Pál Kelemen

Zoltán Kékesi

Dubravka Oraić Tolić

Ernő Kulcsár Szabó

Beiträge zur Geschichte der mitteleuropäischen Literaturwissenschaften

Kultur in Reflexion

Memory in Hungarian Fascism: A Cultural History argues that fascist memory had a key role in the historical formation and later return of fascism. Tracing the trajectory of a perennial figure of fascist memory, the cult of Eszter Sólymosi, from interwar Hungary through the Cold War West to contemporary Hungary, the book covers a century of fascism and offers a unique combination of fascism studies and memory studies. How did fascists challenge liberal memory after the First World War? How did the memory culture they created come to frame and feed the Second World War and the genocide? In what ways did fascist memory transform as they navigated the challenges of exile in a profoundly changed political landscape and tried to counter the postwar order? And what role did their legacy, carefully crafted for a post-Communist future, play as later neo-fascists rejected democratic transformation? Eventually, as fascist memory travelled across time and space, the book argues, it contributed to the political challenges that we face today. Based on a variety of unpublished sources, the book offers new insights for students of memory, Holocaust, fascism, and antisemitism studies, Jewish studies, Central and Eastern European history, and Hungarian studies.

A Cultural History

Memory in Hungarian Fascism

The book explores representations of the Holocaust in contemporary art practices. Through carefully selected art projects, the author illuminates the specific historical, cultural, and political circumstances that influence the way we speak—or do not speak—about the Holocaust. The book's international focus brings into view film projects made by key artists reflecting critically upon forms of Holocaust memory in a variety of geographical contexts. Kékesi connects the ethical implications of the memory of the Holocaust with a critical analysis of contemporary societies, focusing upon artists who are deeply engaged in doing both of the above within three regions: Eastern Europe (especially Poland), Germany, and Israel. The case studies apply current methods of contemporary art theory, unfolding their implications in terms of memory politics and social critique.

Holocaust Memory in Contemporary Art and Documentary Film

Agents of Liberations

Zoltán Kékesi

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