Victoria Nelson

The Gothic has taken a revolutionary turn in this century. Today’s Gothic has fashioned its monsters and devils into heroes and angels and is actively reviving supernaturalism in popular culture. Nelson argues that this mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

Vampire Heroes, Human Gods, and the New Supernatural

Gothicka

Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a tour of Western culture that is at once exhilarating and alarming, she shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations.

The Secret Life of Puppets

The author, a teacher and archaeologist, shares her experiences living in Hawaii, and includes her observations on Hawaiian society

A Polynesian Memoir

My Time in Hawaii

A lonely young woman and a mysterious man meet in a northern California landscape populated by poets, New Agers, stoners, and dropouts. Do you know the language of the birds? Summer, 1979: A lonely young woman housesitting for her aunt and uncle in an isolated bohemian enclave finds troubling reminders of a past family tragedy surfacing in odd and unsettling ways. When a mysterious man moves in next door, Dovey hopes for a romance like the ones in the novels she secretly devours. But a dark truth hidden since childhood erupts shockingly in a violent otherworldly intrusion, catapulting her into a desperate struggle for her life and sanity. Set in a haunted northern California landscape populated by poets, New Agers, stoners, and burnouts, Neighbor George is a deeply atmospheric story of psychological horror enacted in the liminal space where the natural collides with the supernatural.

Neighbor George

Writer's Block and how to Use it

A lonely young woman and a mysterious man meet in a northern California landscape populated by poets, New Ages, stoners, and dropouts. Do you know the language of the birds? Summer, 1979: A lonely young woman housesitting for her aunt and uncle in an isolated bohemian enclave finds troubling reminders of a past family tragedy surfacing in odd and unsettling ways. When a mysterious man moves in next door, Dovey hopes for a romance like the ones in the novels she secretly devours. But a dark truth hidden since childhood erupts shockingly in a violent otherworldly intrusion, catapulting her into a desperate struggle for her life and sanity. Set in a haunted northern California landscape populated by poets, New Agers, stoners, and burnouts, Neighbor George is a deeply atmospheric story of psychological horror enacted in the liminal space where the natural collides with the supernatural.

Neighbour George

In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.

Victoria Nelson

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