Name: Incidents Around the House
Rating: 3.614864864864865 (37 reviews)

Josh Malerman

Incidents Around the House

Michael Shearin

I understand what the author was trying to do. It was a neat approach to tell the story from the child’s point of view about a failing marriage but the execution didn’t hit the mark for me. The child point of view gives us an annoying and unreliable narrator. I think an idea like this would play out better as a short story. The approach to turning it into a novel leaves us with a much longer than necessary waste of time. 

Katy Welyczko

Seriously an amazing and devastating story.

Adam Boulton

overall i enjoyed this! i liked the ending but felt like i didn't quiiiite understand it, so i found some interesting explanations online, but what i also found is that ppl are so desperate to wish for a different ending that is less bleak lol rly highlights how we as an american society cling to hopeful endings / finding a way out in the end. i did feel like there were moments were i was like "ok clearly a man wrote this" bc daddo was written as a freaking saint + there were certain aspects of ursula that felt like... only a man would write her flawed in this particularly unsavory way lmao. her big secret near the end... ok WHATEVER. i feel like this is how men THINK they can make women more dimensional but without actually doing so w any substance lol. i felt like bela's reaction to the secret was a bit outsized / over dramatized like i don't think it's THAT big of a deal, but then again i'm not an 8yo child and i haven't really ever even questioned my parentage, so i can't exactly put myself in her shoes. 

ALL OF THAT BEING SAID. i felt like josh malerman did quite a good job of sticking to a child's perspective even when it might have been easier to break out of that to explain what was going on. we had to interpret things through a particular lens to understand the pov of a child, and malerman had to write through this lens to be able to see the world through this child's eyes. i know it's quite hard to write like that, so i respect it! i also thought other mommy really was genuinely scary. i find that i'm particularly frightened of the unknown, so the fact that we never truly know what other mommy is and what she wants made me want to keep reading. it's funny how this family rly tried every single thing, but the end result is no different from if they had tried nothing at all, except that they all became different, arguably much worse, people by the end. one scene in particular i keep thinking abt is that WEIRDO guy who just wanted to touch other mommy. that scene PISSED ME OFF SO BADLY i was just as angry as ursula was in that moment. another scene that really stood out to me is grandma's monologue at the end. 

with horror books, it's often the ending that makes or breaks the story. i found that this particular ending really made me like the book much more. v curious about how this will be adapted to screen, particularly since other mommy is really just a nebulous entity that looks different every time they encounter her. 

lucia

overall i enjoyed this! i liked the ending but felt like i didn't quiiiite understand it, so i found some interesting explanations online, but what i also found is that ppl are so desperate to wish for a different ending that is less bleak lol rly highlights how we as an american society cling to hopeful endings / finding a way out in the end. i did feel like there were moments were i was like "ok clearly a man wrote this" bc daddo was written as a freaking saint + there were certain aspects of ursula that felt like... only a man would write her flawed in this particularly unsavory way lmao. her big secret near the end... ok WHATEVER. i feel like this is how men THINK they can make women more dimensional but without actually doing so w any substance lol. i felt like bela's reaction to the secret was a bit outsized / over dramatized like i don't think it's THAT big of a deal, but then again i'm not an 8yo child and i haven't really ever even questioned my parentage, so i can't exactly put myself in her shoes. 

ALL OF THAT BEING SAID. i felt like josh malerman did quite a good job of sticking to a child's perspective even when it might have been easier to break out of that to explain what was going on. we had to interpret things through a particular lens to understand the pov of a child, and malerman had to write through this lens to be able to see the world through this child's eyes. i know it's quite hard to write like that, so i respect it! i also thought other mommy really was genuinely scary. i find that i'm particularly frightened of the unknown, so the fact that we never truly know what other mommy is and what she wants made me want to keep reading. it's funny how this family rly tried every single thing, but the end result is no different from if they had tried nothing at all, except that they all became different, arguably much worse, people by the end. one scene in particular i keep thinking abt is that WEIRDO guy who just wanted to touch other mommy. that scene PISSED ME OFF SO BADLY i was just as angry as ursula was in that moment. another scene that really stood out to me is grandma's monologue at the end. 

with horror books, it's often the ending that makes or breaks the story. i found that this particular ending really made me like the book much more. v curious about how this will be adapted to screen, particularly since other mommy is really just a nebulous entity that looks different every time they encounter her. 

