Austin McGiffert Wright

Fifteen years ago, Susan Morrow left her first husband Edward Sheffield. One day, comfortable in her home, and her second marriage, she receives, entirely out of the blue, a parcel containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says. As Susan reads, she is drawn into the fictional life of his character Tony Hastings, a maths professor driving his family to their summer house in Maine. And as we read with her, so are we. As the Hastings' ordinary, civilised lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life. TONY AND SUSAN is a dazzling achievement: simultaneously a riveting portrayal of the experience of reading and a page turning thriller, written in startlingly arresting prose. It is also a novel about fear and regret, revenge and aging, marriage and creativity. It is simply unique.

Tony and Susan

High Fidelity

Yet he understood well enough, for it had happened to him. The hard thing would be how to make anyone else understand.

What she remembers now is not so much happiness as places where happiness occurred. Happiness was intangible, place made it visible.

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