José Saramago

A “marvelously amusing” political fable in which part of the European continent breaks off and drifts away on its own (Publishers Weekly, starred review). A Nobel Prize winner who has been called “the García Márquez of Portugal” (New Statesman) chronicles world events on a human scale in this exhilarating allegorical novel. One day, quite inexplicably, the Iberian Peninsula simply breaks free from the European continent and begins to drift as if it were a sort of stone raft. Panic ensues as residents and tourists attempt to escape, while crowds gather on cliffs to watch the newly formed island sail off into the sea. Meanwhile, five people on the island are drawn together—first by a string of surreal events and then by love. Taking to the road to explore the limits of their now finite land, they find themselves adrift in a world made new by this radical shift in perspective. As bureaucrats ponder what to do about their unusual predicament, the intertwined lives of these five strangers are clarified and forever changed by a physical, spiritual, and sexual voyage to an unknown destination. At once an epic adventure and a profound fable about the state of the European project, The Stone Raft is a “hauntingly lyrical narrative with political, social, and moral underpinnings” (Booklist) that “may be Saramago’s finest work” (Los Angeles Times). Translated from the Portuguese by Giovanni Pontiero

The Stone Raft

I absolutely love the reflexivity of this novel.

Doug Belshaw

They are seated on the ground, under a Cordoban olive tree, the kind that, according to the popular quatrain, makes the oil yellow, as if olive oil weren't yellow, or only occasionally slightly greenish, and the first words from José Anaiço, he could not suppress them, were, This place is enough to put the fear of God into you, and Pedro Orce replied, It's much worse in Venta Micena, where I was born, an ambiguous formality that means what it appears to be saying as well as the exact opposite, depending more on the reader than on the reading, although the latter is entirely dependent on the former, which explains why we find it so difficult to know who is reading what has been read, or the effect of what has been read on the person who reads it, let us hope that, in this case, Pedro Orce will not think that the curse on the place is the result of his having been born there.

Reaching a decision means saying yes or no, the merest whisper on one's lips, the difficulties come later when one puts that decision into practice, as we learn from human experience, gained with time and patience, with few hopes and even fewer changes. 

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