Name: Chapman's Homer
Rating: 3.963968957871397 (451 reviews)
ISBN: 9780691002361

Homer

George Chapman

This volume presents the original 1611 text of George Chapman's translation, tapping into the poetic consonance between the semi-divine heroism of the "Iliad"'s warriors and the cosmological symbols of Renaissance humanism.

The Iliad

Chapman's Homer

General Press

One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. One of the greatest stories ever told, 'Iliad' has survived for thousands of years because of its insightful portrayal of man and its epic story of war, duty, honor, and revenge. After nine years fighting the Trojan War, the Greeks sense imminent defeat. The gods have cursed them with a plague; the Trojans have set their ships on fire; and their best warrior, the impenetrable Achilles, has turned his back on them. But when the Trojans go too far and kill Patroclus, his beloved brother-in-arms, Achilles returns to the battlefield with a vengeance so terrible that it shocks even the gods.

Before you read this epic, keep one thing in mind: 1. The entire Trojan War epic comprises of 8 parts with The Iliad only being the 2nd part. Only 2 parts still survive out of 8 parts: The Iliad (part 2) and The Odyssey (Part 7). So before you read, do read a jist of the lost epic The Cypria (part 1). 

The Iliad is the epic that focuses on the war between The Achaeans and The Trojans initiated due to events orchestrated in The Cypria. The book shows a good side of war which not only focuses on honor and virtue but also how the Gods are involved in this war too. The Mount Olympus is split when it comes to picking sides and each try their best to make the others win; by using mind games or aiding the mortal gallants. 

My personal fav highlights are Athena and Hera vs Aphrodite in the earlier books of this epic and the iconic Achilles' wrath in the climax of this epic. 

Wonderful read, you'd like it more if youre into wars.

Aarush Arora

Before you read this epic, keep one thing in mind: 1. The entire Trojan War epic comprises of 8 parts with The Iliad only being the 2nd part. Only 2 parts still survive out of 8 parts: The Iliad (part 2) and The Odyssey (Part 7). So before you read, do read a jist of the lost epic The Cypria (part 1). 

The Iliad is the epic that focuses on the war between The Achaeans and The Trojans initiated due to events orchestrated in The Cypria. The book shows a good side of war which not only focuses on honor and virtue but also how the Gods are involved in this war too. The Mount Olympus is split when it comes to picking sides and each try their best to make the others win; by using mind games or aiding the mortal gallants. 

My personal fav highlights are Athena and Hera vs Aphrodite in the earlier books of this epic and the iconic Achilles' wrath in the climax of this epic. 

Wonderful read, you'd like it more if youre into wars.

Homero,

The Iliad tells the story of Greek warrior Achilles' great anger and the tragic death of Hector during the Trojan War, encapsulating the brutality of war. Its epic sweep has gripped generations of readers, and this new translation is elegant and accurate, respecting the original line numbers, and accompanied by authoritative editorial matter.

Read for class… I enjoyed every part that wasn’t about the war and unfortunately this is a war book. The scenes within the war got extremely repetitive and redundant. Sometimes whole paragraphs were repeated because a message would be relayed. I get it, i get it. It’s old and historical and it’s an oral tradition so it doesn’t have to live up to modern writing practices but it still was annoying to read. It was a fascinating look into themes of grief and war though, with messages that still read as fresh some 2k years later. I was half asleep while reading some of these chapters so I don’t know how much I absorbed.

Rachel

Caroline Alexander

With her virtuoso translation, classicist and bestselling author Caroline Alexander brings to life Homer’s timeless epic of the Trojan War Composed around 730 B.C., Homer’s Iliad recounts the events of a few momentous weeks in the protracted ten-year war between the invading Achaeans, or Greeks, and the Trojans in their besieged city of Ilion. From the explosive confrontation between Achilles, the greatest warrior at Troy, and Agamemnon, the inept leader of the Greeks, through to its tragic conclusion, The Iliad explores the abiding, blighting facts of war. Soldier and civilian, victor and vanquished, hero and coward, men, women, young, old—The Iliad evokes in poignant, searing detail the fate of every life ravaged by the Trojan War. And, as told by Homer, this ancient tale of a particular Bronze Age conflict becomes a sublime and sweeping evocation of the destruction of war throughout the ages. Carved close to the original Greek, acclaimed classicist Caroline Alexander’s new translation is swift and lean, with the driving cadence of its source—a translation epic in scale and yet devastating in its precision and power.

M. Sosotris

I really enjoyed this translation. Alexander renders the heroic sweep of Homer’s epic with skill, giving the characters depth and vibrancy while maintaining a lean poetic rhythm. 

This one reminds me of Fagles blended with the classic stylings of Lattimore. It’s clear and readable without having to resort to too many contemporary idioms to capture its audience. I loved how expertly she blends the brutal violence of the human conflict with the larger-than-life petty conflicts of the gods, moving between the two worlds in such a way that they coexist believably in the world of the Iliad.

