W. J. T. Mitchell

What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

Essays on Verbal and Visual Representation

Picture Theory

The Lives and Loves of Images

What Do Pictures Want?

"W. J. T. Mitchell's son Gabriel was diagnosed with schizophrenia at the age of nineteen and died by suicide at the age of 38, leaping from his apartment high in Chicago's Marina City towers. Gabe left behind a remarkable archive of creative work and a father determined to learn from, and bear witness to, Gabe's journey. What is a father to do when caught between his skepticism about psychiatry and the reality of a son suffering from mental illness? How to see madness clearly from within the daily challenges of loving his gifted but delusional child? Gabe's story holds many lessons-for parents and caregivers of the mentally ill, for those interested in mental illness as a social and political identity, for those interested in the question of the outsider artist. Gabe himself had a larger, "macrocosmic" ambition beyond the story of his own condition. He wanted to make a film that would show madness from inside and out, as media stereotype and spectacle, as minority status and stigma, as a form of disability that is an extreme form of a subjective experience we all endure at some point. He would explore all possible images of madness, from the monster to the magician, the clown to the kook and crank, the mad scientist to the mad sovereign. His ambition was to "transform schizophrenia from a death sentence to a learning experience." This book challenges us to learn from Gabe's attempt to find redemption inside his madness. It is also a moving story of a father's love and a family's resilience"--

A Father, a Son, and a Journey Through Schizophrenia

Mental Traveler

William John Thomas Mitchell

This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This edition adds a new preface and five new essays.

Landscape and Power, Second Edition

Mark B. N. Hansen

Communications, philosophy, film and video, digital culture: media studies straddles an astounding array of fields and disciplines and produces a vocabulary that is in equal parts rigorous and intuitive. Critical Terms for Media Studies defines, and at times, redefines, what this new and hybrid area aims to do, illuminating the key concepts behind its liveliest debates and most dynamic topics. Part of a larger conversation that engages culture, technology, and politics, this exciting collection of essays explores our most critical language for dealing with the qualities and modes of contemporary media. Edited by two outstanding scholars in the field, W. J. T. Mitchell and Mark B. N. Hansen, the volume features works by a team of distinguished contributors. These essays, commissioned expressly for this volume, are organized into three interrelated groups: “Aesthetics” engages with terms that describe sensory experiences and judgments, “Technology” offers entry into a broad array of technological concepts, and “Society” opens up language describing the systems that allow a medium to function. A compelling reference work for the twenty-first century and the media that form our experience within it, Critical Terms for Media Studies will engage and deepen any reader’s knowledge of one of our most important new fields.

Critical Terms for Media Studies

Ernst Hans Gombrich

William J. Mitchell

John Hutchinson

Antony Gormley

Gormley Antony

Lela B. Njatin

An appreciation of the British artist who revitalized the human figure in sculpture.

Almost thirty years ago, W. J. T. Mitchell’s Iconology helped launch the interdisciplinary study of visual media, now a central feature of the humanities. Along with his subsequent Picture Theory and What Do Pictures Want?, Mitchell’s now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key concepts imply an approach to images as true objects of investigation—an “image science.” Continuing with this influential line of thought, Image Science gathers Mitchell’s most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings. The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena. Essential for those involved with any aspect of visual media, Image Science is a brilliant call for a method of studying images that overcomes the “two-culture split” between the natural and human sciences.

Iconology, Visual Culture, and Media Aesthetics

Image Science

According to Mitchell, a “color-blind” post-racial world is neither achievable nor desirable. Against claims that race is an outmoded construct, he contends that race is not simply something to be seen but is a fundamental medium through which we experience human otherness. Race also makes racism visible and is thus our best weapon against it.

Seeing Through Race

Una detallada explicación del juego entre lo visible y lo legible en la cultura.

Teoría de la imagen

The author argues that we need to reckon with images not merely as inert objects that convey meaning but as animated beings with desires, needs, appetites, and drives of their own. He explores this idea and highlights his innovative and profoundly influential thinking on picture theory and the lives and loves of images.

Illustrated with forty-eight color plates and scores of black-and-white pictures, an entertaining study examines the enduring appeal of dinosaurs to the human imagination, the many different images of dinosaurs in popular culture, and their symbolic meaning and uses. UP.

W. J. T. Mitchell

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