Wes Williams

For young adults and people who want help achieving their goals, Wes's advice based on his life experiences as the "Godfather of Canadian Hip Hop" will guide them on the right path. As someone who has experienced the highs and lows that come with being a performer, Wes "Maestro" Williams has had to overcome many challenges in his life. These are also the same challenges that we all face on the way to where we want to be, and Wes's practical and empowering strategies will help you get there. Sometimes these obstacles come from within, whether it's a fear of failure or low self-esteem. Sometimes they come from your circumstances; perhaps there are people around you who are keeping you down or "in your place," even if they don't mean to. In Stick to Your Vision, Wes shows you how to define your vision, how to achieve it, and what to do once you're there. He offers useful tips and advice, as well as inspirational stories and quotes, and exercises that will keep you moving towards your own vision.

How to Get Past the Hurdles and Haters to Get Where You Want to Be

Stick to Your Vision

Richard Scholar

Neil Kenny

This volume tracks a Montaigne 'in transit' all the way from the genesis and production of his Essais and travel journal in the 1570s-90s to their diffusion and reception from the 1580s up till the present day, in France, England, Germany, and elsewhere. The contributors take those key terms - genesis, production, diffusion, reception - as their starting-point, but show that the boundaries between them are blurred. How does embodied thought move through space and time between the author and reader of the Essais? Can the role of the ancient writers whom Montaigne quotes be assessed without consideration of the differences he knew there would be between readers' capacities to recognise and contextualise those quotations? Where does Montaigne's punctuation end and that of his compositors, editors, and translators begin? This volume asks such questions by exploring transit as a critical concept cutting across different languages, places, and times. Its authors include leading specialists in early modern French and English studies. It is a tribute to Ian Maclean, whose own trailblazing work has moved through and across numerous fields of early modern learned culture.

Essays in Honour of Ian MacLean

Montaigne in Transit

To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.

Mighty Magic

Monsters and their Meanings in Early Modern Culture

Might Magic explores the place of monsters in the early modern imagination; the book is structured as a kind of journey, charting the translation, or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world, to the drama of human motivation, of sexual, political, and cultural identity. At its centre are readings of major works of French literature; from each of these focal stopping offpoints, a number of digressions lead us to better understand the issues and questions raised in each instance. Literature makes a particular kind of sense when studied in relation to what anthropologists call'thick descriptions' of context, and so I will be relating the questions and insights offered by literary writing to those produced by historians of religious conflict (this was a time of civil war and persistent rebellion), as of philosophy and science (this was also a time in which natural history and 'natural philosophy' underwent significant change). Charting a process of sustained and distinctive change, this book seeks to understand the cultural work performed by monsters inearly modern Europe - with a particular focus on France: monsters on stage as in the street; in the study as in the state, and the self.

Wes Williams

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