Lattimore is still my personal favourite translation, but this one is absolutely tied with Fagles for second place (special shout out to Mitchell and Wilson whose translations I also quite enjoy).

A new translation of Homer's ancient masterpiece endeavors to instill the poetic nature of its original language while retaining accuracy, readability, and character vibrancy.

(The Stephen Mitchell Translation)

Homer’s Iliad is fun, gory, delightful, filled with great characters, and sassy gods. Reviews are unnecessary.

On to this specific version:

Stephen Mitchell’s translation is fantastic. Slick, muscular, and emotionally resonant. I know it gets some flack for trimming out certain character-specific epithets and Book 10–a tangential story that many scholars believe was added much later—and for including modern invective, but this translation is a great read for casual myth buffs like myself. (And Book ten is included as an appendix so one can read it if they choose)

It has a great momentum and heroic sweep to it that feels very cinematic. That the translation maintains the poetic form, makes this a wonderful entry point into the awesomeness that is epic poetry.

I’d definitely recommend this particular translation.

High on Olympus, Zeus and the assembled deities look down on the world of men, to the city of Troy where a bitter and bloody war has dragged into its tenth year, and a quarrel rages between a legendary warrior and his commander. Greek ships decay, men languish, exhausted, and behind the walls of Troy a desperate people await the next turn of fate. This is the Iliad: an ancient story of enduring power; magnetic characters defined by stirring and momentous speeches; a panorama of human lives locked in a heroic struggle beneath a mischievous or indifferent heaven. Above all, this is a tale of the devastation, waste and pity of war. Caroline Alexander's virtuoso translation captures the rhythms and energy of Homer's original Greek while making the text as accessible as possible to a modern reader, accompanied by extensive extra material to provide a background to the poem. The result of three thousand years of story-telling, Homer's epic tale of the fall of Troy has resonated with every age and every human conflict: this is the Iliad at its most electrifying and vital.

Marcy Pursell 

For fans of mythology, and the Trojan War, the Iliad is a classic. So full of war stories and tragedy, not too mention so much interference from the gods. Book IX was probably my favorite, Achilles pining over Briseis. I wasn't sure what to expect from this audiobook, but it was very easy to listen to. I'm aware that this translation by Stephen Mitchell may be shorter than other versions as he removed some stories that were thought to have been added later, including the entirety of Book X.

The centuries-old epic about the wrath of Achilles is rendered into modern English verse by a renowned translator

Wynter

Not an easy read, but very fulfilling if you give it proper attention. Do not expect to just casually fly through it on the weekend while sipping sangria on the patio (not that I did that all day today, ahem). I took my time, thoughtfully reading one book at a time and looking up summaries and analyses online after each. I made notes, I looked up classical artwork, and I let myself have all the time in the world to finish The Iliad. 

The ancient epic does tend to drag in some spots, especially when describing battles and military procedures. It indulges in every gory detail about how some hapless chap gets a spear in his neck, or some other fella gets disemboweled. I bet it was a hoot to listen to in some tavern back in the day! To this reader though, it just went on and on. But a large part of the poem is also super fascinating and even entertaining. The petty fights of gods, the machinations, the odd comedic relief, the prophecies, and surprising character-focused moments are all worth it. Some scenes were downright cinematic - straight out of 300! So glad I finally tackles this beast.

Michael Springer

Okay, there's a lot of this poem that could be edited out for conciseness. But, the thing I remember loving about the Iliad is the violence! The metaphors and details used in my translation made this the goriest book I've read.

The  Iliad

Trish

I can't believe I've finally read Homer's The Iliad. It incited less emotion from me than I expected. It's a strange feeling when you've heard and read so many different, elaborate versions of a story and then you actually read the original that all the others stemmed from and realize that it was a simple narrative to begin with. 

I thoroughly loved my experience reading The Iliad and it helped that my English professor is super passionate about it too. Now on to tackling The Odyssey!

Homère

Pâris a enlevé la belle Hélène. Son mari Ménélas et tous les Grecs rassemblés crient vengeance et font le siège de Troie depuis neuf ans. Le divin Homère entonne alors le premier chant de l'Iliade. Il y en aura vingt-quatre, tous plus beaux les uns que les autres, tous centrés sur la colère d'Achille. Le roi des rois, Agamemnon, lui a enlevé sa compagne, l'esclave Briséis. En pleine bataille, Achille se retire sous sa tente, affaiblissant les rangs des Achéens. Il n'en sortira qu'à la mort de son ami Patrocle, pour combattre Hector.
On ne sait si Homère est bien l'auteur de tous ces chants, mais cette épopée a traversé les siècles par sa démesure et sa beauté. Au combat des hommes se superpose celui des dieux et des déesses. Tous sont nobles, héroïques et généreux mais Homère, réaliste, montre aussi leurs faiblesses. Cette histoire faite de larmes et de sang est le symbole de la destinée humaine ballottée par le hasard. Achille le sait bien, lui dont les exploits dépendent de la fantaisie des dieux.

Edition et Traduction de Mario Meunier

Iliade

Anna

"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.

