Wendell Ricketts

Lesbians and Gay Men as Foster Parents

In this age of Will & Grace and gentrification, the dream market and gay investment advisors, you don't hear much about working-class queers. In fact, some would even consider the idea a contradiction in terms. But the contributors to Everything I Have Is Blue: Short Fiction by Working-Class Men About More-or-Less Gay Life would beg to differ. The first collection of short stories by working-class queer, gay, and bisexual men, Everything I Have Is Blue is a rich and long-overdue contribution both to the burgeoning field of working-class studies and to LGBTIQ fiction.

Short Fiction by Working Class Men about More-or-less Gay Life

Everything I Have is Blue

Harvey L. Gochros

Experts present insightful perspectives on the social worker's role in the counseling of clients who have problems with love. As the social work profession recognizes that love and intimacy are essential ingredients of individual and collective social functioning, efforts are underway to legitimize the study of the complexities, problems, and characteristics of intimate human relationships. This book examines the dynamics of different kinds of love--love of self, love toward others, and love between client and therapist. Other topics include romantic love "scripts" and their influence on people's relationships, sex-role conditioning, special concerns of adolescents, the elderly, and gay men and lesbians.

Some Social Work Perspectives on Love

Intimate Relationships

The Wrong Door is the first English-language translation of the complete plays of Italian writer Natalia Ginzburg (1916-1991). Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist. Ginzburg's plays, like her novels and short stories, are incisive, finely tuned studies of family drama, of the breakdown of relations between the sexes, and of the tribulations of Italian domestic life. The plays showcase Ginzburg's fearless social commentary, her stark and darkly comic observations of Italian life, and her prescient analyses of the socio-economic changes that have transformed modern Italy. Along the way, Ginzburg creates memorable female characters in a series of fascinating roles. In this fluent and faithful translation, Wendell Ricketts highlights Ginzburg's scalpel-sharp dialogue and lays bare the existential absurdities that lie at the heart of her plays. Including an introduction by the translator and two essays by Ginzburg on her approach to the theatre, The Wrong Door adds a new dimension to the literary portrait of one of Italy's most significant modernist writers.

Wendell Ricketts

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