Venita Blackburn

Hilarious, tough, and tender stories from a farseeing star on the rise Venita Blackburn’s characters bully and suffer, spit and tease, mope and blame. They’re hyperaware of their bodies and fiercely observant, fending off the failures and advances of adults with indifferent ease. In “Biology Class,” they torment a teacher to the point of near insanity, while in “Bear Bear HarvestTM,” they prepare to sell their excess fat and skin for food processing. Stark and sharp, hilarious and ominous, these pieces are scabbed, bruised, and prone to scarring. Many of the stories, set in Southern California, follow a teenage girl in the aftermath of her beloved father’s death and capture her sister’s and mother’s encounters with men of all ages, as well as the girl’s budding attraction to her best friend, Esperanza. In and out of school, participating in wrestling and softball, attending church with her hysterically complicated family, and dominating boys in arm wrestling, she grapples with her burgeoning queerness and her emerging body, becoming wary of clarity rather than hoping for it. A rising star, Blackburn is a trailblazing stylist, and in How to Wrestle a Girl she masterfully shakes loose a vision of girlhood that is raw, vulnerable, and never at ease.

Stories

How to Wrestle a Girl

A gut-busting and heartbreaking descent into one woman's fraying connection to reality from a soon-to-be superstar. Coral is the first person to discover her brother Jay’s dead body in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother. Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles —and triples—down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral’s swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present. A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

A Novel

Dead in Long Beach, California

Machine generated contents note: Acknowledgments -- Black Jesus -- Brim -- A Savior, Belief, Tupac, and Balloons -- We Buy Gold -- The Hurt Will Make You Stronger -- Chew -- Take Me to the Water -- In the Middle of Everything There Are Ribbons of Light -- String Theory -- A Brief Excerpt from the History of Salt -- Ephemeros -- Dog People -- Barbers -- End of the World -- Ways to Mourn an Asshole -- Rites -- They Only Look Like They're Smiling -- The Immolator -- There Are No Ninjas in the End -- Hold 'til Warm -- Ravished -- Not Like You, Not at All -- The Annie Oakley Gun Training for Women -- Scars -- Run Away Screaming

Black Jesus and Other Superheroes

Myriam Gurba

Alissa Nutting

SJ Sindu

Maame Blue

Sam Cohen

Anna Dorn

Marisa Crane

Aurora Mattia

Priya Guns

Kayla Kumari Upadhyaya

Soula Emmanuel

Temim Fruchter

Myriam Lacroix

Kristel Emma Buckley

Molly Llewellyn with Emily Austin

francesca ekwuyasi

A follow-up to their runaway success Peach Pit: Sixteen Stories of Unsavory Women, editors Molly Llewellyn and Kristel Buckley return with Be Gay, Do Crime, a celebration of queer chaos from an all-queer author lineup featuring Myriam Gurba, Emily Austin, Alissa Nutting, and Francesca Ekwuyasi

A trans woman makes increasingly frequent hoax calls to a business where she's had a negative experience, watching the consequences with perverse joy. A group of aging queers turns to bank robbery to stop the sale of their bungalow complex to a development company. As the president prepares to give a speech, two women lurk among the journalists, ready to shoot him. And an aspiring author takes to stealing items from strangers’ homes in a kind of cosmic redistribution each time one of her relationships fail.

In sixteen brilliant, wild-eyed stories, Be Gay, Do Crime delivers a celebration and reckoning of why queer people turn to crime–unintentionally, as a means of survival, as protest, as rescue, or to right injustices big and small.

Sixteen Stories of Queer Chaos

Be Gay, Do Crime

Winner of the Prairie Schooner Book Prize in Fiction, Black Jesus and Other Superheroes chronicles ordinary people achieving vivid extrasensory perception while under extreme pain. The stories tumble into a universe of the jaded and the hopeful, in which men and women burdened with unwieldy and undesirable superhuman abilities are nonetheless resilient in subtle and startling ways. Venita Blackburn's characters hurl themselves toward the inevitable fates they might rather wish away. Their stories play with magic without the sparkle, glaring at the internal machinations of the human spirit. Fragile symbols for things such as race, sexuality, and love are lifted, decorated, and exposed to scrutiny and awe like so many ruins of our imagination. Through it all Blackburn’s characters stumble along currents of language both thoughtful and hilarious.

Venita Blackburn

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