The Iliad of Homer

Isabela H 

Omlllllllll I knew that I'd probably enjoy this book but I didn't know that I would love it this much!

I didn't know if I'd ever pick up this book and read it on my own time and school was definitely a big motivator in the fact that I did eventually read it all but I don't regret it at all!

The Iliad And The Odyssey

This book is a wonder of historical concept and it gives such context of the myths and the gods that the Greeks believed in. It does go on one too many rants of lineage and such. (Achilles is the best)

james smartt

yes. i am reviewing the iliad. where else am i going to scream cry and yell about the scene of hector taking off his helmet so he doesn't scare his son, making both him and his loving wife andromache chuckle at their son's reaction, then he prays for the betterment of his son and his future when a few pages ago, he refused to pray for himself? yeah. that's what i thought.

vera

Elisabeth Frink

One of the foremost achievements in Western literature, Homer's "Iliad" tells the story of the darkest episode of the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his conflict with his leader Agamemnon.

Celeste Richardson

Hallelujah. It’s over. Well, at least The Iliad is, though the story continues in The Odyssey. I had forgotten how much the beginning of this epic sounds like a giant group of toddlers fighting over toys. These toddlers just happen to command warships and armies, and the toys happen to be women they view as war prizes. Frankly, it’s disgusting. If these idiotic “heroes” would just view women as actual people who can make their own decisions instead of pretty toys over which to wage war, every single event in this story could have been avoided. Had they just asked Helen who she wanted to be with and respected that decision, hundreds of lives would have been saved. The amount of bloodshed over the “taking” of this woman is just insanely wasteful, even if it’s fictional.
“Any moment might be our last. Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.”
The gods are so incredibly petty. If Monopoly is the board game that ruins families, the gods of Olympus are playing something similar with cities and human lives. Men and women are literal pawns to them, game pieces and very little else. They claim to care about some of these people, but it’s a very shallow kind of care. Seriously, they’re terrible. And as 70% of Greek mythology is directly tied to Zeus’s inability to keep it in his toga and Hera’s rage over that fact, it can’t even be pretended that the gods cared about much outside of their own desires and fury.
“Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another.”
Honestly, this is a cast completely comprised of hypocrites. All of these men deeply believe they commit a travesty against another person but is then surprised and horrified if something similar is done to themselves or someone close to them.  For instance, if the whole war is occurring due to the theft of a woman (more on that above), then why on earth would you take the “prize” of your greatest warrior because you’re feeling slighted? How did you think that was going to work out for you? And if your heart is set on desecrating the dead body of said warrior’s bestie, who isn’t even fighting in the war because of the aforementioned lady theft, why on earth would you be shocked that he decides to not only finally engage in the war but that he’s out for your blood and intends to disrespect your corpse in the same ways? Seriously, people. What the heck?
“Let me not then die ingloriously and without a struggle, but let me first do some great thing that shall be told among men hereafter.”
These warriors are also insanely self-absorbed. To a man, every single one of them act as if their feelings are the only ones that matter. Their mourning is the only true mourning. Their rage is the only true rage. This is doubly true for the divine beings that populate the story, as stated earlier. I seriously cannot fathom being this level of selfish, and I sincerely pray that I never become this wrapped up in myself. If I do, some one please punch me in the throat and snap me out of it, will you? 
“Why so much grief for me? No man will hurl me down to Death, against my fate. And fate? No one alive has ever escaped it, neither brave man nor coward, I tell you - it’s born with us the day that we are born.”
Unrelated to anything, but I could also go the rest of my life without hearing anyone else referred to as “god-like” or their speech referred to as “winged words.” Those terms were exasperatingly overused. However, there are some truly beautiful lines mixed into the free verse, and those almost made up for the repetition mentioned. I know both of these observations are subject to change based on which translation you choose to read. I bounced between the Caroline Alexander translation and the Robert Fagles translation, both of which were lovely.
“No man or woman born, coward or brave, can shun his destiny.”
I respect The Iliad. I know it’s among the earliest literary pieces we have, and that it paved the way for countless stories that followed. But, as with the times I read this epic in the past, whether in part or entirety, I just can’t enjoy something that makes me roll my eyes this hard or groan this often. That opinion is incredibly subjective, and I know many people who disagree. But the abundance of wholly preventable violence, and the lack of anything else to break up said violence, just isn’t at all enjoyable for me. Thankfully, The Odyssey comes after this, and I know that it’s far and above more entertaining. I may not care for the tale of the Trojan War, but Odysseus’s return trip is wild and I’m eager to dive back into it.

Another buddy read with TS!

You can find  this review and more at Novel Notions.

Marsh Wu

An accessible Iliad for twenty-first-century readers

Donald

Herbert Jordan's translation really moves. I read it 6 books at a time.

This translation is mostly ignored, but it's much better than Fagles or Lattimore.

Rose Stanley

I highly recommend reading Homer to your 12 year old brother...brilliant fun. Liked this but so much simile!! Preferred the Odyssey.

Chapman's Homer The Iliad

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