William Pencak

Daniel K. Richter

Two powerfully contradictory images dominate historical memory when we think of Native Americans and colonists in early Pennsylvania. To one side is William Penn&’s legendary treaty with the Lenape at Shackamaxon in 1682, enshrined in Edward Hicks&’s allegories of the &"Peaceable Kingdom.&" To the other is the Paxton Boys&’ cold-blooded slaughter of twenty Conestoga men, women, and children in 1763. How relations between Pennsylvanians and their Native neighbors deteriorated, in only 80 years, from the idealism of Shackamaxon to the bloodthirstiness of Conestoga is the central theme of Friends and Enemies in Penn&’s Woods. William Pencak and Daniel Richter have assembled some of the most talented young historians working in the field today. Their approaches and subject matter vary greatly, but all concentrate less on the mundane details of how Euro- and Indian Pennsylvanians negotiated and fought than on how people constructed and reconstructed their cultures in dialogue with others. Taken together, the essays trace the collapse of whatever potential may have existed for a Pennsylvania shared by Indians and Europeans. What remained was a racialized definition that left no room for Native people, except in reassuring memories of the justice of the Founder. Pennsylvania came to be a landscape utterly dominated by Euro-Americans, who managed to turn the region&’s history not only into a story solely about themselves but a morality tale about their best (William Penn) and worst (Paxton Boys) sides. The construction of Pennsylvania on Native ground was also the construction of a racial order for the new nation. Friends and Enemies in Penn&’s Woods will find a broad audience among scholars of early American history, Native American history, and race relations.

Indians, Colonists, and the Racial Construction of Pennsylvania

Friends and Enemies in Penn's Woods

Randall M. Miller

William A. Pencak

The Keystone State, so nicknamed because it was geographically situated in the middle of the thirteen original colonies and played a crucial role in the founding of the United States, has remained at the heart of American history. Created partly as a safe haven for people from all walks of life, Pennsylvania is today the home of diverse cultures, religions, ethnic groups, social classes, and occupations. Many ideas, institutions, and interests that were first formed or tested in Pennsylvania spread across America and beyond, and continue to inform American culture, society, and politics. This book tells that story—and more. It recenters Pennsylvania in the American historical narrative. Pennsylvania: A History of the Commonwealth offers fresh perspectives on the Keystone State from a distinguished array of scholars who view the history of this Commonwealth critically and honestly, using the latest and best scholarship to give a modern account of Pennsylvania's past. They do so by emphasizing the evolution of Pennsylvania as a place and an idea. The book, the first comprehensive history of Pennsylvania in almost three decades, sets the Pennsylvania story in the larger context of national social, cultural, economic, and political development. Without sacrificing treatment of the influential leaders who made Pennsylvania history, the book focuses especially on the lives of everyday people over the centuries. It also magnifies historical events by examining the experiences of local communities throughout the state. Pennsylvania: A History of the Commonwealth is divided into two parts. Part I offers a narrative history of the Commonwealth, paying special attention to the peopling process (the movement of people into, around, and out from the state); the ways people defined and defended communities; the forms of economic production; the means of transportation and communication; the character, content, and consequences of people's values; and the political cultures that emerged from the kinds of society, economy, and culture each period formed and sustained. Part II offers a series of "Ways to Pennsylvania's Past"—nine concise guides designed to enable readers to discover Pennsylvania's heritage for themselves. Geography, architecture, archaeology, folklore and folklife, genealogy, photography, art, oral history, and literature are all discussed as methods of uncovering and understanding the past. Each chapter is especially attuned to Pennsylvania's place in the larger American context, and a Foreword, Introduction, and Epilogue to Part I explore general themes throughout the state's history. An important feature of the book is the large selection of illustrations—more than 400 prints, maps, photographs, and paintings carefully chosen from repositories across the state and beyond, to show how Pennsylvanians have lived, worked, and played through the centuries. This book is the result of a unique collaboration between Penn State Press and the Pennsylvania Historical and Museum Commission (PHMC), the official history agency of the Commonwealth of Pennsylvania. Together they gathered scholars from all over the Commonwealth to envision a new history of the Keystone State and commit their resources to make imagining and writing a new history possible.

A History of the Commonwealth

Pennsylvania

An Illustrated History

Historic Pennsylvania

William Blair

Making and Remaking Pennsylvania's Civil War

Joseph Dorinson

Paul Robeson was born April 9, 1898, in Princeton, New Jersey, the son of an escaped slave. He rose to unparalleled heights as an athlete, actor, singer, and activist, and was arguably the most prominent African American from the 1920s through the 1950s. This work is a compilation of 18 essays written by scholars and activists that were presented at a one-day conference held at Long Island University’s Brooklyn campus on February 28, 1998, to honor Robeson’s life and legacy. The essays discuss his significance as a singer, his political activism, his efforts to achieve solidarity between African Americans and Jews, the important role played by his wife, Eslanda Goode Robeson, in his struggles, his founding of the Freedom newspaper during the Korean War, his contemporary relevance, and the way conservative Americans turned against him, refused to discuss him in the press, and tried to silence his voice. Instructors considering this book for use in a course may request an examination copy here.

Essays on His Life and Legacy

Paul Robeson

Derek Jarman's films explore the possibilities and limitations of same-sex love and self-expression during various historical eras, ranging from ancient Egypt to present times. His work covers a millennium of sexual repression and efforts to escape it. Jarman provides us with a cinematic history of people whose homoerotic passions had a major impact on western civilization in religion, art, politics, philosophy, and war. This book provides background information on each of Jarman's fifteen scripts and films. The chapters are "program notes" to his films from a historical perspective. An interpretation of Jarman's intentions, gleaned from the director's writings and works about him, is also provided. This work reveals Jarman's importance as a keen student of the limits of historical knowledge, and delineates the role of history in inspiring change or preserving inertia in the present struggle against homophobia.

The Films of Derek Jarman

"A collection of essays on the American Revolution in Pennsylvania. Topics include the politicization of the English- and German-language press and the population they served; the Revolution in remote areas of the state; and new historical perspectives on the American and British armies during the Valley Forge winter"--Provided by publisher.

Pennsylvania's Revolution

Matthew Dennis

Riot and Revelry in Early America

What does 'the law' look like? While numerous attempts have been made to examine law and legal action in terms of its language, little has yet been written that considers how visual images of the law influence its interpretation and execution in ways not discernible from written texts. This groundbreaking collection focuses on images in law, featuring contributions that show and discuss the perception of the legal universe on a theoretical basis or when dealing with visual semiotics (dress, ceremony, technology, etc.). It also examines 'language in action', analyzing jury instructions, police directives, and how imagery is used in conjunction with contentious social and political issues within a country, such as the image of family in Ireland or the image of racism in France.

William Pencak

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