Yukimi Ogawa

Coming in June 2023 “Her work is unexpected, often horrific, and always enthralling. Weaving Japanese folklore in with the new, the weird, and science fiction horror elements, Ogawa’s body of work is prolific and evergreen.” —Thea James, Tor.com A monster wearing the stolen dress of a deceased mother agrees to help the woman’s orphaned son. A girl whose blood can cause hallucinogenic visions makes a daring escape from the merchants who traffic her. In a society where people are prized for their jewel-hued skins—indigo, silver, amber, emerald—one girl endures brutal bruises to shine brightest of all, while another, her eyes sealed inside a featureless helmet, risks death to retrieve colors from the outside world. In the future of that culture, one where androids serve with brimming resentment and artificially altering one’s skin color can be a crime, the most ordinary in appearance can prove the best detectives, and the most subtly effective rebels. On a far distant space station, another android encounters a goddess humans forgot. “At pure surface level, these works appear rooted in the fantastical and magical, but as soon as you think you’ve found your footing and understand where you are, Ogawa warps your perception almost imperceptibly until the world is completely unfamiliar again.” —Haralambi Markov, Tor.com Like Smoke, Like Light, the debut collection of short fiction from Japanese author Yukimi Ogawa, gathers seventeen tales that Locus Magazine has described as constructed in a “wild—but still grounded, feeling more like SF than fantasy—fashion.” As novelist and poet Francesca Forrest writes in her introduction, “Ogawa is a remarkable light in the science fiction and fantasy firmament,” who “writes unsettling stories that are by turns horrifying and touching.” This book “give us space and time to think about how we really feel about tricky questions—like what makes a monster” and how loving families can be found when one accepts “the forms they choose to wear.”

Stories

Like Smoke, Like Light

Marie Brennan

Tanith Lee

Nicole Kornher-Stace

Benjanun Sriduangkaew

Shira Lipkin

Gemma Files

Corinne Duyvis

Barbara Krasnoff

Cat Rambo

Patricia Russo

Ian McHugh

Kenneth Schneyer

Camille Alexa

Yves Meynard

A.C. Wise

Alisa Alering

 Richard Parks

The ground-breaking, boundary-pushing, award-nominated series of fantasy anthologies series returns for a fourth installment through the miracle of Kickstarter, bringing you eighteen brand new tales of beauty and strangeness. You'll find the light-hearted and the bleak, the surreal become familiar and the familiar turned inside-out. Each story leads you into unmapped territory, there to find shock and delight. With stories by Yves Meynard, Ian McHugh, Nicole Kornher-Stace, Richard Parks, Gemma Files, Yukimi Ogawa, A.C. Wise, Marie Brennan, Alisa Alering, Tanith Lee, Cat Rambo, Shira Lipkin, Corinne Duyvis, Kenneth Schneyer, Camille Alexa, Benjanun Sriduangkaew, Patricia Russo and Barbara Krasnoff. Table of Contents “Our Lady of the Thylacines” by Yves Meynard “The Canal Barge Magician’s Number Nine Daughter” by Ian McHugh “On the Leitmotif of the Trickster Constellation in Northern Hemispheric Star Charts, Post-Apocalypse” by Nicole Kornher-Stace “Beach Bum and the Drowned Girl” by Richard Parks “Trap-Weed” by Gemma Files “Icicle” by Yukimi Ogawa “Lesser Creek: A Love Story, A Ghost Story” by A.C. Wise “What Still Abides” by Marie Brennan “The Wanderer King” by Alisa Alering “A Little of the Night” by Tanith Lee “I Come from the Dark Universe” by Cat Rambo “Happy Hour at the Tooth and Claw” by Shira Lipkin “Lilo Is” by Corinne Duyvis “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” by Kenneth Schneyer “Three Times” by Camille Alexa “The Bees Her Heart, the Hive Her Belly” by Benjanun Sriduangkaew “The Old Woman With No Teeth” by Patricia Russo “The History of Soul 2065″ by Barbara Krasnoff Praise for Clockwork Phoenix 4 This book is in several distinct ways a look into the future: the future of fantasy and science fiction, diverse, strange, and wonderful; the future of these individual writers, many of whom are at or near the beginning of careers which promise to be interesting; and, additionally, the future of publishing, in which a crowd-sourced publication from a very small press can produce, and can present professionally and beautifully, work which is at the height of what is being written in genre. This particular phoenix has risen from its ashes triumphant. — Strange Horizons Clockwork Phoenix 4, much like its predecessors, is a high quality, well-organized, engaging anthology. — Tor.com A first rate series of anthologies … The book is stylistically of a piece with its predecessors — a set of well-written stories occupying multiple subgenres, usually in the same story, often ambiguously. — Locus The tone ranges from dark to heartwarming and simple. The overall quality is high … Several of the pieces are quite challenging. Readers will do well to pick up a copy. — Locus Online What makes this fourth edition so special is that it belongs to an impassioned community of writers and readers who went above and beyond to make it happen. … All eighteen [stories] have the power to pull the reader out of his own reality and transport or transform them entirely. — Cabinet des Fées This 4th volume of Clockwork Phoenix contains an excellent diversity of speculative fiction ranging from cold and hopeless to harsh but victorious and warm and fulfilling. It was a pleasure to read. — Tangent Online What kind of stories will you find in Clockwork Phoenix 4? Only those that are magical, imaginative, heart-wrenching, just plain bizarre, forward-looking, backward-looking, biological, romantic, hopeful, darkly funny and openly frightening. All the words that describe the best speculative fiction you’ve ever read apply. In fact, if this isn’t the epitome of speculative fiction, I don’t know what is. — Little Red Reviewer

Clockwork Phoenix 4

Yukimi Ogawa

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