Edgar Allan Poe

Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is sometimes considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterful practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition. This ebook edition "The Complete Stories of Edgar Allan Poe" includes all known stories of Edgar Allan Poe with a functional table of contents: The Bargain Lost (1831), Loss of Breath (1831), A Dream (1831), The Duc de L’Omelette (1831), Metzengerstein (1831), A Tale of Jerusalem (1831), The Assignation (1833), Four Beasts in One (1833), Manuscript Found in a Bottle (1833), A Parable (1833), Silence — A Fable (1833), Berenice (1835), Bon-Bon (1835), King Pest (1835), Lionizing (1835), Morella (1835), The Unparalleled Adventure of One Hans Pfaal (1835), Mystification (1837), Why the Little Frenchman Wears His Hand in a Sling (1837), How to Write a Blackwood Article (1838), Ligeia (1838), The Conversation of Eiros and Charmion (1839), The Devil in the Belfry (1839), The Fall of the House of Usher (1839), The Man That Was Used Up (1839), William Wilson (1839), The Journal of Julius Rodman (1839-1840), The Business Man (1840), Lionizing (1835), The Man of the Crowd (1840), The Colloquy of Monos and Una (1841), A Descent into the Maelström (1841), Eleonora (1841), The Island of the Fay (1841), The Murders in the Rue Morgue (1841), Never Bet the Devil Your Head (1841), Three Sundays in a Week (1841), The Black Cat (1842), The Domain of Arnheim (1842), The Masque of the Red Death (1842), The Oval Portrait (1842), The Pit and the Pendulum (1842), The Tell-Tale Heart (1842), Diddling Considered as One of the Exact Sciences (1843), The Gold-Bug (1843), The Angel of the Odd (1844), The Balloon-Hoax (1844), The Literary Life of Thingum Bob, Esq. (1844), Mesmeric Revelation (1844), The Oblong Box (1844), The Purloined Letter (1844), The Premature Burial (1844), Some Words with a Mummy (1844), The System of Doctor Tarr and Professor Fether (1844), A Tale of the Ragged Mountains (1844), The Spectacles (1844), Thou Art the Man (1844), The Thousand-and-Second Tale of Scheherazade (1844), The Imp of the Perverse (1845), The Facts in the Case of M. Valdemar (1845), The Power of Words (1845), The Sphinx (1845), The Cask of Amontillado (1846), Landor’s Cottage (1848), Mellonta Tauta (1848), Von Kempelen and His Discovery (1849), The Mystery of Marie Roget (1842-1843). Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is sometimes considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterful practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition. This ebook edition "The Complete Stories of Edgar Allan Poe" includes all known stories of Edgar Allan Poe with a functional table of contents: The Bargain Lost (1831), Loss of Breath (1831), A Dream (1831), The Duc de L’Omelette (1831), Metzengerstein (1831), A Tale of Jerusalem (1831), The Assignation (1833), Four Beasts in One (1833), Manuscript Found in a Bottle (1833), A Parable (1833), Silence — A Fable (1833), Berenice (1835), Bon-Bon (1835), King Pest (1835), Lionizing (1835), Morella (1835), The Unparalleled Adventure of One Hans Pfaal (1835), Mystification (1837), Why the Little Frenchman Wears His Hand in a Sling (1837), How to Write a Blackwood Article (1838), Ligeia (1838), The Conversation of Eiros and Charmion (1839), The Devil in the Belfry (1839), The Fall of the House of Usher (1839), The Man That Was Used Up (1839), William Wilson (1839), The Journal of Julius Rodman (1839-1840), The Business Man (1840), Lionizing (1835), The Man of the Crowd (1840), The Colloquy of Monos and Una (1841), A Descent into the Maelström (1841), Eleonora (1841), The Island of the Fay (1841), The Murders in the Rue Morgue (1841), Never Bet the Devil Your Head (1841), Three Sundays in a Week (1841), The Black Cat (1842), The Domain of Arnheim (1842), The Masque of the Red Death (1842), The Oval Portrait (1842), The Pit and the Pendulum (1842), The Tell-Tale Heart (1842), Diddling Considered as One of the Exact Sciences (1843), The Gold-Bug (1843), The Angel of the Odd (1844), The Balloon-Hoax (1844), The Literary Life of Thingum Bob, Esq. (1844), Mesmeric Revelation (1844), The Oblong Box (1844), The Purloined Letter (1844), The Premature Burial (1844), Some Words with a Mummy (1844), The System of Doctor Tarr and Professor Fether (1844), A Tale of the Ragged Mountains (1844), The Spectacles (1844), Thou Art the Man (1844), The Thousand-and-Second Tale of Scheherazade (1844), The Imp of the Perverse (1845), The Facts in the Case of M. Valdemar (1845), The Power of Words (1845), The Sphinx (1845), The Cask of Amontillado (1846), Landor’s Cottage (1848), Mellonta Tauta (1848), Von Kempelen and His Discovery (1849), The Mystery of Marie Roget (1842-1843).

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