GET YOUR HEAD IN THE GAME, MOMMY, WE GOT AN EXTRADIMENSIONAL HAUNTING OVER HEREEEE.

This is the novel equivalent of hereditary: overhyped and disappointing. It had some creepy parts, no doubt, but that wasn’t enough to make up for the occasionally obnoxious monologues.

chelsea

enterándome as im writing this que bela supuestamente tiene ocho años ? huh ??? esta información nueva cambió lo mucho q me gustó el libro lol

esme villanueva

"that's the trick. the whole trick. with aging, with living, with enduring this life. it's all about the heart." / "and here i am, feeling worst of all for trying to get that monster to like you less, because even now, i don't want anything in this world to like you less than it does, not even a monster. i don't want what we found in our house to like you less because i want everything in this world and any world to love you."

i love when horror marries some elements of humanity and tenderness to it. malerman in particular has been just 

 at crafting these seemingly fantastical stories of monsters and haunted houses and yet still finding his way back to the root of all his writing: humanity. there is so much humanity in this one that i found myself crying more than i was scared. this left me feeling so inspired by life and was a much needed hug when i needed human connection the most. i love all the characters in this--in their flawness and innocence--and how gentle of a hand malerman painted the whole family dynamic with so we see why ursula and russ had to do the things they did.

an aspect of this story i really liked reading the most was how horror events like this can just absolutely fracture a family. you see their micro and macro networks start to fall apart, the frenzy, the almost cat and mouse chasing around for whatever small reprieve they can find. i think it's a very realistic way to handle the situation and the conversations surrounding it, however brutal sometimes, is exactly how i imagine most well-meaning parents would fall into once thrusted into this situation.

i think i'll keep a piece of bela and russ in me on the days i want to give up on the world.

🫂

"that's the trick. the whole trick. with aging, with living, with enduring this life. it's all about the heart." / "and here i am, feeling worst of all for trying to get that monster to like you less, because even now, i don't want anything in this world to like you less than it does, not even a monster. i don't want what we found in our house to like you less because i want everything in this world and any world to love you."

i love when horror marries some elements of humanity and tenderness to it. malerman in particular has been just stellar at crafting these seemingly fantastical stories of monsters and haunted houses and yet still finding his way back to the root of all his writing: humanity. there is so much humanity in this one that i found myself crying more than i was scared. this left me feeling so inspired by life and was a much needed hug when i needed human connection the most. i love all the characters in this--in their flawness and innocence--and how gentle of a hand malerman painted the whole family dynamic with so we see why ursula and russ had to do the things they did.

an aspect of this story i really liked reading the most was how horror events like this can just absolutely fracture a family. you see their micro and macro networks start to fall apart, the frenzy, the almost cat and mouse chasing around for whatever small reprieve they can find. i think it's a very realistic way to handle the situation and the conversations surrounding it, however brutal sometimes, is exactly how i imagine most well-meaning parents would fall into once thrusted into this situation.

this was a genuinely scary book.

it was just so much more touching.

i think i'll keep a piece of bela and russ in me on the days i want to give up on the world.

A huge thanks to NetGalley and Del Rey for the e-ARC! Malerman has been an auto-buy author for me since reading Bird Box and he does not disappoint!

Incidents Around the House is written entirely in the perspective of Bela, an eight-year-old that has frequent nightly visits from the Other Mommy in her closet. Unsettling, creepy, and often nauseating, the prose is somehow simplistic—as a child’s writing demands—yet surprisingly elegant and powerful. I was so impressed by the balance the author struck between the two, and it heightened my enjoyment throughout. I really found it hard to put this down (while sadly training at the new job).

Focusing heavily on what goes bump in the night, Malerman takes childhood fears and turns them into adulthood traumas. There was a single line about how Other Mommy was hiding in the dark corner, but her eyes were up near the ceiling that truly gave me chills. And that’s where this story excels, within its endless possibilities, within what it leaves unsaid. It’s childhood stories, it’s Goosebumps and Fear Street and Are You Afraid of the Dark, yet it’s deconstructed, enhanced, and rewound into an entirely unique and adult novel.

