Stephen King

Peter Straub

A retired Los Angeles homicide detective living in a rural Wisconsin town, Jack Sawyer is called in to assist the local police chief in solving a gruesome series of murders that causes Jack to experience inexplicable waking nightmares.

A Novel

Black House

I really enjoyed the concept of this book but found it to drone on a bit too much. +1 star for reigniting my interest in the dark tower series. Maybe I’m a bad person because my favorite character was the child eating serial killer but he was funny 🤷‍♀️

Jas 🐸

Zwei Autoren, die für exzellenten Horror stehen, haben ihre Fähigkeiten zum zweiten Mal vereint; zwanzig Jahre nach «Der Talisman» legen sie erneut einen packenden Roman vor. Um einen unheimlichen Serienmörder zu stellen, muss Ex-Detective Jack Sawyer das schwarze Haus betreten - es ist der Eingang zu einer anderen Welt.

Roman

Das schwarze Haus

Justin Staack

8 Punkte
Die erste Hälfte ist so überladen mit Charakteren, dass ich nie wusste wer wer ist. Erst am ende habe ich zum teil gewusst wer gemeint ist, wodurch ich aber keine Bindung zu den Charakteren aufbauen konnte.

Victoria Saxon

a poor man's Talisman.....just a fair book

Celeste Richardson

For some reason, I wasn’t expecting much from Black House. While I really enjoyed The Talisman, the first novel in this duology, I feel like I’ve heard a good bit of negative commentary about this particular book in the past. Can I actually pinpoint any of said comments? Nope. Not a one. Maybe I was thinking about a different book. Because Black House was everything I should have expected: scary, moving, and vital to the Dark Tower.
“I must not be so bad if I have a friend like that.”
I love the narrator’s voice in this book. To me, it’s reminiscent of Dickens with charming, gentle directions of “let us look here” and “this is our destination” and so on. This creates an interesting dichotomy with the darker, more horroresque elements of the novel. And this book is absolutely a horror novel. Like its predecessor, there might be elements of portal fantasy and mystery here, but Black House is unequivocally and firmly planted in the horror genre. So much so, in fact, that there were multiple parts of the story that had me feeling squeamish and contemplating putting the book aside. I’m incredibly glad that I stuck it out, because this story ended up being far more important in the scheme of things concerning the Dark Tower than I expected.
“What you love, you must love all the harder because someday it will be gone.”
Michael Collings called this book “a linchpin narrative bringing together—explicitly, undeniably, and utterly—the mythic worlds King and Straub have drawn, pulling them together and knotting them at the core…” While I haven’t read any of Straub’s work outside the predecessor to this book he wrote with King, The Talisman, I can absolutely see how vital this book is to King’s Dark Tower landscape. While all of the interrelated novels on the extended Dark Tower reading order list I’ve been using do indeed tie into the narrative in some way, The Talisman and Black House feel essential to the overarching story. While I think the duology would be a powerful story on its own, the connections it provides in King’s larger picture feel truly inspired.  If you’re thinking about embarking on a trip to the Dark Tower, absolutely do not skip these two books.
“The King is in his Tower, eating bread and honey. The Breakers in the basement, making all the money.”
Outside of its contributions to the Dark Tower landscape, I have some mixed feelings about Black House. On the one hand, I was utterly charmed by the narrative voice, as stated above. There were also a handful of characters who shone so brightly they almost burned, my favorites of these being Henry and Beezer. On the other hand, there were multiple descriptive passages that felt almost like murder porn, and it gave me the willies, to use a King-ism. It felt almost gleeful in its visceral depictions of carnage. And I initially thought I was going to hate this book because of the changes in Jack Sawyer’s character from The Talisman, but thankfully those alterations weren’t permanent. 
“Yes, it’s always the past. That’s where the hurt is, all you can’t get over.”
Again, my main complaint with The Talisman comes back into play in Black House: while I loved some of these characters, anyone being portrayed as villainous had absolutely zero redeeming qualities. I can’t stand caricature villains, and there were multiple characters I feel fit that bill in this book. There is a struggle, a nuance at the core of all of the protagonistic characters I came to love in this story. They weren’t perfect, which just made me care about them even more. But the villains? They’re cardboard. Malicious, sadistic, evil-to-the-core cardboard. While I’m not saying that I wanted to root for the villains in any way, I wish there would have been just a tiny bit of nuance there.
“Ka is a friend to evil as well as good. It embraces both.” 
This was also another monster of a book that I believe could have been edited down one or two hundred pages and become a tighter, even more engrossing story. But it was compelling despite its verbosity, beyond a shadow of a doubt. Black House is a book that I thought about even when I wasn’t reading, which I think is the highest mark of a good story. I can’t wait to see what parts of this book carry over into the last half of the Dark Tower series. (Side note: The audio of this book is narrated by one of my absolute favorite narrators, Frank Muller. If you’re an audiobook person, both this book and The Talisman are fantastic listens!)

You can find  this review and more at Novel Notions.

Traci Wilbanks

Nikhil

Cena

Rhiannon Mansfield

Shay

Kristen Claiborn

Tim Pennington-Russell

Jessica Deaner

Ashley Janssen

Rowan Myers

French Landing, Wisconsin - home of Kingsland Beer, the Piggly Wiggly supermarket, Goltz's farm implements, Maxton's old folk's home and Radio WDCU, the voice of the Coulee Country. A comfortable, solid middle-American town inhabited by comfortable, solid middle-Americans - and a serial killer.

Ten-year-old Irma Freneau's mutilated body lies in the rotting ruins of Ed's Eats, Ice Cream & Dawgs in the woods close to the Black House. No one has discovered her yet; no one, that is, except for a host of flies and a wild dog. But her severed foot, complete with size 5 New Balance sneaker and an obscene note, is about to make its way home to French Landing, packed into a shoebox.

Slippage is occurring in the Coulee Country. Three children have been lost to the world. Three children: slaughtered by a fiend with a taste for child's flesh. Linking the murders with those carried out by a previous century's serial killer, the local newspaper has dubbed the perpetrator 'The Fisherman', and if local police chief Dale Gilbertson doesn't catch the Fisherman soon, he'll lose his job and another French Landing mother will lose her child.

If only Jack 'Hollywood' Sawyer - the ex-detective from LA who cracked their last case for them - would help, Dale might save his neck. But, plagued by visions of another world, Jack has retired to this pretty rural retreat at the early age of 35 precisely to avoid such horrors. And having recognized the touch of madness on this case, he has no wish to revisit the Territories whence such madness issues.

Soon, he'll have no choice, for the Fisherman is about to select his fourth victim. Tyler Marshall, left behind one afternoon by his bullying friends, pedals past Maxton Elder Care and is accosted by a crow. 'Gorg,' it caws, and 'Ty.' It bobs and winks at him. What ten-year-old could resist a bird that speaks his name? Not Ty, that's for sure. And as he follows the crow towards the old folk's home, he is grabbed by the neck and dragged into a hedge.

The Fisherman has made another catch...
--front flap

Black House A Novel

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