Terence David John Pratchett

Terry Pratchett

With a foreword by Neil Gaiman Terry Pratchett has earned a place in the hearts of readers the world over with his bestselling Discworld series - but in recent years he has become equally well-known and respected as an outspoken campaigner for causes including Alzheimer's research and animal rights. A Slip of the Keyboard brings together for the first time the finest examples of Pratchett's non fiction writing, both serious and surreal: from musings on mushrooms to what it means to be a writer (and why banana daiquiris are so important); from memories of Granny Pratchett to speculation about Gandalf's love life, and passionate defences of the causes dear to him. With all the humour and humanity that have made his novels so enduringly popular, this collection brings Pratchett out from behind the scenes of the Discworld to speak for himself - man and boy, bibliophile and computer geek, champion of hats, orang-utans and Dignity in Dying.

Collected Non-fiction

A Slip of the Keyboard

Contribution for The Word, London’s Festival of Literature, 2000

High Fidelity

… from the Latin susurrus, “whisper” or “rustling,” which is exactly what it sounds like. It’s a hushed noise. But it hints of plots and secrets and people turning to one another in surprise. It’s the noise, in fact, made just after the sword is withdrawn from the stone and just before the cheering starts.

Foreword to Brewer’s Dictionary of Phrase and Fable Millennium Edition, 1999

Brewer’s Dictionary of Phrase and Fable is the first book to turn to when questions arise and the final desperate volume when the lesser reference books have failed. No bookshelf, no WORLD is complete without it. It’s as simple as that.

People are magnificent research, almost the best there is.

Where do the ideas come from? I do not know. But one of the things I did learn from my science fiction reading was that there were other things you could read besides science fiction.

But horizontal wealth means not letting your increased income dictate your tastes. You like books and now you have money? Buy more books!

And so I’ve been learning as I go, and I find it now rather embarrassing that people beginning the Discworld series start with The Colour of Magic and The Light Fantastic, which I don’t think are some of the best books to start with. This is the author saying this, folks. Do not start at the beginning with Discworld.

… well, when I was young, I wrote a letter to J. R. R. Tolkien, just as he was becoming extravagantly famous.

I just said I’d enjoyed the book very much. And he said thank you. For a moment, it achieved the most basic and treasured of human communications: you are real, and therefore so am I.

NOTES FROM A SUCCESSFUL FANTASY AUTHOR: KEEP IT REAL

I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense.

Sorceress? Just a better class of witch. Enchantress? Just a witch with good legs. The fantasy world, in fact, is overdue for a visit from the Equal Opportunities people because, in the fantasy world, magic done by women is usually of poor quality, third-rate, negative stuff, while the wizards are usually cerebral, clever, powerful, and wise.

Strangely enough, that’s also the case in this world. You don’t have to believe in magic to notice that.

There’s a feeling that I think is only possible to get when you are a child and discover books: it’s a kind of fizz—you want to read everything that’s in print before it evaporates before your eyes.

A Slip of the Keyboard quotes

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