The Return of Sherlock Holmes Sherlock Series Book 6

The Return of Sherlock Holmes almost quite literally begins with Dr. John Watson practically being assaulted by an "elderly, deformed man...with sharp, wizened face peering out from a frame of white hair." In any other story, his constant companion, mentor and fodder for his literary ambitions would give the old man a five second glance and proceed to spell out almost his entire life history. By the time this strange encounter between Watson and the crooked old bibliophile takes place--as described in the collection's opening tale "The Empty House"--three have passed since Sherlock Holmes had fallen to his death from high above Reichenbach Fall, locked in a lethal embrace with his nemesis Professor Moriarty all the way down to their doom.The actual literal opening of "The Empty House" has John Watson revealing that he is still actively involved in the world criminology as revealed by his profound distress with evidence related to the murder of the Honourable Ronald Adair; a murder which has gripped the attention of London somewhere to the level at which America was engrossed in the O.J. Simpson trial. Watson's Sherlock-like independent investigation into the seemingly impossible circumstances of a murder by shooting in which nobody who should have been able to hear the gunfire reported doing so and in which the weapon which should have been discovered was not directly leads to Watson crossing path with the bothersome old crone. Watson--a military physician with experience in battlefront surgery--faints for what he insists was the first and last time in his life when the simple act of turning his back on the old man for a few moments allows the old man to reveal himself at last as Watson's long-lost and presumed roomie at 221B Baker Street. And thus does "The Empty House" kick off a series of stories which quite literally tell the story of The Return of Sherlock Holmes...from the grave. (Well, that last part is maybe not so much literal.)The resurrection of Sherlock Holmes in his masquerade as a hunchbacked senior citizen in "The Empty House" connects directly to his disguised character as part of his scheme to trap "Charles Augustus Milverton" in one of the collections' later standout entries. The love of Holmes to insert a little theatricality to his normally coolly calculating person in the actually rather cruel manner in which he reveals his status as being among the living will be memorably resurrected in the famous scene in which he tricks the killer into exposing himself in "The Norwood Builder."