Jean-Paul Sartre

The Wall (French: Le Mur) by Jean-Paul Sartre, a collection of short stories published in 1939 containing the eponymous story "The Wall", is considered one of the author's greatest existentialist works of fiction. Sartre dedicated the book to his companion Olga Kosakiewicz, a former student of Simone de Beauvoir. 

The Wall

In the state I was in, if someone had come and told me I could go home quietly, that they would leave me my life whole, it would have left me cold: several hours or several years of waiting is all the same when you have lost the illusion of being eternal. I clung to nothing, in a way I was calm. But it was a horrible calm—because of my body; my body, I saw with its eyes, I heard with its ears, but it was no longer me; it sweated and trembled by itself and I didn't recognize it any more.

These men dolled up with their riding crops and boots were still going to die. A little later than I, but not too much. They busied themselves looking for names in their crumpled papers, they ran after other men to imprison or suppress them; they had opinions on the future of Spain and on other subjects. Their little activities seemed shocking and burlesqued to me; I couldn't put myself in their place, I though they were insane. The little man was still looking at me, whipping his boots with the riding crop. All his gestures were calculated to give him the look of a live and ferocious beast.

You really have to see men from above. I put out the light and went to the window: they never suspected for a moment you could watch them from up there. They're careful of their fronts, sometimes of their backs, but their whole effect is calculated for spectators of about five feet eight. Who ever thought about the shape of a derby hat seen from the seventh floor? They neglect protecting their heads and shoulders with bright colors and garish clothes, they don't know how to fight this great enemy of Humanity, the downward perspective. I leaned on the window sill and began to laugh: where was this wonderful upright stance they're so proud of: they were crushed against the sidewalk and two long legs jumped out from under their shoulders.

Still, he could not stop himself and it seemed to him that he was always playing. He wanted to be like M. Bouffardier who was so ugly and serious. When M. Bouffardier came to dinner, he bent over mama's hand and said, "Your servant, dear madame," and Lucien planted himself in the middle of the salon and watched him with admiration. But nothing serious happened to Lucien. When he fell down and bumped himself, he sometimes stopped crying and wondered, "Do I really hurt?" Then he felt even sadder and his tears flowed more than ever. When he kissed mama's hand and said, "Your servant, dear madame," she rumpled his hair and said, "It isn't nice, little mouse, you mustn't make fun of grown-ups," and felt all discouraged.

Lucien did not get along too well with his cousin: Riri had become a very handsome young man, a little too elegant. He was taking philosophy at Lakanal and understood nothing of mathematics. Lucien could not keep himself from thinking that Riri, seven years ago, still did number two in his pants and after that walked with his legs wide apart like a duck and looked at his mother with candid eyes saying, "No, mama, I didn't do it, I promise."

"I wonder why I exist?" He was there, he digested, he yawned, he heard the rain tapping on the windowpanes and the white fog was unravelling in his head: and then? His existence was a scandal and the responsibilities he would assume later would barely be enough to justify it. "After all, I didn't ask to be born," he said. And he pitied himself. He remembered his childhood anxieties, his long somnolences and they appeared to him in a new light: fundamentally, he had not stopped being embarrassed with his life, with this voluminous, useless gift, and he had carried it in his arms without knowing what to do with it or where to set it down. I have spent my time regretting I was born." 

The Wall

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