William D. Brewer

Jalaiah Unnam

Darrel R. Tenney

Correction Factors for On-line Microprobe Analysis of Multielement Alloy Systems

During the Romantic period, Hannah Cowley (1743–1809) achieved fame both as a playwright and a poet, composing popular comedies and, as Anna Matilda, amorous Della Cruscan verse. But despite a recent surge of scholarly interest in her works, her controversial comedy The World as It Goes; or A Party at Montpelier (performed 1781) has never been published. During its premiere, audience members loudly objected to the play’s bawdy content, and it closed after a single performance. The comedy’s catastrophic failure provides insights into the theatrical tastes, anxieties and mores of late eighteenth-century audiences and influenced the manner in which Cowley handled controversial issues in her subsequent plays. This edition of The World as It Goes is based on the Larpent licensing holograph manuscript held by the Huntington Library (LA 548). The transcription of the play is supplemented with an introduction providing cultural, theatrical, historical and biographical contexts; contemporaneous reviews; and a note on the text.

A Comedy

The World as It Goes

Claire Lamont

Peter Cox

John Lincoln

David Powell

Edward Storey

Tom Bates

Valerie Pedlar

Norman Iles

Bob Heyes

Richard Lessa

Kaye Kossick

P.M.S. Dawson

The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.

John Clare Society Journal, 13 (1994)

Examining chameleonic identities as seen in theatrical performances and literary texts during the Romantic period, this study explores cultural attitudes toward imposture and how it reveals important and much-debated issues about this time period. Brewer shows chameleonism evoked anxieties about both social instability and British selfhood.

Staging Romantic Chameleons and Imposters

William D. Brewer

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