Name: Noem me bij jouw naam
Rating: 3.957325746799431 (1406 reviews)
ISBN: 9789041411426

André Aciman

Nan Lenders

Als een 17-jarige Italiaanse jongen verliefd wordt op een zeven jaar oudere Amerikaanse wetenschapper die bij zijn ouders een studiezomer doorbrengt, raakt hij erg in verwarring.

Noem me bij jouw naam

Stephanie 

Perhaps we were friends first and lovers second. 

But then perhaps this is what lovers are.

Sara

Tabea

Pia 

Sophie

Victoria

macie livesay

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!“

🤍

Call me by your name

skipped through a little bit bc the sex was getting too much (WHY did he fuck a PEACH), i love this story of a gay teenager's horny thoughts written out in excruciating and heart wrenching detail

charlowwe

The film tie-in edition to the already highly acclaimed Luca Guadagnino-directed film of one of the great love stories of our time.

Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.

Call Me by Your Name

Kat 

The sudden and powerful attraction between a teenage boy and a summer guest at his parents' house on the Italian Riviera has a profund and lasting influence that will mark them both for a lifetime, in a novel of obsession, passion, fear, and desire. By the author of False Papers.

A Novel

Greg Talbot

Inner torment amid piazzas and summer idleness are context to Elio's coming of age story. A romance of a young man wrestling with his desires to connect with the student visitor Oliver, it's a story about a young man fighting with desire, and overcoming his internal limitations to speak his true intentions. From admiration of a shared Jewish history, and the arts, his internal dialogue becomes a cat-and-mouse game to win the unmoved Oliver. One of the jarring effects of having seen, and enjoying the film adaptation, is that the movie is from the first hand account of Elio. This creates a very different perspective than the movie, with the third-party perspective of Oliver, his father, and the women. Elio's romance creates ripples that affect all of these people. It creates moving portraits of empathy, particularly a father character who consoles his son with mixed up feelings. Identity is handled in glances, movements, subtle turns of phrase. The book, in contrast, delivers the worldview of Elio where desire is lights the path. His actions are supported of inner laces emotional arguments between his conflicting thoughts. And what teenager, regardless of orientation, hasn't tusseled with the complexity of offering himself as more than a friend. To win the heart of some boy or some girl, and feeling what you offer is so limited. The struggle, to be known, accepted, maybe even adorned -that is so universal. Aciman's language vacillates between clinical and gushing, and for readers who look for deep seeded romantic language, this book will leave them satisfied. It's a simple story, but it's the tug and pull between Oliver and Elio, the stirred emotions that push the subtle competition between the two men, that makes it so fascinating. The torment takes Elio across many questions of "do I" or "don't I". Like the veiled knight he reads poetry of, his action/inaction determine the kind of man he would be. At the age of seventeen, to wrestle with making your desires known, what a wonderful way to turn that torment into the self-knowledge needed for adulthood.

Reading it for the fourth time and i still love it.

cadence. 

jana 

Emiley Jones

The film tie-in edition to the already highly acclaimed Luca Guadagnino-directed film of one of the great love stories of our time.

Definitely meanders a bit but has some beautiful prose. Incredibly romantic and made me cry. Freaky as all hell but it adds to it

Elias Bouschor

a re-read of one of my favorite books. more beautiful and masterful than I remembered. this story will always have a place in my heart. 🌊☀️

Sadie Hoffman

Cate

marie:)

The ending saved this, many parts of the book seemed to drawl on for longer than necessary, but that's art I guess!

karla nicole

It was umnessary disgusting sometimes but except from that Its a masterpiece and really poetical

Gwenifer

Carmen Malca

The end saved this from getting an even lower rating. The atmosphere was great but I didn’t care for any of the characters besides the father. 

Patrick Book

3.5, maybe. The last third has a lot of heavy lifting to do to make up for the ceaseless ruminating of the first third, but the more I think about that last stretch the more impactful it seems.

Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothée Chalamet, and Written by Three-Time OscarTM Nominee James Ivory The Basis of the Oscar-Winning Best Adapted Screenplay A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick An Instant Classic and One of the Great Love Stories of Our Time Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time. Winner of the Lambda Literary Award for Ficition A New York Times Notable Book of the Year • A Publishers Weekly and The Washington Post Best Book of the Year • A New York Magazine "Future Canon" Selection • A Chicago Tribune and Seattle Times (Michael Upchurch's) Favorite Favorite Book of the Year

Gelaine Trinidad

Warning: this book review is extremely biased and borderline fangirl-esque. I love this book, and I love André Aciman's writing. This book has everything I love when reading for the sake of escapism. This is a bittersweet coming of age book about desire, longing, first love, and first heartache. This is also a book that naturally shows the fluidity of gender through Elio's thoughts and actions. It is the perfect book to read as summer is coming to a close; reading this made me dream of peaceful and slow Mediterranean summers.

Again, there is so much tension, longing, and desire in the first part as I immersed myself in Elio's stream of consciousness. I loved all the symbolisms like Oliver's swim shorts and Oliver picking ripe apricots. Aciman has a way with words and plays with the origin of the word "apricot" in a sensual way. Also, one cannot forget another fruit metaphor—the peach scene in both the movie and the book. After reading this, I felt compelled to watch the film version again and look for subtle connections to the book (e.g. the statue they found in the sea in the movie represents a specific part of the book in which Elio feared that Oliver drowned and his lifeless and eyeless body—like the statue— will show up on the shores).

