Gabriel García Márquez

Luisa Rivera

Después del éxito de la edición ilustrada de Cien años de soledad, Luisa Rivera vuelve a rendir homenaje a García Márquez con una serie de ilustraciones inéditas que recrean el extraordinario universo del autor. Una edición conmemorativa de El amor en los tiempos del cólera, un gran clásico de Gabriel García Márquez y una novela imprescindible de la literatura contemporánea. «Era inevitable: el olor de las almendras amargas le recordaba siempre el destino de los amores contrariados.» Así empieza una de las historias de amor más maravillosas de la literatura universal. Un amor no correspondido durante medio siglo con un pueblecito portuario del Caribe como escenario. El Nobel de Literatura nos presenta la mágica relación entre Fermina Daza y Florentino Ariza como una mezcla tropical de plantas y arcilla, que el maestro moldea y con las que fantasea a su placer entre los territorios del mito y la leyenda. Los jugos, olores y sabores del trópico alimentan una prosa alucinatoria que se ha ganado el favor de miles de lectores en todo el mundo. Reseña: «Esta brillante y desgarradora novela es quizás una de las mejores historias de amor jamás contadas.» The New York Times Book Review

El amor en los tiempos del cólera (edición ilustrada)

bella <3

"take advantage of it now, while you are young, and suffer all you can," she said to him, "because these things don't last your whole life." 

he was still too young to know that the heart’s memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past. 

she was married forever after at the main altar of the Cathedral, with a Mass at which three bishops officiated, and without a single charitable thought for Florentino Ariza, who at that hour was delirious with fever, dying because of her, lying without shelter on a boat that was not to carry him to forgetting. 

the drama of Florentino Ariza while he was a clerk for the River Company of the Carribbean was that he could not avoid lyricism because he was always thinking about Fermina Daza, and he had never learned to write without thinking about her.

in any case, the german was correct in regard to what he had thought about least, which was that Florentino Ariza wrote everything with so much passion that even official documents seemed to be about love.

This was his world, he said to himself, the sad, oppressive world that God had provided for him, and he was responsible to it.

they were people whose lives were slow, who did not see themselves growing old, or falling sick, or dying, but who disappeared little by little in their own time, turning into memories, mists from other days, until they were absorbed into oblivion. 

El amor en los tiempos del cólera (edición ilustrada) quotes

Join the club