Vikram Sampath

As the intellectual fountainhead of the ideology of Hindutva, which is in political ascendancy in India today, Vinayak Damodar Savarkar is undoubtedly one of the most contentious political thinkers and leaders of the twentieth century. Accounts of his eventful and stormy life have oscillated from eulogizing hagiographies to disparaging demonization. The truth, as always, lies somewhere in between and has unfortunately never been brought to light. Drawing from a vast range of original archival documents across India and abroad, this biography in two parts - the first focusing on the years leading up to his incarceration and eventual release from the Kalapani - puts Savarkar, his life and philosophy in a new perspective and looks at the man with all his achievements and failings.

Echoes from a Forgotten Past, 1883-1924

Savarkar

A Contested Legacy, 1924-1966

Vignettes from Indian History

Bravehearts of Bharat

Over two centuries have passed since his death on 4 May 1799, yet Tipu Sultan’s contested legacy continues to perplex India and her contemporary politics. A fascinating and enigmatic figure in India’s military past, he remains a modern historian’s biggest puzzle as he simultaneously means different things to different people, depending on how one chooses to look at his life and its events. Tipu’s ascent to power was accidental. His father Haidar Ali was a beneficiary of the benevolence of the Maharaja of Mysore. But in a series of fascinating events, the Machiavellian Haidar ran with the hare and hunted with the hounds; he ended up overthrowing his own benefactor and usurping the throne of Mysore from the Wodeyars in 1761. In a war-scarred life, father and son led Mysore through four momentous battles against the British, termed the Anglo-Mysore Wars. The first two, led by Haidar, brought the English East India Company to its knees. Chasing the enemy to the very gates of Madras, Haidar made the British sign such humiliating terms of treaties that sent shockwaves back in London. In the hubris of this success, Tipu obtained the kingdom on a platter, unlike his father, who worked up the ranks to achieve glory. In a diabolical war thirst, Tipu launched lethal attacks on Malabar, Mangalore, Travancore, Coorg, and left behind a trail of death, destruction and worse, mass-conversions and the desecration of religious places of worship. While he was an astute administrator and a brave soldier, the strategic tact with opponents and the diplomatic balance that Haidar had sought to maintain with the Hindu majority were both dangerously upset by Tipu’s foolhardiness on matters of faith. The social report card of this eighteenth-century ruler was anything but clean. And yet, one simply cannot deny his position as a renowned military warrior and one of the most powerful rulers of Southern India. Meticulously researched, authoritative and unputdownable, Tipu Sultan: The Saga of Mysore's Interregnum (1760–1799) opens a window to the life and times of one of the most debated figures from India’s history.

The Saga of Mysore's Interregnum (1760–1799)

Tipu Sultan

Fifteen Brave Men and Women of Bharat who Never Succumbed to the Challenges of Invaders But were Lost and Forgotten in the Annals of History. These are the stories of those Bravehearts who Fought to Protect their Rights, Faith and Freedom. History has always been the handmaiden of the victor. 'Until the lions have their own storytellers,' said Chinua Achebe, 'the history of the hunt will always glorify the hunter!' Exploring the lives, times and works of the fifteen long-forgotten and mostly neglected unsung heroes and heroines of our past, this book brings to light the contribution of the warriors who not only donned armour and burst forth into the battlefield but also kept the flame of hope alive under adverse circumstances. Narrating the tales of valour and success that India, as a nation and civilization, has borne witness to in its long and tumultuous past, the book opens a window to the stories of select men and women who valiantly fought against invaders for their rights, faith and freedom. Rajarshi Bhagyachandra Jai Singh of Manipur, Lalitaditya Muktapida of Kashmir, Chand Bibi of Ahmednagar, Lachit Barphukan of Assam, Begum Hazrat Mahal of Awadh, Rani Abbakka Chowta of Ullal, Martanda Varma of Travancore, Rani Rudrama Devi of Warangal, Rani Naiki Devi of Gujarat and Banda Singh Bahadur are some of the 'bravehearts' who fought to uphold the tradition and culture of their land. Pacy and unputdownable, Bravehearts of Bharat chronicles the stories of courage, determination and victory, which largely remained untold and therefore unknown for a long time.

In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.

Indian Classical Music and the Gramophone, 1900–1930

Biography of Gauhar Jan, 1870-1930, Indian musician

My Name is Gauhar Jaan

History of Mysore, Princely State under the Wadiyar dynasty; covers the period, 14th to 20th century

Vikram Sampath

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