William J. Keith

This book, a critical study of the essays and novels of Richard Jefferies, an English writer of the latter part of the nineteenth century, is an attempt to define the nature of Jefferies' contribution to English literature, and to isolate the more important and effective qualities of his work. Although he was not a major figure in English letteres, Jefferies was highly regarded for his essays on nature and the English countryside, studies of rural conditions, and regional novels; his work mirrors the rapid change taking place in agriculture at the time, and is of interest today to social historians and economists. This study begins with a brief biological account, and then proceeds to a discussion of individual works. An important feature is a comprehensive bibliography of Jefferies' books and pamphlets, arranged in order of publication to assist the readers in checking chronology. (Department of English Studies and Texts, No. 13)

A Critical Study

Richard Jefferies

James G. Smith

Tor Helge Nilsen

Wenonah E. Bergquist

Fred A. Taylor

Robert M. Dean

Nine-county study of landslide activity in relation to ancient landslide deposits, slope, bedrock geology, and rainfall pattern as keys to slope stability in land-use planning.

An Analysis Based on Data from the 1968-69 and 1972-73 Rainy Seasons

Natural Conditions that Control Landsliding in the San Francisco Bay Region

Ben-Z. Shek

In this volume a baker's dozen of creative Canadians make personal responses to the state of the arts in Canada: Northrop Frye and Guy Rocher write on general cultural trends; Hugh MacLennan and Gérard Bessette on fiction; Ralph Gustafson and Michèle Lalonde on poetry; Robertson Davies and Gratien Gélinas on drama; George Woodcock and Jacques Allard on non-fiction prose; Godfrey Ridout on music, and Aba Bayefsky and Humphrey N. Milnes on art. The essays were written to mark the fiftieth anniversary of the University of Toronto Quarterly. The contributors were invited to discuss the changes, problems, challenges, and achievements in the arts in the last fifty years. Since all the authors had personal experience of at least a large section of the period surveyed, the editors welcomed personal reminiscence as well as description and assessment. The result is a varied group of essays in each of which the character of the individual artist is clearly evident; together, they provide a complex, many-faceted, lively, and living discussion of the cultural development of Canada. This anniversary collection of essays is a valuable and provocative source for courses in Canadian studies and for anyone interested in the development of the arts and humanities in Canada.

The Last Fifty Years

The Arts in Canada

William J. Keith

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