Warren Carter

Diana Newall

Renate Dohmen

Emma Barker

Kathleen Wren Christian

A varied selection of content, including excerpts, new translations, interviews with curators and artists, and art criticism. The Reader is contextualised under key themes and ideas that underpin the notion of a global art history that spans from the 1400s to present day.

A Reader

Art and Its Global Histories

This book explores the relationship between art and visual culture in Europe and the ‘wider world’ from the early twentieth century to the contemporary era of globalisation. Artists such as Pablo Picasso explored the art of the rest of world in ways that were increasingly challenged as Eurocentric by artists such as the Surrealists. The complex relationship between art, politics and post-colonial struggle is then investigated in the work of Diego Rivera and Mexican muralist painters and more recent installation and lens-based practices, including work by Ai Weiwei and Chantal Ackerman. The contributors consider the roles of museums and art institutions, international exhibitions, and the art market, alongside patterns of artistic migration across continents and the growing use of communication technologies. This book is an ideal teaching aid for undergraduates in history of art and related disciplines.

From Colonialism to Globalisation

Art after Empire

This detailed commentary presents the gospel of matthew as a counter-narrative, showing that it is a work of resistance written from and for a minority community of disciples committed to Jesus, the agent of God's saving presence. It was written and functions to shape the identity and lifestyle of the early community of jesus' followers as an alternative community that can resist the dominant authorities both in rome and in the synagogue. The Gospel anticpates the time when Jesus will return and establish God's reign over all, including the powers in Rome.

Matthew and the Margins

Frederic J. Schwartz

Barnaby Haran

From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. Some of the most influential names in the field were active proponents of Marxist thought: Frederick Antal, Max Raphael, Arnold Hauser, Meyer Schapiro, T. J. Clark, to name just a few. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics, which began to dominate the subject. This came at a time when Marxism in general was itself increasingly perceived as outdated after the collapse of communism. But in the wake of the recent global crisis there has been a resurgence in interest in Marx, especially among younger generations. Similarly, many progressive art historians are once again recognizing the relevance of his ideas to their own practice. This collection of essays a festschrift in honour of leading Marxist art historian Andrew Hemingway brings together thirty academics who are reshaping art history along Marxist lines. Coming from the the United States, Britain, Europe and Asia, they apply Marxs theories to a wide range of arthistorical subjects. American art of the mid-nineteenth century; the rise of modernism in Weimar Germany; Mexican muralism; Situationism in 1960s Paris; and photography and contemporary art these are just some of the areas considered through the lens of Marxism as it is understood today. And in the spirit of Marxisms long tradition of self-critique, the contributors also examine the shifting agendas and limitations of Marxist art history itself, acutely aware of the specific historical and political circumstances in which it is produced. As such, this book not only provides the very latest in Marxist art-historical writing, it also acts an essential introduction to one of the most vibrant and relevant forms of art history today one that looks to the past but is also marked by an urgent sense of the present.

Renew Marxist Art History

The New Testament Gospels came into existence in a world ruled by Roman imperial power. Their main character, Jesus, is crucified on a Roman cross by a Roman governor. How do the Gospels interact with the structures, practices, and personnel of the Roman world? What strategies and approaches do the Gospels attest? What role for accommodation, for imitation, for critique, for opposition, for decolonizing, for reinscribing, for getting along, for survival? This book engages these questions by discussing the Gospel accounts of Jesus’ origins and birth, his teachings and miraculous actions, his entry to Jerusalem, his death, and his resurrection, ascension, and return. The book engages not only the first-century world but also raises questions about our own society’s structures and practices concerning the use of power, equitable access to resources, the practice of justice, and merciful and respectful societal interactions.

Reading the Gospels in the Roman Empire

Jesus and the Empire of God

The New Testament Gospels came into existence in a world ruled by Roman imperial power. Their main character, Jesus, is crucified on a Roman cross by a Roman governor. How do the Gospels interact with the structures, practices, and personnel of the Roman world? What strategies and approaches do the Gospels attest? What role for accommodation, for imitation, for critique, for opposition, for decolonizing, for reinscribing, for getting along, for survival? This book engages these questions by discussing the Gospel accounts of Jesus' origins and birth, his teachings and miraculous actions, his entry to Jerusalem, his death, and his resurrection, ascension, and return. The book engages not only the first-century world but also raises questions about our own society's structures and practices concerning the use of power, equitable access to resources, the practice of justice, and merciful and respectful societal interactions.

The Final Volume in a Well-Received Gospel Study John: Storyteller, Interpreter, Evangelist is an accessible introduction to the Fourth Gospel. This book examines three aspects of John's Gospel: John's telling of the story of Jesus, his interpretation of Jesus for his readers, and his formulation of all of this into the Gospel of Jesus. Carter surveys the central issues of this Gospel and engages with narrative and historical approaches, the two dominant methods used in interpreting John's Gospel. In addition, he introduces his readers to a consideration of the Gospel's negotiation of the Roman imperial world. This book is written for college and seminary students, clergy seeking resources for teaching and preaching, and the laity, especially Bible study groups who like to engage a topic in some depth.

