Ford Madox Ford

Kenneth Womack

William Baker

A Tale of Passion

The Good Soldier

With a writing career spanning over half a century and encompassing media as diverse as conferences, radio, journalism, fiction, theatre, film, and television, Tom Stoppard is probably the most prolific and significant living British dramatist. The critical essays in this volume celebrating Stoppard’s 75th birthday address many facets of Stoppard’s work, both the well-known, such as Rosencrantz and Guildenstern are Dead and Shakespeare in Love, as well as the relatively critically neglected, including his novel Lord Malquist and Mr. Moon and his short stories, “The Story,” “Life, Times: Fragments,” and “Reunion.” The essays presented here analyze plays such as Arcadia, The Invention of Love, The Real Thing, and Jumpers, Stoppard’s film adaptation of J. G. Ballard’s Empire of the Sun, his television adaptation of Ford Madox Ford’s Parade’s End, and his stage adaptations of Chekhov’s plays Ivanov, The Seagull, and The Cherry Orchard, as well as his own theatrical trilogy on Russian history, The Coast of Utopia (Voyage, Shipwreck, and Salvage). Also included is an interview with Tom Stoppard on the 16 November 1982 debut of his play The Real Thing at Strand Theatre, London, and a detailed account of the Stoppard holdings in the Harry Ransom Center at the University of Texas at Austin. From his fascination with Shakespeare and other historical figures (and time periods) to his exploration of the connection between poetic creativity and scholarship to his predilection for word play, verbal ambiguity and use of anachronism, Stoppard’s work is at once insightful and wry, thought-provoking and entertaining, earnest and facetious. The critical essays in this volume hope to do justice to the brilliant complexity that is Tom Stoppard’s body of work.

Essays on Tom Stoppard in Celebration of his 75th Birthday

“The Real Thing”

Kylie Minogue

KYLIE: LA LA LA will include over 300 photos, most of which have never been seen before. Some originate from Kylie's personal archive, and show Kylie at her most relaxed and natural, revealing a side to her that is only ever seen by her friends and family. And then there are the extraordinary photoshoots that have defined Kylie as a style icon, taken by the world's foremost photographers. This whole collection documents a remarkable career spanning over fifteen years. There will be 40,000 words of text by Kylie and William Baker, one of Kylie's closest friends who has worked as her stylist and creative director for nearly a decade. William's unique position and personal relationship with Kylie, as well as his experience in fashion and design, make him a wonderfully informative and sharp commentator on the diva's dizzying rise to fame. Kylie also writes about 'Neighbours', her singing career, her relationships, the tours she's done, and about her extraordinary life in general. This is an inspirational study of the separation between Kylie's public and private personas, of her strengths and weaknesses, fears and hopes. It's also a fabulous celebration of friendship and fashion.

La la la

Kylie

David Roy

Amy Hamilton

Prepublication record (machine generated from publisher information)

Teaching the Arts

Brian Vickers

The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.

Shakespeare: The Critical Tradition

The Merchant of Venice

Indira Ghose

Peter J Kitson

Susan Schoenbauer Thurin

A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.

Writings from the Era of Imperial Consolidation, 1835-1910

Nineteenth-Century Travels, Explorations and Empires, Part I Vol 2

Billy Don't, a novel, takes place in Oakland, and other parts of California during the 1930's. It is a story of the conflicts and behaviors which take place in a young boy who is placed with his older sister and younger brother in a boarding home run by the Blair's. The conflict comes form the evangeslistic preaching of Mrs. Blair who constantly tells Billy, "Your sole will turn black" or "God will send you to the Devil," and the other understandings he has gained from his grandmother who has taught, "God sees the good in you." Billy's often wild and vicious behaviors are driven by his hatred for Mrs. Blair. It is a story of young boy's desperate search for love and understanding.

William Baker

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