Artificial Hells: Participatory Art and the Politics of Spectatorship

Artificial Hells: Participatory Art and the Politics of Spectatorship

Claire Bishop2012
A searing critique of participatory art by the historian author of Installation Art traces art development throughout the 20th century to examine key moments in the participatory discipline to expose its political and aesthetic limitations. Original.
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Photo of Val Moon
Val Moon@valmoon
3 stars
Oct 5, 2021