Bela’s Mommy and Daddo are great characters in their own right, but they’re also great characterizations of polar opposites in parenting. One feels trapped, ungrateful, and the bearer of bad news. The other is the optimistic, uplifting one, and Bela’s best friend. The light and the dark to their daughter. But what I enjoyed about this dynamic the most, was Malerman’s ability to showcase them so well that I stopped believing that I knew which parent was the “good” one. The rock-bottom feel of their desperation and disparity is something I would say is wholly unique and integral to the experience. And Bela is constantly drawn to the two for different reasons. And to Other Mommy too.

I also really enjoyed that the author gives us a mixture of modern things thrown in. A modern “hippie” exorcism that goes a bit wonky, a slew of cameras and alarms that could make my crew in BestGhost’s heads spin, two well behaved guard dogs that never seem to take a break, running away from home, both short and long trips, and of course, an occult specialist that’s absolutely not a sham. It kind of felt like taking absolutely everything you could do to save yourself, and finding out that all of it wasn’t the right thing.

I happened to be reading this at the same time as Baptiste Pinson Wu’s historical fantasy, Undead Samurai. The juxtaposition of zombies, swords, and action against Malerman’s slowed down, slithering, creepy-crawly horror, just really sold the experiences. And it really sold Malerman’s ability to sell an incredible story with a slower burn.

Can Other Mommy be trusted? Can she be let into Bela’s heart? Why is she named that? The absolutely unhinged act of twisting the dynamic of mother and daughter into something OTHER is truly brilliant. And gross, so gross.

Malerman is at his best, delivering readers with something to think about for years to come, especially before we turn out the lights. I genuinely feel for any reader that has a young daughter.

C. J. Daley 

A huge thanks to NetGalley and Del Rey for the e-ARC! Malerman has been an auto-buy author for me since reading Bird Box and he does not disappoint!

Incidents Around the House is written entirely in the perspective of Bela, an eight-year-old that has frequent nightly visits from the Other Mommy in her closet. Unsettling, creepy, and often nauseating, the prose is somehow simplistic—as a child’s writing demands—yet surprisingly elegant and powerful. I was so impressed by the balance the author struck between the two, and it heightened my enjoyment throughout. I really found it hard to put this down (while sadly training at the new job).

Focusing heavily on what goes bump in the night, Malerman takes childhood fears and turns them into adulthood traumas. There was a single line about how Other Mommy was hiding in the dark corner, but her eyes were up near the ceiling that truly gave me chills. And that’s where this story excels, within its endless possibilities, within what it leaves unsaid. It’s childhood stories, it’s Goosebumps and Fear Street and Are You Afraid of the Dark, yet it’s deconstructed, enhanced, and rewound into an entirely unique and adult novel.

Bela’s Mommy and Daddo are great characters in their own right, but they’re also great characterizations of polar opposites in parenting. One feels trapped, ungrateful, and the bearer of bad news. The other is the optimistic, uplifting one, and Bela’s best friend. The light and the dark to their daughter. But what I enjoyed about this dynamic the most, was Malerman’s ability to showcase them so well that I stopped believing that I knew which parent was the “good” one. The rock-bottom feel of their desperation and disparity is something I would say is wholly unique and integral to the experience. And Bela is constantly drawn to the two for different reasons. And to Other Mommy too.

I also really enjoyed that the author gives us a mixture of modern things thrown in. A modern “hippie” exorcism that goes a bit wonky, a slew of cameras and alarms that could make my crew in BestGhost’s heads spin, two well behaved guard dogs that never seem to take a break, running away from home, both short and long trips, and of course, an occult specialist that’s absolutely not a sham. It kind of felt like taking absolutely everything you could do to save yourself, and finding out that all of it wasn’t the right thing.

I happened to be reading this at the same time as Baptiste Pinson Wu’s historical fantasy, Undead Samurai. The juxtaposition of zombies, swords, and action against Malerman’s slowed down, slithering, creepy-crawly horror, just really sold the experiences. And it really sold Malerman’s ability to sell an incredible story with a slower burn.

Can Other Mommy be trusted? Can she be let into Bela’s heart? Why is she named that? The absolutely unhinged act of twisting the dynamic of mother and daughter into something OTHER is truly brilliant. And gross, so gross.

Malerman is at his best, delivering readers with something to think about for years to come, especially before we turn out the lights. I genuinely feel for any reader that has a young daughter.

Incidents Around the House

Reviews

Highlights