Kier-La Janisse

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. HOUSE OF PSYCHOTIC WOMEN is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and a celebration of female madness, both onscreen and off. This critically-acclaimed publication is packed with rare images that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, Paranormal Activity, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let’s Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more. Prior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage. Endorsement including the following: “God, this woman can write, with a voice and intellect that’s so new. The truth in the most deadly unique way I’ve ever read.” – Ralph Bakshi, director of ‘Fritz the Cat’, ‘Heavy Traffic’, ‘Lord of the Rings’, etc. “Fascinating, engaging and lucidly written: an extraordinary blend of deeply researched academic analysis and revealing memoir.” – Iain Banks, author of ‘The Wasp Factory’

An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

House of Psychotic Women

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“I once told a friend that my life was just a succession of obsessing over the wrong things. “What would your life look like if you ever obsessed over the right thing?” she asked. It would look like this. Like a book, being finished.”

“The truth, and the threat it poses, can be too overwhelming to bear, and for many women in the aftermath of the sexual revolution, the truth was that their experiences were being dismissed by the men in their lives. Although many of the women in the films of this period are clearly meant to be schizophrenic, sociopathic or downright psychotic, the underlying implication (and there always is one in horror films) is that these ‘illnesses’ come in at the break between the woman’s experience and the man’s experience of the same situation- and what is ‘true’ or ‘right’ is often whatever the man says it is.”

“As my own neurosis became more subdued I found myself unconsciously drawn to female characters who exhibited signs of behaviors I had recognized in myself: repression, delusion, jealousy, paranoia, hysteria. But these issues didn’t magically disappear; they just became buried beneath business and activity, and came back to sideswipe me at inopportune moments.

We have more patience, or perhaps more empathy, for fictional characters than we do their real-life counterparts. Faced with neurosis in film and literature, we want to investigate rather than avoid. If watching horror films is cathartic because it provides a temporary feeling of control over the one unknown factor that can’t be controlled (death), then wouldn’t it make sense that a crazy person would find relief in onscreen histrionics?”

"It all started with Possession. Zulawski's film, formally speaking, is perfection - its deep blue hues, its labyrinthine locations, the hypnotic cinematography of Bruno Nuytten. But that's not what drew me to return to it again and again. There was something terrible in that film, a desperation I recognized in myself, in my inability to communicate effectively, and the frustration that would lead to despair, anger and hysteria."

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Our personalities are reinforced by the things we have lived through, and to have no past, or to have none that we can recall, is to be somehow less human.

I once told a friend that my life was just a succession of obsessing over the wrong things. “What would your life look like if you ever obsessed over the right thing?” she asked.

It would look like this. Like a book, being finished.

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