John Steinbeck

The biblical account of Cain and Abel is echoed in the history of two generations of the Trask family in California.

East of Eden

A portrait of small-town life in the early 1900s.

sariya

"It’s my duty to take this thing of yours and kick it in the face, then raise it up and spread slime on it thick enough to blot out its dangerous light... I should hold it up to you muck-covered and show you its dirt and danger. I should warn you to look closer until you can see how ugly it really is. I should ask you to think of inconstancy and give you examples. I should give you Othello’s handkerchief. Oh, I know I should. And I should straighten out your tangled thoughts, show you that the impulse is gray as lead and rotten as a dead cow in wet weather. If I did my duty well, I could give you back your bad old life and feel good about it..."

"A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more."

"The ways of sin are curious... I guess if a man had to shuck off everything he had, inside and out, he'd manage to hide a few little sins somewhere for his own discomfort. They're the last things we'll give up."

"There's a black violence on this valley. I don't know—I don't know. It's as though some old ghost haunted it out of the dead ocean below and troubled the air with unhappiness. It's as secret as hidden sorrow. I don't know what it is, but I see it and feel it in the people here."

"Some men are friends with the whole world in their hearts, and there are others that hate themselves and spread their hatred around like butter on hot bread."

"Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them."

"Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight in the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes... I guess a man's importance in the world can be measured by the quality and the number of his glories. It is the mother of all creativeness, and it sets each man separate from all other men."

"For the world was changing, and sweetness was gone, and virtue too. Worry had crept on a corroding world, and what was lost—good manners, ease and beauty?"

"He felt the warmth for his brother you can only feel for someone who is not perfect and therefore no target for your hatred."

"I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar—if he is financially fortunate."

"Most children abhor difference. They want to look, talk, dress, and act exactly like all of the others. If the style of dress is an absurdity, it is pain and sorrow to a child not to wear that absurdity... And this slavishness to the group normally extends into every game, every practice, social or otherwise. It is a protective coloration children utilize for their safety."

"Even as a child she had some quality that made people look at her, then look away, then look back at her, troubled at something foreign. Something looked out of her eyes, and was never there when one looked again."

"...just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or malformed egg can produce physical monsters, may not the same process produce a malformed soul?"

"He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn't discover the world and its people, he created them. When he read his father's books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences, he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow."

"The direction of a big act will warp history, but probably all acts do the same in their degree, down to a stone stepped over in the path or a breath caught at sight of a pretty girl or a fingernail nicked in garden soil."

"Sometimes when she was alone, and she knew she was alone, she permitted her mind to play in a garden."

"When a child first catches adults out—when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just—his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing."

"And it never failed that during the dry years the people forgot about the rich years, and during the wet years they lost all memory of the dry years. It was always that way."

"You can boast about anything if it's all you have. Maybe the less you have, the more you are required to boast."

"I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer—and what trees and seasons smelled like—how people looked and walked and smelled even. The memory of odors is very rich."

Tom has all the egotism and self-love of a boy who thinks he’s ugly. Mostly lets himself go fallow, but comes a celebration and he garlands himself like a maypole, and he glories like spring flowers.

Charles awakened on the stroke of four-thirty as surely as though the brass pendulum of the clock had nudged him.

she had some quality that made people look at her, then look away, then look back at her, troubled at something foreign. Something looked out of her eyes, and was never there when one looked again.

A masterclass is a masterclass, whatever they may say.

The novel reads so incredibly contemporary and still relevant and at the same time, so, so timeless - it is what they mean in literature class when they talk about universal themes. It is not subtle about its metaphors and parallels but this is executed so well that it does not feel heavyhanded or single-minded. Rather, the novel is a variation on a theme, talking about the repeated cycle in which humans (or families) are trapped and the only way to break it.

Steinbeck's writing is also so vivid that it is the first time in decades I have thought I would love to visit America and see the places these characters inhabit. The narration is relatively straightforward but not at the expense of character complexities; rather than unpretentious, I would call it focused.

An instant favourite and an instant inspiration.

A masterclass is a masterclass, whatever they may say.

The novel reads so incredibly contemporary and still relevant and at the same time, so, so timeless - it is what they mean in literature class when they talk about universal themes. It is not subtle about its metaphors and parallels but this is executed so well that it does not feel heavyhanded or single-minded. Rather, the novel is a variation on a theme, talking about the repeated cycle in which humans (or families) are trapped and the only way to break it.

