Karin Tidbeck

An award-winning debut story collection by Karin Tidbeck, author of Amatka and heir to Borges, Le Guin, and Lovecraft. A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated readers around the world. Originally published by the tiny press Cheeky Frawg--the passion project of Ann and Jeff VanderMeer--Jagannath has been celebrated by readers and critics alike, with rave reviews from major outlets and support from lauded peers like China Miéville and even Ursula K. Le Guin herself. These are stories in which fairies haunt quiet towns, and an immortal being discovers the nature of time--stories in which anything is possible.

Jagannath

Michaela Hudson

This felt like a fever dream. You'd be either stumbling upon a Love, Death and Robots' rejected script or the most random Adult Swim video ever. All I can tell is lots of these stories were loosely connected with more than one theme, some I lowkey enjoyed and some just made me think wonder if I was illiterate.

I have never read anything like Jagannath. Karin Tidbeck s imagination is recognizably Nordic, but otherwise unclassifiable quietly, intelligently, unutterably strange. And various. And ominous. And funny. And mysteriously tender. These are wonderful stories. Ursula K. Le Guin Restrained and vivid, poised and strange, Tidbeck, with her impossible harmonies, is a vital voice. China Mieville Enter the strange and wonderful world of Swedish sensation Karin Tidbeck with this feast of darkly fantastical short stories. Whether through the falsified historical record of the uniquely weird Swedish creature known as the Pyret or the title story, Jagannath, about a biological ark in the far future, Tidbeck s unique imagination will enthrall, amuse, and unsettle you. How else to describe a collection that includes Cloudberry Jam, a story that opens with the line I made you in a tin can ? Marvels, quirky character studies, and outright surreal monstrosities await you in the book widely praised by Michael Swanwick, Ursula K. Le Guin, China Mieville, and Karen Joy Fowler. Publishers Weekly calls it brave and brilliant. Locus Magazine says this is the most significant debut since the award-winning Margo Lanagan. Introduction by Elizabeth Hand, afterword by the author. Tidbeck has a gift for the uncanny and the unsettling. In these wonderful, subtle stories, magic arrives quietly. It comes from the forests or the earth or was always there in your own family or maybe exists in another realm entirely leaving you slightly dazed and more than a little enchanted. Karen Joy Fowler Were this collection to contain only its biomechanoid wonder of a title story, it would still be amazing. Jagannath heralds the arrival of a bold and brilliant new voice, which I see too few of these days. You must read Karin Tidbeck. Caitlin R. Kiernan In Karin Tidbeck s collection Jagannath, the mundane becomes strange and the strange familiar with near-Hitchcockian subtlety. I loved Tidbeck s clean, classic prose. It creates beautifully eerie music for a twilight domain. Karen Lord I can t think of when I last read a collection that blew me away the way that Jagannath has, or one that s left me somewhat at a loss to describe just how strange and beautiful and haunting these tales are. Elizabeth Hand (from her introduction)

(stories)

Jonathan Crowe

Leafling

Karin Tidbeck's got something crazy going on and I am just so glad that she exists. This book of 13 short stories is a quick, baffling, and exciting read. They were translated from Swedish to English and didn't manage to lose any of their Scandinavian weirdness. They're often dark, often whimsical, and always beautifully written and imagined. I still can't stop thinking about the unique plots and characters that inhabited Tidbeck's worlds, whether I fully understood them or not.

One of my favorites is "Brita's Holiday Village", which you can read here. Another is "Pyret" which is a fascinating story presented like a research essay. It's about a creature that shape shifts to hide among herd animals like cows and eventually, in the case of one village that's mentioned, people. It changes from historical to present-time when she visits the old mostly abandoned village to see if there are any pyrets still there. What she finds is disturbing, it almost feels like horror. The ending is so poignant, it took my breath away. All of her stories had that kind of effect on me.

A story that shows off just how bizarre these stories can get is "Aunts." It's one of, if I remember correctly, two stories that are set in a kind of antiquated, royal, Alice in Wonderland kind of world. There are a set of three women whose sole purpose in life is to eat. A lot. So much so that they can't move. They're brought food in this little dome in an orchard until they actually burst. Once that whole mess is cleaned up, typically a new tiny aunt is clinging to the old one's heart. The story explores what happens when there isn't a tiny aunt waiting inside. Going to be honest, I had no idea what was going on, but it was certainly interesting and disturbing.

This hardly scratches the surface of the stories. There are people who are in love with machines, human bodies run like air ships by tinier people inside (sort of), world changing telemarketing, alternate dimensions, creature creation, fights with god, and more. If you're willing to open your mind for some really fantastical, almost mythical stories, Karen Tidbeck is an incredible writer with amazingly original stories to tell. They're inspired by sci-fi, folklore, and Nordic tradition. I heard that she has a novel out in Swedish, and I'm devastated that it is not translated and in my hands right now. I was really impressed by this collection of stories and can't wait to read more of Tidbeck's.

Full review: http://outlandishlit.blogspot.com/201...

Jagannath

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