Wesley Stace

A rich, outrageous, Dickensian novel in the comic tradition of The Crimson Petal and the White about a boy raised as a girl in the richest home in 19th century England.

A Novel

Misfortune

A young ventriloquist and his wooden alter-ego trace the story of four generations of a family of entertainers, in a tale that follows the eleven-year-old protagonist's search for answers to secrets about his grandfather's World War II-era traveling act.

By George

Mark Morris

A Memoir

Out Loud

The night before brilliant but erratic composer Charles Jessold's opera - about a betrayed husband who murders his wife and her lover - is due to open, Jessold is found dead, having apparently murdered his wife and her lover. Leslie Shepherd, music critic and Jessold's collaborator on the opera, reflects on the scandalous affair in a dazzling, passionate and witty novel about the dangerous relationship between artist and critic.

Charles Jessold, Considered as a Murderer

From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer’s rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms—and staying true to himself Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham’s finest experiments with time and space, of Twyla Tharp’s virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because “if you missed anything, you missed everything.” This collective, led by Morris’s fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker’s critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo’s David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris’s memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance.

One of The Wall Street Journal's Best fiction books of 2011 England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera’s premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera---which Shepherd has helped to write. The opera will never be performed. Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer, and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold’s tragedy. This ambitiously intricate novel is set against a turbulent moment in music history, when atonal sounds first reverberated through the concert halls of Europe, just as the continent readied itself for war. What if Jessold’s opera was not only a betrayal of Shepherd, but of England as well? Wesley Stace has crafted a dazzling story of counter-melodies and counter-narratives that will keep you guessing to the end.

Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. . Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant misfit who found his home in the collective and liberating world of music and dance.

A “hilarious” novel of a rock and roll dream gone awry (The New York Times Book Review). The Wonderkids are living the dream: sold-out concerts, screaming fans, TV shows, number-one hits. Unfortunately, it’s because the lead singer, Blake Lear, made a deal—wild success in exchange for transforming the band into a children’s entertainment act. Now the seats are packed with grade schoolers instead of cool hipsters, and the television appearances happen on Saturday morning. But hey, rock and roll has always been for the kids, right? The money is good, and things go very right—until they go very wrong. The temptations of the road are many, and the Wonderkids are big kids, too. Narrated by a boy whom Blake adopts on a whim, who becomes the band’s disciple, merch guy, amateur psychologist, and—eventually—damage control guru, Wonderkid is a delirious and surprisingly touching novel of the dangers of compromise, thwarted ambition, and fathers and sons, told with tremendous humor and energy. “If Stace’s latest novel, his fourth, rings true, it’s because he is writing what he knows. For 25 years, he performed smart indie rock under the pseudonym John Wesley Harding . . . A great rock ’n’ roll novel.” —The Boston Globe “Deliciously entertaining.” —The Wall Street Journal “[Wonderkid is] sweet and funny and knowing—and this is me, holding up my lighter for more.” —Joshua Ferris, National Book Award finalist and author of Then We Came to the End

Wonderkid

In het 19e eeuwse Engeland groeit een te vondeling gelegd jongetje op als dochter van een welgestelde lord die daarmee meent voor een erfgenaam te hebben gezorgd.

Versleuteld verleden

One of The Wall Street Journal's Best fiction books of 2011 England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera's premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera---which Shepherd has helped to write. The opera will never be performed. Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer, and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold's tragedy. This ambitiously intricate novel is set against a turbulent moment in music history, when atonal sounds first reverberated through the concert halls of Europe, just as the continent readied itself for war. What if Jessold's opera was not only a betrayal of Shepherd, but of England as well? Wesley Stace has crafted a dazzling story of counter-melodies and counter-narratives that will keep you guessing to the end.

Wesley Stace

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