William Styron

The author chronicles his descent into depression, discussing not only his own experience and recovery but also how others can find help

A Memoir of Madness

Darkness Visible

How does a writer compose a suicide note? This was not a question that the prize-winning novelist William Styron had ever contemplated before. In this true account of his depression, Styron describes an illness that reduced him from a successful writer to a man arranging his own destruction. He lived to give us this gripping description of his descent into mental anguish, and his eventual success in overcoming a little-understood yet very common condition.The unabridged text of Darkness Visibleby William StyronVINTAGE MINIS- GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world's greatest writers on the experiences that make us humanAlso in the Vintage Minis series-Swimming by Roger DeakinBabiesby Anne EnrightCalm by Tim ParksWork by Joseph Heller

Depression

In the shadow of the Korean War, a series of misfired mortar shells kill six men in a Marine camp during a training exercise, prompting the commanding officer to order a grueling punishment: a thirty-six mile march through the suffocating heat of the Carolina summer. Intended to beat discipline into the aging reservists, the march instead rankles Lieutenant Culver and Captain Mannix, whose growing resentment of the brutal trek leads to an ultimate, powerful act of rebellion. The Long March is a withering critique of a military system that leaves no room for dignity or personal identity. Told in part through flashbacks and dream sequences, the story is immersed in vivid language and philosophical reflection--a poignant defense of the individual in the face of attempted dehumanization.

The Long March

A twenty-fifth anniversary edition of the Pulitzer Prize-winning novel based on the true story of an abortive slave rebellion in 1831 gives a chilling account of a noble man's moral decline. Reissue.

The Confessions of Nat Turner

- Presents the most important 20th-century criticism on major works from "The Odyssey through modern literature- The critical essays reflect a variety of schools of criticism- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index- Introductory essay by Harold Bloom

Sophie's Choice

Wybór Zofii

Com três milhões de exemplares vendidos, 47 semanas nas listas de best-sellers do Times e vencedor do National Book Award de 1980, A escolha de Sofia mostra, em sua patética grandeza, com perfeito domínio do tempo na narrativa e um texto denso e envolvente, o drama de uma mulher corroída pela culpa, que nenhuma felicidade consegue desviar do puro e simples aniquilamento, e para quem a única possibilidade de vida é uma ligação alucinante e destrutiva. Para além das cercas eletrificadas e das câmaras de gás, o campo de concentração de Auschwitz continuava a fazer vítimas. A escolha de Sofia com roteiro, produção e direção de Alan J. Pakula, teve versão cinematográfica de grande êxito: eleito melhor filme de 1983 pela Associação de Críticos de Nova York e Los Angeles e ganhador do Globo de Ouro da Associação de Imprensa Estrangeira de Hollywood, deu à atriz Meryl Streep o segundo Oscar de sua carreira.

A Escolha de Sofia

The day after Peter Leverett met his old friend Mason Flagg in Italy, Mason was found dead. The hours leading up to his death were a nightmare for Peter - both in their violence and in their maddening unreality.The blaze of events which followed was, Peter soon realised, ignited by a conflict between two men- Mason Flagg himself and Cass Kinsolving, a tortured, self-destructive painter, a natural enemy and prey to the monstrous evil of Mason Flagg.Three events - murder, rape and suicide - explode in this relentless and passionate novel, almost overwhelming in its conception of the varieties of good and evil.

Set this House on Fire

William Styron, The Collected Novels

After the great success in 1990 of Darkness Visible, his memoir of depression and recovery, William Styron wrote more frequently in an introspective, autobiographical mode. Havanas in Camelot brings together fourteen of his personal essays, including a reminiscence of his brief friendship with John F. Kennedy; a recollection of the power and ceremony on display at the inauguration of François Mitterrand; memoirs of Truman Capote, James Baldwin, and Terry Southern; a meditation on Mark Twain; an account of Styron’s daily walks with his dog; and an evocation of his summer home on Martha’s Vineyard. Styron’s essays touch on the great themes of his fiction–racial oppression, slavery, and the Holocaust–but for the most part they address other subjects: bowdlerizations of history, literary lists, childhood moviegoing, the censoring of his own work, and the pursuit of celebrity fetish objects. These essays, which reveal a reflective and humorous side of Styron’s nature, make possible a fuller assessment of this enigmatic man of American letters.

Personal Essays

Havanas in Camelot

Gülten Suveren

Sophie'nin Seçimi

amintiri despre nebunie

Beznă vizibilă

A Brooklyn, en 1947, Stingo, jeune écrivain venu du Sud, rencontre Sophie, jeune catholique polonaise rescapée des camps de la mort. A la relation de la rencontrer du jeune homme avec l'amour, se superposent la narration du martyre de Sophie, l'évocation de l'univers concentrationnaire et de l'holocauste nazi. Les deux veines, autobiographique et historique, intriguent en profondeur ce roman et fusionnent en une émouvante parabole sur l'omniprésence du Mal, symbolisé par l'horreur nazie, mais aussi par l'esclavage et le racisme brutal ou larvé de la société américaine, l'intolérance à tous les degrés, la férocité de la lutte de l'homme pour la vie ou la survie la plus élémentaire.

