Wayne Johnson

Skeptical of his estranged parents' abilities to reconcile their relationship because of his father's abusive nature, fifteen-year-old David reluctantly accompanies his father and sister on a canoe trip, where they encounter a group of criminals who target the family for what they may know. Reprint. 12,500 first printing.

A Novel

The Devil You Know

Robert Edgar

The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.

The Routledge Companion to Folk Horror

One of the Most Anticipated Mysteries & Thrillers of 2022—Criminal Element One of the Most Anticipated Crime Fiction of 2022—CrimeReads Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer) is on the brink of suicide. He has just been served divorce papers by his wife Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat…until a semi-feral girl shows up, fascinated by the canoe Buck is building. Lucy, Ojibwe name Gage’ bineh, (Everlasting Bird), lives in a trailer alone with her father, a local policeman struggling with PTSD which is compounded by the loss of Lucy’s mother. Just barely fifteen she has lived with a lifetime of abuse, while knowing that if she ever spoke out, her father would bear the consequences. Buck senses Lucy is in trouble and doesn't hesitate to come to her defense. On the foundation of their shared Ojibwe heritage, they trace Lucy’s abuse to a ring that extends farther than either of them ever imagined, while building a bond even sturdier than Buck’s canoe.

THE RED CANOE

With humor and insight, Johnson presents a thrilling exploration of the sport of extreme skiing, with heart-pounding accounts of people who risk their lives on the fastest, most dangerous slopes around the world.

The Extreme Skiing Life

White Heat

A method is described for using lifting-surface theory to obtain the pressure distribution on a wing with a trailing-edge flap or control surface. The loading has a logarithmic singularity at the flap edges, which may be determined directly by the method of matched asymptotic expansions. Expressions are given for the singular flap loading for various flap hinge line and side edge geometries, both for steady and unsteady flap deflection. The regular part of the flap loading must be obtained by inverting the lifting-surface-theory integral equation relating the pressure and the downwash on the wing: procedures are described to accomplish this for a general wing and flap geometry. The method is applied to several example wings, and the results are compared with experimental data. Theory and test correlate well.

Lifting-surface Theory for Calculating the Loading Induced on a Wing by a Flap

Buck, government name Michael Fineday, Ojibwe name Miskwa' doden (Red Deer) has just been served divorce papers by his wife Naomi, who is fed up with his savior complex and the danger it often attracts to their door, and is on the brink of suicide. Living on the border of Shakopee Mdewakanton Sioux Community reservation--thus back on the edge of his origins--Buck makes a good living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat...until a semi-feral girl shows up, attracted by the canoe Buck's building. Lucy, Ojibwe name Gabe' bineh,"(Everlasting Bird), lives in a trailer alone with her father, a local policeman struggling with PSTD from the Iraq war, compounded by the loss of Lucy's mother. She's also mostly alone. Just barely fifteen, since her mother's death she's been systematically molested and raped by her father's colleagues on the force without his knowledge. Threatened that if she ever spoke out, her father would bear the consequences. Buck senses Lucy is in trouble, and doesn't hesitate to plunge into it head-first as usual. On the foundation of their shared Ojibwe heritage, together they build more than a canoe, but a friendship, and together trace Lucy's abuse to a ring that extends farther than either of them ever imagined.

The Red Canoe

A rotorcraft is a class of aircraft that uses large-diameter rotating wings to accomplish efficient vertical take-off and landing. The class encompasses helicopters of numerous configurations (single main rotor and tail rotor, tandem rotors, coaxial rotors), tilting proprotor aircraft, compound helicopters, and many other innovative configuration concepts. Aeromechanics covers much of what the rotorcraft engineer needs: performance, loads, vibration, stability, flight dynamics, and noise. These topics include many of the key performance attributes and the often-encountered problems in rotorcraft designs. This comprehensive book presents, in depth, what engineers need to know about modelling rotorcraft aeromechanics. The focus is on analysis, and calculated results are presented to illustrate analysis characteristics and rotor behaviour. The first third of the book is an introduction to rotorcraft aerodynamics, blade motion, and performance. The remainder of the book covers advanced topics in rotary wing aerodynamics and dynamics.

Rotorcraft Aeromechanics

Live to Ride is pure adrenaline—a full-throttle exploration of motorcycles that pushes to the limit, with heart-pounding accounts of riding the greatest bikes of all time, all over the world. “Live to ride, ride to live.” For many motorcycle riders, these words express life’s guiding principle. Just take a look at the patch emblazoned on the jackets of legions of riders. Whether they’re roaring down an empty highway on two wheels at an insane speed, hopping on for a few mind-boggling loops of motocross, joining in the “rolling thunder” of a veritable outlaw motorcycle club, or just cruising on a Harley on a Sunday afternoon, motorcyclists of all stripes share a common love of the freedom that is riding. Wayne Johnson, a lifelong motorcycle-lover and acclaimed writer, takes us around the globe and onto the terrain where the most extreme, thrilling forms of riding happen. Johnson shows where it all began more than a hundred years ago when the first motorcycle evolved from the bicycle and lands us on the track today with some of the world’s highest-paid athletes— professional motorcycle road racers. From there we go inside radically different competitions like the vertigo-inspiring “Widowmaker Hillclimb” and the fastest land racing on the planet at the Bonneville Salt Flats. Johnson also offers an inside look at the legendarily secretive culture of biker clubs with firsthand accounts of his own wild rides with an outlaw club. In every one of these venues, you aren’t just passing through as an observer—you are on a bike, racing across new and undiscovered country, the horizon your only destination. If you have ever wondered what it’s like to climb on a motorcycle and feel its engine roar to life, or have actually done it and felt the rush of flying off into the wild blue yonder, or have simply been intrigued by this iconic part of American culture and history, hold on tight for this irresistible, one-of-a-kind journey into motorcycling.

The Rumbling, Roaring World of Speed, Escape, and Adventure on Two Wheels

Live to Ride

Keith McDonald

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile. The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling). Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.

Transnational Perspectives

Contemporary Gothic and Horror Film

Haunted by the death of his son and his disintegrating marriage, Paul, the owner of a resort near the Chippewa reservation where he grew up, finds himself investigating a supposed "suicide" tied to the death of his son and to the bizarre "accidents" that begin to unfold. Reprint.

Don'T Think Twice

Paul Two Persons, a Native American resort owner, is forced to turn sleuth after state politicians propose a highway to run across the Red Lake reservation, a decision that will destroy his people's land and his own property, creating a situation that bec

Six Crooked Highways

Monumental engineering text covers vertical flight, forward flight, performance, mathematics of rotating systems, rotary wing dynamics and aerodynamics, aeroelasticity, stability and control, stall, noise, and more. 189 illustrations. 1980 edition.

Helicopter Theory

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.

There is an old joke among skiers, usually put to other fans of the sport as a question: what's better, sex or skiing? The answer is a given, but the hesitation in answering, that moment of serious consideration, is cause for humour. Extreme skiers get it. They know skiing isn't just a sport; it's a lifestyle, one inextricably bound up in the notion of adventure. This book is all about that adventure, that call to some of the world's best known, and unknown, slopes. About downhill racing, and the sophisticated, international club of competitors and the upstarts who on occasion beat them. Throughout this book are skiing's stars, such as Bode Miller, Stein Erickson and Jean-Claude Killy. This is a book about riding on the edge of danger and surviving it, about the thrill and focus of competition, and the thrill of rescue. It is a book of people; some quirky, some delightful, some strange, some just plain crazy, but all of them drawn to White Heat, the extreme skiing life.

Wayne Johnson

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