Wendy Ewald

Appalachia, a Self-portrait

Catherine Chermayeff

Nan Richardson

Photographs and narratives feature the children of rural India

The Story of an Indian Village

I Dreamed I Had a Girl in My Pocket

This expanded edition of Wendy Ewald's now-rare book, first published in 1985, offers a view of the rural south over the past thirty five years. It includes pictures and stories by eight of Ewald's students, now grownups. Their visions, old and new, illuminate the present and the past.

Photographs and Stories by Children of the Appalachians, 1976-1982, 2009-2018

Portraits and Dreams

Alexandra Lightfoot

Written for parents and teachers, I Wanna Take Me a Picture is an accessible and practical guide to getting children involved in photography. Through a series of lessons-from self-portraiture to representing their dreams-it teaches everything a beginner needs to know: how to compose a picture, set up a darkroom, and develop film.

Teaching Photography and Writing to Children

I Wanna Take Me a Picture

Deirdre N. McCloskey

Paul Seawright

Anil Ramdas

Rineke Dijkstra

Gosewijn van Beek

The work of contemporary photographers Reineke Dijkstra, Wendy Ewald and Paul Seawright is presented here under the conceptual auspice of identity and youth.

PhotoWork(s) in Progress/constructing Identity

Guide to Wendy Ewald's exhibition of large-scale banner photopgraphs of children from Margate, hung around the town.

Towards a Promised Land

Nonfiction. Latino/Latina Studies. Photography. MAGIC EYES is a collaboration that grew out of Wendy Ewald's experiences in the village of Raquira in the Colombian Andes between 1982 and 1984. The book combines photographs taken by Ewald and her students with stories told by two local women, Maria Vasquez and her daughter, Alicia. Together, Ewald's students and the Vasquezes present the images and experiences of what Barbara Majuica has called "the rich Andean folk culture, in which magic and nature are inseparable components of equal value." The magic eyes belong to Alicia, who recounts her story of the evil eye, which she associates with the camera lens. Alicia and her mother powerfully convey the difficult life in the squatter settlements outside of Bogata. Great poverty and violence are seen through eyes taught from early in life to notice the magical; the results are deeply poetical. The New York Times has called MAGIC EYES "moving, intimate, and unsparing."

Wendy Ewald

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