political, social and cultural divisions that dominate children's books, ranging over Irish and international topics and texts. Articles on the fiction of Katherine Tynan, Maria Edgeworth and Somerville & Ross, as well as modern Ulster fiction and contemporary children's publishing, are indicative of the range of Irish material. The international focus extends from Luigi Bertelli's treatment of fascism and Gianni Rodari's communism to the English contexts of Cecil Alexander's English hymns. Rosemary Sutcliffe's Roman Britain series is revisited to explore its masculinities, and gendered divisions are the subject of a review of Oisin McGann's recent fantasy fiction. (Series: Studies in Children's Literature)

Studies in Children's Literature

Divided Worlds

Keith O'Sullivan

Irish Children’s Literature and Culture looks critically at Irish writing for children from the 1980s to the present, examining the work of many writers and illustrators and engaging with major genres, forms, and issues, including the gothic, the speculative, picturebooks, ethnicity, and globalization. It contextualizes modern Irish children’s literature in relation to Irish mythology and earlier writings, as well as in relation to Irish writing for adults, thereby demonstrating the complexity of this fascinating area. What constitutes a "national literature" is rarely straightforward, and it is especially complex when discussing writing for young people in an Irish context. Until recently, there was only a slight body of work that could be classified as "Irish children’s literature" in comparison with Ireland’s contribution to adult literature in the twentieth century. The contributors to the volume examine a range of texts in relation to contemporary literary and cultural theory, and children’s literature internationally, raising provocative questions about the future of the topic. Irish Children’s Literature and Culture is essential reading for those interested in Irish literature, culture, sociology, childhood, and children’s literature. Valerie Coghlan, Church of Ireland College of Education, Dublin, is a librarian and lecturer. She is a former co-editor of Bookbird: An International Journal of Children's Literature. She has published widely on Irish children's literature and co-edited several books on the topic. She is a former board member of the IRSCL, and a founder member of the Irish Society for the Study of Children's Literature, Children's Books Ireland, and IBBY Ireland. Keith O’Sullivan lectures in English at the Church of Ireland College of Education, Dublin. He is a founder member of the Irish Society for the Study of Children’s Literature, a former member of the board of directors of Children’s Books Ireland, and past chair of the Children’s Books Ireland/Bisto Book of the Year Awards. He has published on the works of Philip Pullman and Emily Brontë.

Valerie Coghlan

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