William Vaughan

Andrea Vaughan

HUMANITY'S LAST HOPE... With Earth rapidly becoming inhospitable to human life, G.S. Archean carries a one-way crew of courageous passengers to Uelara, an earth-like planet in the Cieri star system. Uelara is ideal, except for one minor detail-its distance from Earth. Traveling at sub-light speed, the generation ship won't reach Uelara within the original crew's lifetime. Thirty years into the journey, a new generation born on the Archean trains to fulfill the first generation's mission. Eager to reach Uelara, the 2nd Gen crew prepares, as planned, to assume their parents' responsibilities-that is, until. . . someone goes missing and a devastating secret is discovered, putting the future of the human race in jeopardy. Will the crew rally and carry out the mission-or is humanity doomed? It's all up to the 2nd Gen. The ultimate test of man's conscience may be his willingness to sacrifice something today for future generations whose words of thanks will not be heard. -Gaylord Nelson

2nd Gen

Samuel Palmer (1805-1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan--who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005--draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century. Published for the Paul Mellon Centre for Studies in British Art

Shadows on the Wall

Samuel Palmer

Anthea Peppin

Flemish Painting

Revolution and profusion -- these are the hallmarks of Western art from 1780 to 1850. The astonishingly rapid changes wrought by the industrial -- and American and French -- revolutions led to a wealth of artistic production. This profusely illustrated guide to the arts of the early 19th century on both sides of the Atlantic is the most comprehensive volume available on the subject. Through both famous and obscure works, William Vaughan explores a stunning variety of artistic achievement, including landscape, still life, and figure painting by Gericault, Ingres, Delacroix, Turner, Blake, Constable, Goya, and Friedrich. Vaughan also treats sculpture, architecture, town planning, and photography, and offers an in-depth survey of the decorative arts: furniture, ceramics, glass, metalwork, and more. Drawing on the most up-to-date research, the author brings this exciting period and its inexhaustible artistic production to life.

Arts of the 19th Century: 1850 to 1905

What's the difference between a cast shadow and a form shadow? Why do shadows become increasingly important in Western art? Can we only ever see shadows, not objects themselves, as Plato claimed? In this beautiful little book, printmaker and History of Art Professor William Vaughan presents the history of shadows, from their emergence in the visuals arts to their association with death and the subconscious. Get ready! You may never look at the world the same way again! "e;Fascinating"e; FINANCIAL TIMES. "e;Beautiful"e; LONDON REVIEW OF BOOKS. "e;Rich and Artful"e; THE LANCET. "e;Genuinely mind-expanding"e; FORTEAN TIMES. "e;Excellent"e; NEW SCIENTIST. "e;Stunning"e; NEW YORK TIMES. Small books, big ideas.

Shadows

Excerpt from Memoirs of Rev. Wm. Vaughan, D. D. By His Son, Thos. M. Vaughan, of Danville, Ky: With Sketches of His Character by Rev. J. M. Pendleton, D. D., And Others; Also, an Essay and Two Sermons by Dr. Vaughan Lost in the woods. Death of William's father. His character. Industry and care of his mother. Trip to Bullitt's Lick. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

With Sketches of His Character by Rev. J. M. Pendleton, D. D., And Others; Also, an Essay and Two Sermons by Dr. Vaughan (Classic Reprint)

Memoirs of Rev. Wm. Vaughan, D. D. By His Son, Thos. M. Vaughan, of Danville, Ky

In the age of revolutions, at the end of the eighteenth century, the mental and spiritual life of North America and Europe began to undergo a historic and irreversible change. The ideas of spontaneity, direct expression and natural feeling transformed the arts, encouraging artists to explore the extremes in human nature, from heroism to insanity and despair. Widely praised on its previous appearance as Romantic Art and now revised, William Vaughan's classic study analyzes the achievement of the leading artists of the age - masters such as Goya, Blake, Gericault, Turner and Delacroix - and sets in context a host of fascinating figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Pugin, Bingham and many more. The result is an invaluable account of a dramatic and contradictory artistic epoch.

Romanticism and Art

John Constable (1776-1837) is best known for his idyllic paintings of the English countryside. Yet he was also a brilliant innovator who brought a new vivacity to the observation of nature. He practiced oil painting in the open air, capturing in particular the "effervescent" effects of atmospherics--as can be seen, for example, in his wonderful studies of clouds. His art became a benchmark for naturalist painters throughout Europe and America in the 19th century, and he continues to be one of the most popular and influential artists today. This book draws extensively on the artist's own correspondence to provide a fresh understanding of his artistic aims and achievements, and reassesses his role in the development of modern art.

British Artists Series

John Constable

A fantasy novella aimed at teenagers but suitable for all ages. Though loosely based on the Mabinogion and Irish mythology, it contains some magic and violence. Rhydian appears to be the perfect Prince of Dyfed. Much loved by his subjects, he is kind, just, handsome, and seems set for a long and glorious reign.

When Ravens Screamed Over Blood

Colin Harrison

Elizabeth E. Barker

Life and works of the 19th century British landscape painter, draughtsman and etcher, who was a key figure of English Romantic painting.

Vision and Landscape

Samuel Palmer, 1805-1881

It's 1864 and an arrogant, ambitious sixteen-year-old steals his widowed mother's life-savings and sails from Cardiff to Australia to find gold. William Jenkins journeys into the bush only to encounter drunkards, crocodiles, outlaws and aboriginals with a reputation for cannibalism. When he stumbles into a strange community of ex-convicts, their leader tells him, ""You're the one sent to us by God."" William is then astonished to be offered half the profits in a gold mine. But before William returns to Wales, he discovers that there are more important things in life than riches. ""Gold Hunter"" will delight young adults who enjoy a well-written tale of adventure.

William Vaughan

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