Nalo Hopkinson

In this "impressive debut" from award-winning speculative fiction author Nalo Hopkinson, a young woman must solve the tragic mystery surrounding her family and bargain with the gods to save her city and herself. (The Washington Post) The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.

Brown Girl in the Ring

Yulande Lindsay

A really good introduction to the works of Nalo Hopkinson. I only really started reading speculative fiction a couple of years ago and have been increasingly dissatisfied with the lack of presence of Caribbean voices. Along comes Nalo Hopkinson. From the beginning one can feel the presence of the African-Caribbean diaspora. From the traditional songs/nursery rhymes/ring games she uses at the beginning of every chapter, to the myths, legends, gods and spirits. You can hear the accents, all of them. Looking forward to more of her work.

Jessica Smith

This is a book that Goodreads has been nagging me to read for aaaaages, but sadly it didn't really work for me. The setting felt too far-fetched – maybe it would've made sense amidst the white flight and urban decay of 1970s North America (even though the book was actually published in 1998), but with 2020 vision it's pretty hard to imagine the Canadian/Ontarian governments just abandoning downtown Toronto. None of the main characters are particularly sympathetic; Ti-Jeanne spends most of the book being a fawning idiot over her deadbeat ex Tony, Tony makes terrible decisions at pretty much every turn, and the grandmother, Gros-Jeanne, is a grouchy hardass. Nearly all the dialogue is written in an Afro-Caribbean dialect, which wouldn't be a problem if the book was otherwise engaging but I didn't find it so. And the ending is basically just a deus ex machina ((view spoiler)[Ti-Jeanne summons the spirits and they fix everything (hide spoiler)]).

Even though I didn't like it, I don't think this is the kind of objectively bad novel that nearly everyone would hate. Horror fans might appreciate it more than me, because (despite Goodreads classifying it as fantasy) it's basically a horror novel in a dystopian/post-apocalyptic setting (with lots of explicit gore). Some people might feel that the richly detailed incorporation of Caribbean culture and legends outweighs the book's flaws. So if you really want to read it, don't let this review stop you… but be warned that characterisation and setting are not really its strong suits.

Brown Girl in the Ring

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