Name: Yours for the Taking
ISBN: 9781250283368

Gabrielle Korn

A Novel

Yours for the Taking

—“A Woman Is Talking to Death” by Judy Grahn, 1974

Lindsay

Have you ever committed any indecent acts with women?

Yes, many. I am guilty of allowing suicidal women to die before my eyes or in my ears or under my hands because I thought I could do nothing, I am guilty of leaving a prostitute who held a knife to my friend’s throat because we would not sleep with her, we thought she was old and fat and ugly; I am guilty of not loving her who needed me; I regret all the women I have not slept with or comforted, who pulled themselves away from me for lack of something I had not the courage to fight for, for us, our life, our planet, our city, our meat and potatoes, our love. These are indecent acts, lacking courage, lacking a certain fire behind the eyes, which is the symbol, the raised fist, the sharing of resources, the resistance that tells death he will starve for lack of the fat of us, our extra. Yes I have committed acts of indecency with women and most of them were acts of omission. I regret them bitterly.

“I don’t need to read that book to know what’s in it,” her mom said. “I remember the era of the girlboss. I lived through it. I don’t care to see the propaganda it has evolved into. Aren’t kids interested in socialism anymore? What happened to intersectionality? We used to want to eat the rich. And you want to, what, be just like her?”

It was as though the general population was only capable of focusing on one major issue at a time, and the climate crisis took center stage.

The curse of being a woman with an opinion in public. It was devastating.

She realized that it wasn’t enough to assume the things you wanted would happen; you had to make them happen. The things that she wanted were hers for the taking, or not taking, but either way, action and choice were imperative. Passivity would never yield the intended results.

“No one prepares you for how dull it is to just survive,”

there was something to be said for being in a leadership position. The power it came with was like a salve for her busy mind.

She supposed she had incidentally arranged it that way. Her newfound self- awareness made everything feel worse. What was the point of self- actualization if you had no one to share that self with?

Equality is only scary if you have to give up power to attain it.

Mood readers, you will want to make sure you are in the mood for this when you pick it up because I wasn’t and I will say that may have made me like it less than I ought to have. A dystopian and dark book of what if’s, that kind of investigates the question “what if horseshoe theory is real, but do it with feminism” and I dunno call me old fashioned but I like my fascists to get what’s coming to them in like a real big way, and I sort of didn’t get the satisfying crunch of that from this book. That said, if you want to read a really gay really feminist book about the world collapsing and what that might look like in a way I have never seen done before, yo. This is a book for you! I liked it. I didn’t love it. But it was ambitious and well written and heckling big points for that always.

Apiecalypse Jen

Katheryn

Stark Koenig

The year is 2050. Ava and her girlfriend live in what's left of Brooklyn, and though they love each other, it's hard to find happiness while the effects of climate change rapidly eclipse their world. Soon, it won't be safe outside at all. The only people guaranteed survival are the ones whose applications are accepted to The Inside Project, a series of weather-safe, city-sized structures around the world.

Jacqueline Millender is a reclusive billionaire/women’s rights advocate, and thanks to a generous donation, she’s just become the director of the Inside being built on the bones of Manhattan. Her ideas are unorthodox, yet alluring—she's built a whole brand around rethinking the very concept of empowerment.

Shelby, a business major from a working-class family, is drawn to Jacqueline’s promises of power and impact. When she lands her dream job as Jacqueline’s personal assistant, she's instantly swept up into the glamourous world of corporatized feminism. Also drawn into Jacqueline's orbit is Olympia, who is finishing up medical school when Jacqueline recruits her to run the health department Inside. The more Olympia learns about the project, though, the more she realizes there's something much larger at play. As Ava, Olympia, and Shelby start to notice the cracks in Jacqueline's system, Jacqueline tightens her grip, becoming increasingly unhinged and dangerous in what she is willing to do—and who she is willing to sacrifice—to keep her dream alive.

Yours for the Taking A Novel

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