Steinbeck's writing is also so vivid that it is the first time in decades I have thought I would love to visit America and see the places these characters inhabit. The narration is relatively straightforward but not at the expense of character complexities; rather than unpretentious, I would call it focused.

An instant favourite and an instant inspiration.

ellie 💐💌⭐️

Elyse 

East of Eden (Penguin Modern Classics)

"In certainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved."

Five months of reading this absolute hollowblock. I believe Cathy's and Cal's character will stay with me for quite a while. This has cemented itself as one of my 'life books'.

"In certainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved."

Five months of reading this absolute hollowblock. I believe Cathy's and Cal's character will stay with me for quite a while. This has cemented itself as one of my 'life books'.

absolutely stunning book! you get to dive pretty deeply into each character that was important and i loved to dwelve into how their minds work and think and that’s what i really love about books - to get a glimpse of people’s way of thinking or doing but also kind of relating to certain parts and characteristics they have

micki

Beautifully written, vivid characters. I thoroughly enjoyed this. 

Steve Collins

where to even begin with this. classics are classics for a reason.

in my very few years of reading classic novels, i don't think i've ever come across one this beautifully written; not referring to its prose and the language it uses, which is stunning in it's own right, but in it's message and it's sincerity. i would've never thought a long, multigenerational novel about two farming families in a dry, dusty valley of california written three quarters of a century from now would ever feel so personal and vibrant to me. i could almost feel the summer heat, the wind, the smell of breakfast in the connecticut farm; it's like the characters were jumping out from the pages, everyone: adam, charles, will, lee, cathy, cal, aron, and the many other characters in this novel all felt so real and were so loved by me. i felt strong emotions for them and the things they went through.

at it's core, this is a novel about humanity, family, and the constant fight between good and evil. but beyond that, a tale about brotherhood, choice, and the withstanding pursuit of love and companionship above all other things. i really wish i could put down more of what i feel about this but words don't reach me right now. 

carlota

where to even begin with this. classics are classics for a reason.

in my very few years of reading classic novels, i don't think i've ever come across one this beautifully written; not referring to its prose and the language it uses, which is stunning in it's own right, but in it's message and it's sincerity. i would've never thought a long, multigenerational novel about two farming families in a dry, dusty valley of california written three quarters of a century from now would ever feel so personal and vibrant to me. i could almost feel the summer heat, the wind, the smell of breakfast in the connecticut farm; it's like the characters were jumping out from the pages, everyone: adam, charles, will, lee, cathy, cal, aron, and the many other characters in this novel all felt so real and were so loved by me. i felt strong emotions for them and the things they went through.

at it's core, this is a novel about humanity, family, and the constant fight between good and evil. but beyond that, a tale about brotherhood, choice, and the withstanding pursuit of love and companionship above all other things. i really wish i could put down more of what i feel about this but words don't reach me right now. 

Valentina

Steinbeck’s writing is captivating throughout and he creates some of the most engaging characters in anything I’ve ever read. A book full of thought provoking meditations on morality, philosophy and religion. A must read.

Liam Collins

Katerina

Remarkable book. I am fascinated by this author's style of writing. Just enough conversations, just enough narration. Not too much to get bored, not too little to feel as if there isn't enough of it. The story - so touching. The characters - made out of flaws, just as any person is. I learned so much from this book, got attached to the characters as if they were created by my imagination not the author's, as if they were mine and only mine. By the end, I was clinging to this book, holding on to it as if it was my baby. I was especially fascinated by the story of Cain and Abel, the way the author managed to doom Cal and Aron to the same destiny and yet create them with their own flaws and their own charms. Absolutely amazing. I wish I could read this book for the first time all over again.

One of the best books I’ve ever read. The characters feel very real and the story is attention grabbing.

Abigail Swallow

Chris Dailey

Steinbeck's magnum opus did not disappoint. Epic and biblical (literally and figuratively) the novel follows two families in California's Salinas valley from the mid-19th century through the Great War. Full of allegory and multiple tellings of Genesis chapter four, it focuses on good versus evil, light versus dark in almost all lenses possible: family, friends and foes; class, classism and capitalism; love and romance; and war and peace. Told through two familial veins, the Hamilton's and the Trasks, with the former being a veiled retelling of Steinbeck's own family, and the former being pure fictional and the focus of the good vs. evil. The novel is fluid and feels fresh despite being 70 years old at the time of reading. There are some items that are dated and some characters that feel too flat - specifically Kate, who is almost pure evil. This one has been on my list for a long time and it certainly deserved to be.

