Hisham Matar

WINNER OF THE 2024 ORWELL PRIZE FOR POLITICAL FICTION • LONGLISTED FOR THE BOOKER PRIZE • One of Publishers Weekly Top Ten Books of the Year • A “masterly” (The New York Times), “riveting” (The Atlantic) novel of friendship, family, and the unthinkable realities of exile, from the Pulitzer Prize–winning author of The Return. “Quite possibly Hisham Matar's best work yet. . . . Very few writers alive can converse with negative space the way Matar does, and My Friends is stunning, beautiful proof.” —Omar El Akkad, Scotiabank Giller Prize–winning author of What Strange Paradise The trick time plays is to lull us into the belief that everything lasts forever, and although nothing does, we continue, inside our dream. One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh. There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger. When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him. A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author working at the peak of his powers.

My Friends

Marion

Arab Spring, a temporary state but one that knew no bounds or borders, a condition as much for the heart as it was for parliament, and one belonging to nature, to the eternal cycle of the seasons, confirming what I have always secretly believed: that as sure as blossom, freedom would come, and, even though winter is just as certain, it can never last.

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