Storyteller, Interpreter, Evangelist

John

This study addresses the question of whether a coherent sequence of pericopes can be identified in Matthew chapters 19-20. Employing audience-oriented criticism, it argues that the authorial audience's knowledge of the philosophical tradition concerning household structures provides that coherent sequence. But the audience also encounters in these chapters a critique of the household tradition's patriarchal and hierarchical structure of the rule of husband over wife, father over children, master over slaves, and the accumulation of wealth as an indicator of social identity. It understands that the community of disciples is to exhibit more egalitarian patterns. this alternative structure is placed in the context of wider socio-cultural forces which were also resisting aspects of the conventional household pattern. Features of the alternative structure - opposition ot hierarchical structures, a more egalitarian pattern, a temporal framework, marginal social location, minimalization of gender differences and authority roles and relationships, opposition to wealth - can be seen as aspects of an existence which Victor Turner identifies as normative or permanent liminality. that is, the study of chapters 19-20 contributes significantly to the formulation of the larger pattern of Matthean discipleship.

A Study of Matthew 19-20

Households and Discipleship

Carter examines the influence of the Roman Empire on the writing of John's Gospel.

Initial Explorations

John and Empire

Pontius Pilate examines the portraits of this Roman governor found in the Gospels. Unlike some discussions of Pilate, this one takes Pilate's role as governor and representative of Roman imperial power seriously. It views Pilate predominantly as a strong, efficient, and astute governor, not as a weak and indecisive man, pressured into killing Jesus against Pilate's convictions. The conclusion considers some of the ethical and theological issues the scenes involving Pilate raise for contemporary readers. Chapters are "Would the Real Pilate Please Stand Up?" "Reading the Gospel Accounts of Pilate," "Governors and the Roman Imperial System," "Mark's Pilate," "Matthew's Pilate," "Luke's Pilate," and "John's Pilate." Receive From Earth's Creation to John's Revelation FREE with the purchase of two or more Interfaces volumes. Mention this offer in the comment section of the order form when placing your order or call 1.800.858.5450. Warren Carter, Ph.D., is professor of New Testament at Saint Paul School of Theology, Kansas City, Missouri. He has published numerous scholarly and ecclesial publications.

Portraits of a Roman Governor

Pontius Pilate

An indispensable introduction to Roman society, culture, law, politics, religion, and daily life as they relate to the study of the New Testament. The Roman Empire formed the central context in which the New Testament was written. Anyone who wishes to understand the New Testament texts must become familiar with the political, economic, societal, cultural, and religious aspects of Roman rule. Much of the New Testament deals with enabling its readers to negotiate, in an array of different manners, this pervasive imperial context. This book will help the reader see how social structures and daily practices in the Roman world illumine so much of the content of the New Testament message. For example, to grasp what Paul was saying about food offered to idols one must understand that temples in the Roman world were not “churches,” and that they functioned as political, economic, and gastronomic centers, whose religious dealings were embedded within these other functions.Brief in presentation yet broad in scope, The Roman Empire and the New Testament: An Essential Guide will introduce students to the information and ideas essential to coming to grips with the world in which early Christianity was born.

An Essential Guide

The Roman Empire and the New Testament

A provocative new commentary that emphasizes the roles of marginality and empire in the Gospel of Matthew. Verse by verse, the author presents this Gospel as a counter-narrative shaping the followers of Jesus as an alternative community, resisting the authorities of both synagogue and state. Shows how the Gospel anticipates the time when Jesus' return will establish God's reign over all--including the imperial powers of Rome.

A Sociopolitical and Religious Reading

Writing for students, ministers, and scholars alike, Carter demonstrates a fine mastery of both historical and literary methods. His book will be touted as a worthy contribution to Matthean studies. " Jack Dean Kingsbury, Union Theological Seminary in Virginia Ideally suited for the classroom or for the minister s library, this work models the sound principles of exegesis essential to any study of the Bible. Carter impresses upon the reader the need to hear the author s words and to note their effect upon the original readers as well as upon the careful reader of today.

Matthew

The Academy of Parish Clergy 2020 Reference Book of the Year 2020 Association of Catholic Publishers first place award in Scripture 2020 Catholic Press Association third place award for best new religious book series This reading of Mark's Gospel engages this ancient text from the perspective of contemporary feminist concerns to expose and resist all forms of domination that prevent the full flourishing of all humans and all creation. Accordingly, it foregrounds the Gospel's constructions of gender in intersectionality with the visions, structures, practices, and personnel of Roman imperial power. This reading embraces a rich tradition of feminist scholarship on the Gospel, as well as masculinity studies, particularly pervasive hegemonic masculinity. Its politically engaged discussion of Mark's Gospel provides a resource for clergy, students, and laity concerned with contemporary constructions of gender, power, and a world in which all might experience fullness of life.

Warren Carter

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