Jessica Hische

John Steinbeck

Cannery Row

Alawander Bouston 

Early morning is a time of magic in Cannery Row. In the gray time after the light has come and before the sun has risen, the Row seems to hang suspended out of time in a silvery light. The street lights go out, and the weeds are a brilliant green. The corrugated iron of the canneries glows with the pearly lucence of platinum or old pewter. No automobiles are running then. The street is silent of progress and business. And the rush and drag of the waves can be heard as they splash in among the piles of the canneries. It is a time of great peace, a deserted time, a little era of rest. Cats drip over the fences and slither like syrup over the ground to look for fish heads. Silent early morning dogs parade majestically picking and choosing judiciously whereon to pee. The sea gulls come flapping in to sit on the cannery roofs to await the day of refuse. 

Conor Murphy

Henri the painter was not French and his name was not Henri. Also he was not really a painter. Henri had so steeped himself in stories of the Left Bank in Paris that he lived there although he had never been there. Feverishly he followed in periodicals the Dadaist movements and schisms, the strangely feminine jealousies and religiousness, the obscurantisms of the forming and breaking schools.

It's all right not to believe in luck and omens. Nobody believes in them. But it doesn't do any good to take chances with them and no one takes chances. Cannery Row, like every place else, is not superstitious but will not walk under a ladder or open an umbrella in the house.

Hazel kicked sand on the fire. "I bet Mack could of been president of the U.S. if he wanted," he said. 

"What could he do with it if he had it? Jones asked. "There wouldn't be no fun in that."

Cannery Row quotes

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