William H. Robinson

Kenneth B. Wildey

Proceedings of the 1st International Conference on Insect Pests in the Urban Environment

Christopher Lloyd

Ann Dumas

Émilia Philippot

Stephen Coppel

Emmanuelle Hincelin

Johan Popelard

Violette Andres

Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional "constructions," made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his very greatest paintings. With reproductions of nearly 400 works of art and a series of insightful new texts by leading authorities on the artist, this sumptuous study reveals the myriad ways in which Picasso explored the potential of paper at different stages of his career. Picasso and Paper is published for an exhibition organized by the Royal Academy of Arts, London, and the Cleveland Museum of Art in partnership with the Musée national Picasso-Paris. The legendary life and career of Pablo Picasso (1881-1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions.

Picasso and Paper

Pablo Picasso

Wadsworth Atheneum Museum of Art

Cleveland Museum of Art

William Robinson

Michael C. FitzGerald

A study of Picasso's depictions of the artist's studio in paintings, drawings and prints throughout his career, showing how he found there a profound expression of the creative focus. Most of the book analyzes relevant paintings and drawings, and there is an essay on the painting "La Vie."

The Artist's Studio

Picasso

William H Robinson

Laurence Channing

Barbara J. Bradley

Margaret Burgess

This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations

Impressionist and Modern Masterworks from the Cleveland Museum of Art : an Exhibition

Monet to Dalí

Or Fifteen Years in Slavery

From Log Cabin to the Pulpit

This account provides the first comprehensive coverage of the insect and other arthropod pests in the urban environment worldwide. Presented is a brief description, biology, and detailed information on the development, habits, and distribution of urban and public health pests. There are 570 illustrations to accompany some of the major pest species. The format is designed to serve as a ready-reference and to provide basic information on orders, families, and species. The species coverage is international and based on distribution in domestic and peridomestic habitats. The references are extensive and international, and cover key papers on species and groups. The introductory chapters overview the urban ecosystem and its key ecological components, and a review of the pests status and modern control strategies. The book will serve as a professional training manual, and handbook for the pest control professionals, regulatory officials, and urban entomologists. It is organized alphabetically throughout.

A Handbook of Urban Entomology

Urban Insects and Arachnids

Metropolitan Museum of Art (New York, N.Y.)

Jordi Falgàs

Carmen Belen Lord

Josefina Alix

Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.

Picasso, Gaudí, Miró, Dalí

Barcelona and Modernity

Eliza Rathbone

Steele Elizabeth

Marcia Steele

"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."

Van Gogh Repetitions

Ebony O. McGee

Research frequently neglects the important ways that race and gender intersect within the complex structural dynamics of STEM. Diversifying STEM fills this void, bringing together a wide array of perspectives and the voices of a number of multidisciplinary scholars. The essays cover three main areas: the widely-held ideology that science and mathematics are “value-free,” which promotes pedagogies of colorblindness in the classroom as well as an avoidance of discussions around using mathematics and science to promote social justice; how male and female students of color experience the intersection of racist and sexist structures that lead to general underrepresentation and marginalization; and recognizing that although there are no quick fixes, there exists evidence-based research suggesting concrete ways of doing a better job of including individuals of color in STEM. As a whole this volume will allow practitioners, teachers, students, faculty, and professionals to reimagine STEM across a variety of educational paradigms, perspectives, and disciplines, which is critical in finding solutions that broaden the participation of historically underrepresented groups within the STEM disciplines.

Multidisciplinary Perspectives on Race and Gender

Diversifying STEM

William H. Robinson

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