Le choix de Sophie

Cristina Jinga

Alegerea Sofiei

Este romance narra o envolvimento de Stingo com a bela Sofia, assombrada pela terrível escolha que precisou fazer um dia e que definiu o resto da sua vida. 'A escolha de Sofia' mostra uma mulher entregue a uma relação alucinante e destrutiva, impermeável a qualquer felicidade capaz de desviá-la do puro e simples aniquilamento. Para além das cercas eletrificadas e das câmaras de gás, Auschwitz continuava a fazer vítimas. Por trás das angustiantes lembranças que atormentam Sofia, cujos mistérios são aos poucos implacavelmente revelados, o autor mergulha nas raízes da loucura e da crueldade humana.

Escolha de Sofia, a

ظلمت آشکار

Willi Winkler

Die Geschichte einer Depression

Sturz in die Nacht

This portrait of a Southern family’s downfall was the literary debut of the #1 New York Times–bestselling author of Sophie’s Choice. A finalist for the National Book Award, Lie Down in Darkness centers on the Loftis family—Milton and Helen and their daughters, Peyton and Maudie. The story, told through a series of flashbacks on the day of Peyton’s funeral, is a powerful depiction of a family doomed by its failure to forget and its inability to love. Written in masterful prose that “achieves real beauty” (The Washington Post), William Styron’s debut novel offers unflinching insight into the ineradicable bonds of place and family. The story of Milton, Helen, and their children reveals much about life’s losses and disappointments. Lie Down in Darkness, poignant and compelling, is a classic of modern American literature from the author who went on to earn high critical acclaim—with a Pulitzer Prize for The Confessions of Nat Turner and a National Book Award for Sophie’s Choice—and a place at the top of the New York Times bestseller list. This ebook features a new illustrated biography of William Styron, including original letters, rare photos, and never-before-seen documents from the Styron family and the Duke University Archives.

Lie Down in Darkness

“I’ve finally pretty much decided what to write next—a novel based on Nat Turner’s rebellion,” twenty-six-year-old William Styron confided to his father in a letter he wrote on May 1, 1952. Styron would not publish his Pulitzer Prize–winning The Confessions of Nat Turner until 1967, but this letter undercuts those critics who later attacked the writer as an opportunist capitalizing on the heated racial climate of the late 1960s. From 1943 to 1953, Styron wrote over one hundred letters to William C. Styron, Sr., detailing his adventures, his works in progress, and his ruminations on the craft of writing. In Letters to My Father, Styron biographer James L. W. West III collects this correspondence for the first time, revealing the early, intimate thoughts of a young man who was to become a literary icon. Styron wrote his earliest letters from Davidson College, where he was very much unsure of himself and of his prospects in life. By the last few letters, however, he had achieved a great deal: he had earned a commission in the Marine Corps, survived World War II, published the novel Lie Down in Darkness (1951) and the novella The Long March (1953), and won the Prix de Rome. He had also recently married and was about to return to the United States from an expatriate period in Paris and Rome. The letters constitute a portrait of the artist as a young man. They read like an epistolary novel, with movement from location to location and changes in voice and language. Styron was extremely close to his father and quite open with him. His story is a classic one, from youthful insecurity to artistic self-discovery, capped by recognition and success. There are challenges along the way for the hero—poor academic performance, a syphilis scare, writer’s block, temporary frustration in romance. But Styron overcomes these difficulties and emerges as a confident young writer, ready to tackle his next project, the novel Set This House on Fire (1960). Rose Styron, the author’s widow, contributes a prefatory memoir of the senior Styron. West has provided comprehensive annotations to the correspondence, and the volume also has several illustrations, including facsimiles of some of the letters, which survive among Styron’s papers at Duke University. Finally, there is a selection of Styron’s apprentice fiction from the late 1940s and early 1950s. In all of American literature, no other extended series of such letters—son to father—exists. Letters to My Father offers a unique glimpse into the formative years of one of the most admired and controversial writers of his time.

Letters to My Father

From 1947 to 1949, William Styron twice attempted to write a novel under the working title Inheritance of Night. On the third attempt he produced the award-winning Lie Down in Darkness, which when published in September 1951 established him as one of the most promising writers of his generation. Duke University Press is proud to publish, in facsimile form, the long-lost drafts of Styron's earliest versions of Lie Down in Darkness. Although Styron began the narrative twice, he realized both times that his writing was derivative and his characters not yet fully conceived. These drafts show young Stryon feeling his way into the story with various narrative voices and strategies, and attempting to work out his plot. Influence from William Faulkner, F. Scott Fitzgerald, and Robert Penn Warren is apparent in the text, and there is a character present named Marcus Bonner who is an early rendition of Stingo in Sophie's Choice. The typescript drafts of Inheritance of Night for many years were thought to have been lost, but in 1980 were discovered in the files of one of Styron's former literary agents. These drafts, eventually made their way to the archive of Styron's papers assembled at Duke University Library. This facsimile is published here in two different limited editions for collectors: a lettered, signed, and boxed edition (26 copies) and a numbered, signed edition (250). A general interest trade volume is also available. With a preface by Styron and an introduction by James L. W. West III, these drafts afford much insight into the creation of Lie Down in Darkness and the writing of a major twentieth-century American writer.

William Styron

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