William C. McDonald

15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section.

Fifteenth-Century Studies

Winder McConnell

A Festschrift for Hugo Bekker on His Sixty-fifth Birthday

Fide Et Amore

The Song-poetry of Michel Beheim

"Whose Bread I Eat"

Edelgard E. DuBruck

Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including medicine, philosophy, painting, religion, science, philology, history, theater, ritual and custom, music, and poetry. The editors strive to do justice to the most contested medieval century, a period that is the stepchild of research. The period defies consensus on fundamental issues: some dispute, in fact, whether the fifteenth century belonged to the Middle Ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the tripartite influence of Gutenberg, the Turks, and Columbus. Volume 25 offers a rich palette of art, theology, literature, and aesthetics of the 15th century, ranging geographically from the British Isles to Tibet, and thematically from witch trials and beast epic to early modern science and a definition of courtliness. Four studies on theatre make dramatic art the point of emphasis in volume 25: Clifford Davidson's on mystery plays, Jörn Bockmann and Judith Klinger's on the English Secunda pastorum, Michelle M. Butler's on the York and Townley pageants, and Jean Marc Pastré's on the carneval plays. Included as standard features are Edelgard DuBruck's article on the current state of fifteenth-century research and a book review section. William C. McDonald is professor of German at the University of Virginia. Edelgard E. DuBruck is professor in the Modern Languages Department at Marygrove College, Detroit, Michigan.

Illuminates the major aspects of the works of Germany's greatest 20th-century poet.

A Companion to the Works of Rainer Maria Rilke

This is an examination of the coherent relation between the Arthur and Tristan tales in the dense embroidery of the Arthurian metastory, and in particular in medieval German letters. The Arthurian world occupies an important position in the Tristan stories: a general pattern is attested even if one has difficulty in deciding the full literary implications of the integration of the two cultures. Since the Tristan poems in the German cultural area are best appreciated when placed alongside French versions, this study refers to the latter where appropriate. This is an attempt to appreciate by close reading how the milieus of Arthur and Tristan relate to one another in German medieval poetry.

William C. McDonald

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