A. D. Knapp

Amelia C 

long book... but worth every page!!!another one of my favorites!

Molly M

wow oh my god . i am crying 

not sure why i thought i wouldn’t like this book but man was i wrong

Monicap

This book draws on the biblical story of Cain and Abel and the theme of Timshel - the choice between good and evil. I liked that all the characters portrayed this internal duality in some ways. I was a bit nervous about reading a classic (at nearly 700 pages to boot!), but I found it to be fully engaging and worth the read.  

Jacqui Spears

amelo

Luke Harkness

An outstanding novel about the hardships of life, parenting, growing up and about morals.

I could read John Steinbeck's writing all day, every day. He manages to sound poetic often and incredibly simple at other times which creates such a fun read.

Roman

Jenseits von Eden

Ich bin auf das Buch durch ein Interview mit Cornelia Funke gestoßen und hab es mit hohen Erwartungen gelesen, auch weil ich "Von Mäusen und Menschen" als Schullektüre im Englisch-Unterricht sehr begeistert gelesen hatte. In "Jenseits von Eden" erzählt John Steinbeck die  Geschichte zweier Familien im Kalifornien der Jahrhundertwende, deren Schicksale über mehrere Jahrzehnte ineinander verwoben sind. Die große Frage, der Steinbeck in den vielen Charakteren und verschiedenen Erzählsträngen nachgeht und die mit biblischen Anspielungen umrahmt ist, ist die nach dem Gut und Böse im Menschen. Mir hat dieses Überthema sehr gut gefallen und mir sind die Charaktere allein schon durch die Länge der Geschichte sehr ans Herz gewachsen! Gleichzeitig fand ich das Erzähltempo wirklich sehr langsam und das Buch zuweilen zäh zu lesen, was irgendwie zu der Geschichte passt, aber bei mir dazu geführt hat, dass ich das Buch immer wieder weggelegt und wirklich lange gebraucht habe bis ich es zu Ende gelesen habe, deshalb nur 4 Sterne, auch wenn die Geschichte sicherlich 5 verdient! 

Marlene Renkl

Tobias V. Langhoff

This book is beautiful. It’s masterfully written; I want to quote almost all non-dialogue passages, and also many dialogues. The story is universal and captivating, and you really get invested in the characters. It’s the story of a place, of two families, of a people. Like Stoner, this is the story of a life, although more than just the life of one man. I feel that I understand the American spirit and the American people better after having read this book.

The plot is a very obvious allegory to the story of Cain and Abel. It’s not that it’s thinly veiled; Steinbeck doesn’t try to hide it at all, which I enjoyed very much.

I’m not a very good literary analyst, but I found the depiction of good and evil interesting. Although one character seems inherently good (Samuel Hamilton, Steinbeck’s grandfather), and one is clearly inherently evil (Cathy Ames), the main theme of the book seems to be that humanity’s free will and the curse set upon us by Adam, Eve, Cain and Abel is that we must make our own choices and define our own morality and definition of sin. Other characters are a varying degree of morally gray, with the two main characters in each Trask generation in particular subverting the reader’s expectations. (view spoiler)[The brothers Adam and Charlie are mostly good and mostly evil, respectively, although not exclusively. At first, it seems Adam and Cathy’s twin sons follow the same mold, with Aron threading in Adam’s footsteps and Cal following in Charlie’s and Cathy’s – an inheritance made more interesting by the obfuscation of the twins’ actual parentage. However, Adam, who it is revealed has gotten his looks from his horrible mother, ends up as perhaps not the angel he seemed pre-destined to be, although not evil; and it is implied that Cal gets a deserved redemption. (hide spoiler)]

About halfway through the book, the story “reboots”. The first part is about the first generation of Hamiltons and Trasks, while the second part is about the second generation. Some might find the first part slow, and it was the second part of the novel that was adapted into the famous film by the same name (starring James Dean as Cal).

As I often do, I listened to this classic partly as an audiobook, and loved Richard Poe’s fantastic narration. Steinbeck’s dialogues are often intense rapports between two persons with little else to guide the reader than the odd “he said” (no flowery language to describe the utterance of a line), but Poe’s very subtle differences between each character’s voice were great.

A confusing aside: It’s not always easy to discern who the narrator is. Parts of the book are narrated by John Steinbeck himself, who is a character in the story, but in other parts he’s referred to in the third person.

I am in love with this book. The writing, the characters, the emotions.

East of Eden

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