It's hard to put this book down. There was so much push and pull between Elio and Oliver: their indirect forms of communication and hidden truths they insert in their coded conversations in hopes that it'll be understood by the other. There was also a lot to unpack from Elio's fantasies and imaginations. Elio experiences such contrasting emotions in part two such as desire and shame. It is an honest portrayal of someone experiencing love and passion for the first time.

Aciman also loves writing about time and the concept of parallel lives. Elio and Oliver are living in borrowed time. In part three, this theme is explored even further through something called The San Clemente Syndrome: "like the subconscious, like love, like memory, like time itself, like every single one of us, the church is built on the ruins of subsequent restorations, there is no rock bottom, there is no first anything, no last anything, just layers and secret passageways and interlocking chambers, like the Christian Catacombs, and right along these, even a Jewish Catacomb.” I am left even more heartbroken by this next quote: “...how we move through time, how time moves through us, how we change and keep changing and come back to the same. He came. He left. Nothing else has changed. I had not changed. The world hasn’t changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.” It makes you wonder, what could have been? Aciman writes with sincere infatuation with nostalgia and moments that may never happen again.

The night spent in Rome with older literature lovers is a very meaningful time for Elio not just because Oliver is there with him but because Elio finds a community he wants to belong to and felt an instant connection with. This is unlike his friends back in B. It’s a good reminder for Elio as he’s growing up—there’s more to life outside his bubble. Although part three had some questionable parts (e.g. the poet's story with a transgender hotel clerk in Bangkok), the night in Rome was for the most part very romantic and intimate.

Elio's father's speech in both the book and the movie is so meaningful; Aciman brings it home with the familiar themes of time, love, and parallel lives in part four. “Time makes us sentimental. Perhaps, in the end, it is because of time that we suffer."

*plays Sufjan Stevens in the background*

I highly recommend this book and the audiobook narrated by Armie Hammer.

Megan Parrott

One of those books that I wish I could experience for the first time again. It’s intoxicating in the way many coming-of-age love stories can be, but it never felt corny or trite. I loved being inside Elio’s head — especially when his mind would wandered from thought to thought, as he tried to take in everything he felt. For me, this book speaks to how fluid love is, if we allow ourselves to surrender to it.

Update: The audiobook as read by Armie Hammer is my favorite iteration of this story (though I also loved the movie and of course the written work).

Ryan Mateyk

idk what to say but it's SO GOOD everything about cmbyn just so perfect 

gita

The sudden and powerful attraction between a teenage boy and a summer guest at his parents' house on the Italian Riviera has a profund and lasting influence that will mark them both for a lifetime, in a novel of obsession, passion, fear, and desire. By the author of False Papers. Reprint. 25,000 first printing.

armoni mayes

After reading this book, i will refer to my life as “before” or “after” reading call me by your name because i am simply destroyed

Anjorin Molayo 

“Perhaps the physical and the metaphorical meanings are clumsy ways of understanding what happens when two beings need, not just to be close together, but to become so totally ductile that each becomes the other. To be who I am because of you. To be who he was because of me.”

I’m still in awe of how beautiful Aciman’s writing style is. this entire story depicted the desperation and the chaos sexual desires can bring. it’s sweet at times and terrifying at times. it's truthful in a raw way. 

“We had found the stars, you and I.”

Although i won’t deny the fact that entering Elio’s head left me disturbed. I still can’t fathom how dirty his mind could go.

And i can’t move past the fact that Oliver was grooming Elio. Yes, Oliver tried to stop the attraction towards each other, but it still felt like what he was doing wasn’t enough.

The final part of this book is just...It broke me to the core😔. 

4.25 ⭐️

Rodrigo Figueiredo Severino

** spoiler alert **
           I have a lot of thoughts about this.

The book is beautifully written. The way the author manages to walk the line between erotic and poetic is stellar and the way he brings Elio’s speech to life is fantastic, giving us a true insight to what his feelings really are.

Now the thing is you’ll have to come into this book with a seriously open mind cuz I was absolutely not expecting the age gap to be this weird, Elio to be this obsessed as a 17 year old with a 24 year old man (that indulges in such behavior), I was not expecting him to wish Oliver was paralyzed just so he could keep him in Italy, for example, and I also wasn’t expecting Oliver to place his hand on Elios stomach while he takes a dump in Rome so he can “feel what he feels”, between other weird parts of this book.

What redeems this book for me, despite the obsessive and unhealthy nature of their relationship for most of it, are two things: the last 40 pages when Oliver leaves and Elio grows up tie the book all together and show that there was real love from both parts instead of just obsession from a 17 year old teen discovering himself, and the last about 20 pages specially are really touching. And second, it’s just relatability. Of course this is taken to an huge extreme, but as someone who has been on a similar situation to what the book depicts (without the weird age gap), a lot of this book felt like direct stabs to my little heart. So the beautiful poetic writing style, the ending that almost makes the rest of the book less weird by acknowledging their growth and how their relationship was real, just mildly inappropriate and too intense for its own good, and the fact I can in hindsight get the messages and relate to the situation in the book leads to my 4 star rating.

Noem me bij jouw naam

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